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diff --git a/assets/js/03af419f.846c4038.js b/assets/js/03af419f.d3efac70.js
similarity index 63%
rename from assets/js/03af419f.846c4038.js
rename to assets/js/03af419f.d3efac70.js
index 6b528abaa..2b8b1b5ac 100644
--- a/assets/js/03af419f.846c4038.js
+++ b/assets/js/03af419f.d3efac70.js
@@ -1 +1 @@
-"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[9305],{1865:(e,n,t)=>{t.r(n),t.d(n,{assets:()=>u,contentTitle:()=>o,default:()=>p,frontMatter:()=>l,metadata:()=>c,toc:()=>d});var a=t(4848),i=t(8453),r=t(1470),s=t(9365);const l={title:"VVenC",sidebar_position:12},o="VVenC",c={id:"encoders/VVenC",title:"VVenC",description:'
{t.d(n,{A:()=>s});t(6540);var a=t(4164);const i={tabItem:"tabItem_Ymn6"};var r=t(4848);function s(e){let{children:n,hidden:t,className:s}=e;return(0,r.jsx)("div",{role:"tabpanel",className:(0,a.A)(i.tabItem,s),hidden:t,children:n})}},1470:(e,n,t)=>{t.d(n,{A:()=>w});var a=t(6540),i=t(4164),r=t(3104),s=t(6347),l=t(205),o=t(7485),c=t(1682),u=t(9466);function d(e){return a.Children.toArray(e).filter((e=>"\n"!==e)).map((e=>{if(!e||(0,a.isValidElement)(e)&&function(e){const{props:n}=e;return!!n&&"object"==typeof n&&"value"in n}(e))return e;throw new Error(`Docusaurus error: Bad Hi
\nJust your friendly neighborhood video embed site
\n \n\n'})}),"\n",(0,s.jsx)(i.p,{children:"< br />\nThese interactive sites usually deploy a live script, like a Javascript framework. Examples are NodeJS, ExpressJS, Svelte, etc. These are used to parse video and thumbnails realtime so they can be embedded on Discord (or potentially other platforms)."}),"\n",(0,s.jsx)(i.h3,{id:"discords-end",children:"Discord's End"}),"\n",(0,s.jsx)(i.p,{children:'Traditionally, Discord\'s media embedder will impose it\'s own video embed size limit (50 MiB) when a user sends a direct video link as usual. But in this case Discord will embed the thumbnail first, not the video. You could say the link "tricks" Discord by showing a "false face" first.'}),"\n",(0,s.jsx)(i.h2,{id:"strengths--limitations",children:"Strengths & Limitations"}),"\n",(0,s.jsx)(i.p,{children:"After a combination of countless hours of observation, rigorous testing throughout the period of a year, and conversations with the sites' creators, the current strengths & limitations of this exploit are enumerated below."}),"\n",(0,s.jsx)(i.h4,{id:"strengths",children:"Strengths"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:["You can embed non-web compatible codecs such as ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/HEVC",children:"HEVC"})," in ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology#mp4--m4v",children:"MP4/MOV"}),", but the user must be using a compatible browser. ",(0,s.jsx)(i.a,{href:"https://thorium.rocks",children:"Thorium"})," or Safari version 13 or greater will work for HEVC playback."]}),"\n",(0,s.jsx)(i.li,{children:"There is no maximum size. You could embed a video the size of a raw Bluray, although I do not condone this unless you have the necessary legal permissions to do so or you're uploading a Creative Commons licensed movie like Big Buck Bunny while adhering to the restrictions of the applicable Creative Commons license. This also means you can send high bitrate gaming clips to your friends without any restrictions, assuming you already have a place to upload them."}),"\n"]}),"\n",(0,s.jsx)(i.h4,{id:"limitations",children:"Limitations"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:["You can only use ",(0,s.jsx)(i.a,{href:"https://simple.wikipedia.org/wiki/Hotlinking",children:"hotlinks"}),", which means direct linking to the video itself ending in the appropriate file extension such as ",(0,s.jsx)(i.code,{children:".mp4"}),". Cloud services like Google Drive or OneDrive will not work for storage."]}),"\n",(0,s.jsxs)(i.li,{children:["You cannot use Discord's CDN (cdn.discordapp.com) as the video source. I assume this is because of Discord's proxy blocking embeds over 50 MiB, but ",(0,s.jsx)(i.strong,{children:"only discord.nfp.is can do this"}),", as it ",(0,s.jsx)(i.strong,{children:"proxies cdn.discordapp.com"})," itself."]}),"\n",(0,s.jsx)(i.li,{children:"You cannot embed videos in any resolutions higher than 3840 x 2160, Discord imposes a hard limit for this on all video after it was discovered that some videos could play normally but then be maliciously scaled to ridiculous resolutions during playback to crash Discord."}),"\n"]}),"\n",(0,s.jsx)(i.h2,{id:"differences-between-sites",children:"Differences between Sites"}),"\n",(0,s.jsx)(i.p,{children:"As mentioned before, there are five known sites at the time of writing. They all serve the same function, but one may interest you more than another due to slight differences in features & functionality."}),"\n",(0,s.jsx)(i.p,{children:"Here are the sites, each with one noteworthy special benefit:"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://stolen.shoes",children:"https://stolen.shoes"})," - Recognition, as it is the OG."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://discord.nfp.is",children:"https://discord.nfp.is"})," - You can use Discord CDN as video source."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://embeds.video",children:"https://embeds.video"})," - Immediately input video source into the URL (",(0,s.jsx)(i.code,{children:"https://embeds.video/https://example.com/v/video.mp4"}),")"]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://x266.mov/discord-embed",children:"https://x266.mov/discord-embed"})," - Attractive domain, simple layout."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://autocompressor.net/av1",children:"https://autocompressor.net/av1"})," - Lots of info dump, pretty advanced features."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:"That concludes the technical overview! Next, let's cover the history of this exploit."}),"\n",(0,s.jsx)(i.h2,{id:"the-lore",children:"The Lore"}),"\n",(0,s.jsx)(i.h3,{id:"dwayne",children:"Dwayne"}),"\n",(0,s.jsxs)(i.p,{children:["In around April of 2022, a Reddit user going by the name of u/CreativeGamer03 ",(0,s.jsx)(i.a,{href:"https://www.reddit.com/r/discordapp/comments/u96kky/someone_sent_this_in_the_memes_channel_and_bruh",children:"posted a video on r/discordapp"}),' of a link where a GIF of Dwayne "The Rock" Johnson plays caption with "Is this a GIF or is it a video?" When played, a low-quality music video of Rick Astley\'s "Never Gonna Give You Up" plays.']}),"\n",(0,s.jsxs)(i.p,{children:["The link used is now unfortunately ",(0,s.jsx)(i.a,{href:"https://archuser.de/the-rock",children:"removed"}),"."]}),"\n",(0,s.jsx)(i.h3,{id:"discovery",children:"Discovery"}),"\n",(0,s.jsxs)(i.p,{children:["On 23rd June 2022, a Discord user ",(0,s.jsx)(i.em,{children:"Clybius"})," on the AV1 Community server asked people for ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/VP9",children:"VP9"})," or ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/AVC",children:"H.264"})," videos that were over 100 MB in size. At the time the current 500 MB nitro tier did not exist. They then decided to use a 59 minute 1080p sample video of nature scenery from around the world with a thumbnail featuring a GIF of a waterfall to test the exploit. It worked."]}),"\n",(0,s.jsxs)(i.p,{children:["He tried shortly afterward with ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/AV1",children:"AV1"}),". Eureka, it also worked:"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"AV1",src:t(6364).A+"",width:"497",height:"421"})}),"\n",(0,s.jsx)(i.p,{children:"Clybius confirmed that this could be patched if discovered. He cites having had the idea from the Dwayne Johnson example above, but forgetting about it for a couple of months. So, it seems this entire concept stemmed from a silly rickroll."}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"Dwayne",src:t(3312).A+"",width:"1108",height:"98"})}),"\n",(0,s.jsx)(i.h3,{id:"the-experiments--interactive-site",children:"The Experiments & Interactive Site"}),"\n",(0,s.jsxs)(i.p,{children:["After the discovery of AV1 embedding, experimentation brought about the discovery that ",(0,s.jsx)(i.em,{children:"any"})," video codec will work as long as the user can decode/play the codec and the container/extension is an MP4, MOV, or WebM. These are all traditionally web-compatible containers. If you're interested in learning about containers, please see the ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology#container",children:"Containers"})," section on the ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology",children:"Terminology"})," page."]}),"\n",(0,s.jsxs)(i.p,{children:["This applies to HEVC, ProRes, ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/audio/AAC#xhe-aac",children:"xHE-AAC"}),", and other bizarre codecs that are rarely seen on the Web."]}),"\n",(0,s.jsxs)(i.p,{children:["While experimentating, Clybius converted one their idle domains ",(0,s.jsx)(i.code,{children:"stolen.shoes"})," into an interactive embedder that provided a textbox for a video URL, a thumbnail URL, a width value, & a height value for the desired video. This would be the first website for Discord embedding."]}),"\n",(0,s.jsx)(i.h3,{id:"virality",children:"Virality"}),"\n",(0,s.jsxs)(i.p,{children:["It's not long before people outside of the AV1 Community discovered ",(0,s.jsx)(i.code,{children:"stolen.shoes"}),", and its popularity increased rapidly. Its use usually involved the illicit distribution of full-length, unauthorized copies of movies; this sometimes happened very shortly after some movies were released. There were a couple notable instances of this happenening that caused quite the stir online each time."]}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The first instance featured the DreamWorks sequel of "Puss in Boots (2011)", "Puss in Boots: The Last Wish (2022)". A 1080p video sourced from a streaming site was the first wake up call that attracted attention to the existence of these embed sites. This example used ',(0,s.jsx)(i.code,{children:"stolen.shoes"}),"."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"puss",src:t(6689).A+"",width:"1088",height:"318"})}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The second instance was when highly-anticipated animated film "The Super Mario Bros. Movie (2023)" produced by Illumination, Universal Studios, and Nintendo was spread around Discord. It was first spotted as a Cam (A camera recording by someone in theaters), then as it went out on streaming services a different link appeared but spread faster and with upgraded 1080p quality. Both used ',(0,s.jsx)(i.code,{children:"stolen.shoes"})," as the embed site."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"mario",src:t(5716).A+"",width:"1307",height:"335"})}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The third instance is very recent as of the day this was posted. A streaming-service sourced "Five Nights at Freddy\'s (2023)" was spread around since the movie released both in theaters and streaming service (Peacock) day one, and it gained steam extremely fast as most people had not seen it yet. Currently, this illegal novelty is gaining ',(0,s.jsx)(i.a,{href:"https://www.reddit.com/r/discordapp/comments/17hx45y/is_discordnfp_an_ip_grabber/",children:"hundreds of upvotes within the r/discordapp subreddit"}),". The copy seems to be a compressed 720p encode. This example used ",(0,s.jsx)(i.code,{children:"discord.nfp.is"}),"."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"fnaf",src:t(3536).A+"",width:"1044",height:"409"})}),"\n",(0,s.jsx)(i.p,{children:"Note the ones listed here are the ones that I saw become extremely popular. There may be lesser known links that have been spread around privately or just did not cause enough noise for me to notice. Some less popular examples I've noticed, featuring more illicit copyrighted content distribution:"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsx)(i.li,{children:"Top Gun Maverick (2022)"}),"\n",(0,s.jsx)(i.li,{children:"The SpongeBob trilogy (2005/2015/2020)"}),"\n",(0,s.jsx)(i.li,{children:"Spider-Man: Across the Spider-Verse (2023)"}),"\n"]}),"\n",(0,s.jsx)(i.h2,{id:"closing",children:"Closing"}),"\n",(0,s.jsx)(i.p,{children:"The ability to embed unusually large videos on Discord has enabled both positive and negative use cases. On the one hand, it allows high-quality content to be shared easily among friends. However, it has also facilitated mass copyright infringement by empowering virtually anyone with a Discord accound to freely spread pirated movies."}),"\n",(0,s.jsx)(i.p,{children:"While this is fascinating from a technical perspective, embedding techniques like these tread a fine ethical line. As with anything, it is important to be mindful of how our actions affect others, and I should remind everyone that content creators deserve to be compensated for their work. As users, we should support them by accessing their content via legitimate platforms."}),"\n",(0,s.jsx)(i.p,{children:"It is hard to say how long this exploit will continue to be usable. Instead of enabling piracy, which may cause Discord to be more likely to patch this exploit if they see it as a serious threat, let's instead use these capabilities responsibly to share our own creations, gaming highlights, and other media which we can share legally. Given some thoughtfulness, perhaps we can find a fair balance between respecting copyright law and appeasing Discord's sensibilities while allowing some creative flexibility on the platform."}),"\n",(0,s.jsx)(i.p,{children:"Thank you for reading this blog post, I hope you learned something!"})]})}function c(e={}){const{wrapper:i}={...(0,n.R)(),...e.components};return i?(0,s.jsx)(i,{...e,children:(0,s.jsx)(l,{...e})}):l(e)}},6364:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/clybius-av1-28dcfefe8d58784301332b8119d2e926.webp"},3312:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/clybius-dwayne-15341f187cb8e7dbfd5c4ee00451eabd.webp"},9395:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/discord-embed-blog-image-2bcaf4f73f5fa33664328756753f3041.webp"},3536:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/discordnfpis-fnaf-dab5b24a63605605e7c7882d20a992a3.webp"},5716:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/stolenshoes-mario-6de3b4071d4c09064d7323fec40530f4.webp"},6689:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/stolenshoes-puss-842a1f9165b7571d293a74be89da25c2.webp"},8453:(e,i,t)=>{t.d(i,{R:()=>r,x:()=>a});var s=t(6540);const n={},o=s.createContext(n);function r(e){const i=s.useContext(o);return s.useMemo((function(){return"function"==typeof e?e(i):{...i,...e}}),[i,e])}function a(e){let i;return i=e.disableParentContext?"function"==typeof e.components?e.components(n):e.components||n:r(e.components),s.createElement(o.Provider,{value:i},e.children)}}}]); \ No newline at end of file diff --git a/assets/js/09a8bfdb.b905f91a.js b/assets/js/09a8bfdb.b905f91a.js deleted file mode 100644 index 79740191d..000000000 --- a/assets/js/09a8bfdb.b905f91a.js +++ /dev/null @@ -1 +0,0 @@ -"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[5579],{1689:(e,i,t)=>{t.r(i),t.d(i,{assets:()=>d,contentTitle:()=>r,default:()=>c,frontMatter:()=>o,metadata:()=>a,toc:()=>l});var s=t(4848),n=t(8453);const o={title:"Embedding the Un-Embeddable",description:"Revealing the secrets of those websites that allow you to embed entire movies, AV1, and videos over 500MB on Discord.",slug:"embedding-the-un-embeddable",authors:[{name:"Simulping",title:"Maintainer / Encoder",url:"https://github.com/Simulping",image_url:"https://avatars.githubusercontent.com/u/12994794?v=4"}],tags:["video","discord"],image:"/img/discord-embed-blog-image.webp",hide_table_of_contents:!1},r=void 0,a={permalink:"/blog/embedding-the-un-embeddable",source:"@site/blog/2023-10-29-embedding-the-un-embeddable copy.mdx",title:"Embedding the Un-Embeddable",description:"Revealing the secrets of those websites that allow you to embed entire movies, AV1, and videos over 500MB on Discord.",date:"2023-10-29T00:00:00.000Z",tags:[{inline:!0,label:"video",permalink:"/blog/tags/video"},{inline:!0,label:"discord",permalink:"/blog/tags/discord"}],readingTime:8.92,hasTruncateMarker:!0,authors:[{name:"Simulping",title:"Maintainer / Encoder",url:"https://github.com/Simulping",image_url:"https://avatars.githubusercontent.com/u/12994794?v=4",imageURL:"https://avatars.githubusercontent.com/u/12994794?v=4"}],frontMatter:{title:"Embedding the Un-Embeddable",description:"Revealing the secrets of those websites that allow you to embed entire movies, AV1, and videos over 500MB on Discord.",slug:"embedding-the-un-embeddable",authors:[{name:"Simulping",title:"Maintainer / Encoder",url:"https://github.com/Simulping",image_url:"https://avatars.githubusercontent.com/u/12994794?v=4",imageURL:"https://avatars.githubusercontent.com/u/12994794?v=4"}],tags:["video","discord"],image:"/img/discord-embed-blog-image.webp",hide_table_of_contents:!1},unlisted:!1,prevItem:{title:"Encoding Animation with SVT-AV1: A Deep Dive",permalink:"/blog/svt-av1-deep-dive"},nextItem:{title:"AV1 Encoding for Dummies",permalink:"/blog/av1-encoding-for-dummies"}},d={authorsImageUrls:[void 0]},l=[{value:"A Scenario",id:"a-scenario",level:2},{value:"But First, a Quick Disclosure",id:"but-first-a-quick-disclosure",level:2},{value:"How it Works",id:"how-it-works",level:2},{value:"The Website's End",id:"the-websites-end",level:3},{value:"Discord's End",id:"discords-end",level:3},{value:"Strengths & Limitations",id:"strengths--limitations",level:2},{value:"Strengths",id:"strengths",level:4},{value:"Limitations",id:"limitations",level:4},{value:"Differences between Sites",id:"differences-between-sites",level:2},{value:"The Lore",id:"the-lore",level:2},{value:"Dwayne",id:"dwayne",level:3},{value:"Discovery",id:"discovery",level:3},{value:"The Experiments & Interactive Site",id:"the-experiments--interactive-site",level:3},{value:"Virality",id:"virality",level:3},{value:"Closing",id:"closing",level:2}];function h(e){const i={a:"a",code:"code",em:"em",h2:"h2",h3:"h3",h4:"h4",img:"img",li:"li",p:"p",pre:"pre",strong:"strong",ul:"ul",...(0,n.R)(),...e.components};return(0,s.jsxs)(s.Fragment,{children:[(0,s.jsxs)(i.p,{children:[(0,s.jsx)(i.img,{alt:"Feature image",src:t(5364).A+"",width:"1920",height:"1080"}),"\n",(0,s.jsx)(i.strong,{children:'A 567.14 MB, 12 min 11 s, 2K (2,048 x 858), VP9 + Opus, 6.51 Mbps average, Blender short film "Cosmos Laundromat"'})]}),"\n",(0,s.jsx)(i.h2,{id:"a-scenario",children:"A Scenario"}),"\n",(0,s.jsx)(i.p,{children:"While chatting in your favorite Discord servers & group chats, you may see a friend send a weird link. You might even consider it suspicious on first glance. It is a video featuring an image of a movie poster with a play button that is almost begging to be clicked. Naturally, you click it."}),"\n",(0,s.jsx)(i.p,{children:"It loads for a second, and to your surprise it is a full-length, 90-minute (sometimes even two hour)-long unauthorized copy of a movie. If you don't know exactly what is going on, you probably sit there dumbfounded as a pixel perfect HD movie plays back. You may have expected a stereotypically muddy, blocky, laggy shitpost, but this has defied your expectations."}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"stolen.shoes",src:t(5570).A+"",width:"1088",height:"318"})}),"\n",(0,s.jsxs)(i.p,{children:["The truth is, there are ",(0,s.jsx)(i.em,{children:"multiple"})," site that do this. Currently, there are five at the time of writing. Below is a list the ones I am currently familiar with:"]}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsx)(i.li,{children:(0,s.jsx)(i.a,{href:"https://stolen.shoes",children:"https://stolen.shoes"})}),"\n",(0,s.jsx)(i.li,{children:(0,s.jsx)(i.a,{href:"https://discord.nfp.is",children:"https://discord.nfp.is"})}),"\n",(0,s.jsx)(i.li,{children:(0,s.jsx)(i.a,{href:"https://embeds.video",children:"https://embeds.video"})}),"\n",(0,s.jsx)(i.li,{children:(0,s.jsx)(i.a,{href:"https://x266.mov/discord-embed",children:"https://x266.mov/discord-embed"})}),"\n",(0,s.jsx)(i.li,{children:(0,s.jsx)(i.a,{href:"https://autocompressor.net/av1",children:"https://autocompressor.net/av1"})}),"\n"]}),"\n",(0,s.jsxs)(i.p,{children:["The big question is, ",(0,s.jsx)(i.strong,{children:"how do they work?"})," Let's get to dissecting."]}),"\n",(0,s.jsx)(i.h2,{id:"but-first-a-quick-disclosure",children:"But First, a Quick Disclosure"}),"\n",(0,s.jsx)(i.p,{children:"The Codec Wiki unequivocally condemns any form of piracy, including the unauthorized distribution of copyrighted content. This blog post is intended to educate & inform. You may not use the tools discussed to infringe upon the intellectual property rights of content creators without serious legal risk. We encourage our readers to respect copyright laws & use the tools we discuss here appropriately."}),"\n",(0,s.jsx)(i.h2,{id:"how-it-works",children:"How it Works"}),"\n",(0,s.jsx)(i.p,{children:"The entire scheme is actually very simple, as it is all just HTML meta tags (If you are familiar with web development, this is all a walk in the park)."}),"\n",(0,s.jsx)(i.p,{children:"The technology's inner working can be divided into two distinct parts. First, let's see how it works on the website's end."}),"\n",(0,s.jsx)(i.h3,{id:"the-websites-end",children:"The Website's End"}),"\n",(0,s.jsx)(i.p,{children:"If you view each website's source, you will find this specific line in each one but they may have a different order:"}),"\n",(0,s.jsx)(i.pre,{children:(0,s.jsx)(i.code,{className:"language-html",children:'\n\n\n\n\n'})}),"\n",(0,s.jsxs)(i.p,{children:["These are the ",(0,s.jsx)(i.code,{children:"head"})," parts of HTML, which dictate metadata for the document itself such as what the website title/name is, cosmetic embed, defining the site's icon, etc. They are usually found in between the ",(0,s.jsx)(i.code,{children:""})," and ",(0,s.jsx)(i.code,{children:""})," tags. Here's an example of a static HTML site serving one specific video:"]}),"\n",(0,s.jsx)(i.pre,{children:(0,s.jsx)(i.code,{className:"language-html",children:'\n\n\n \n \nHi
\nJust your friendly neighborhood video embed site
\n \n\n'})}),"\n",(0,s.jsx)(i.p,{children:"< br />\nThese interactive sites usually deploy a live script, like a Javascript framework. Examples are NodeJS, ExpressJS, Svelte, etc. These are used to parse video and thumbnails realtime so they can be embedded on Discord (or potentially other platforms)."}),"\n",(0,s.jsx)(i.h3,{id:"discords-end",children:"Discord's End"}),"\n",(0,s.jsx)(i.p,{children:'Traditionally, Discord\'s media embedder will impose it\'s own video embed size limit (50 MiB) when a user sends a direct video link as usual. But in this case Discord will embed the thumbnail first, not the video. You could say the link "tricks" Discord by showing a "false face" first.'}),"\n",(0,s.jsx)(i.h2,{id:"strengths--limitations",children:"Strengths & Limitations"}),"\n",(0,s.jsx)(i.p,{children:"After a combination of countless hours of observation, rigorous testing throughout the period of a year, and conversations with the sites' creators, the current strengths & limitations of this exploit are enumerated below."}),"\n",(0,s.jsx)(i.h4,{id:"strengths",children:"Strengths"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:["You can embed non-web compatible codecs such as ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/HEVC",children:"HEVC"})," in ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology#mp4--m4v",children:"MP4/MOV"}),", but the user must be using a compatible browser. ",(0,s.jsx)(i.a,{href:"https://thorium.rocks",children:"Thorium"})," or Safari version 13 or greater will work for HEVC playback."]}),"\n",(0,s.jsx)(i.li,{children:"There is no maximum size. You could embed a video the size of a raw Bluray, although I do not condone this unless you have the necessary legal permissions to do so or you're uploading a Creative Commons licensed movie like Big Buck Bunny while adhering to the restrictions of the applicable Creative Commons license. This also means you can send high bitrate gaming clips to your friends without any restrictions, assuming you already have a place to upload them."}),"\n"]}),"\n",(0,s.jsx)(i.h4,{id:"limitations",children:"Limitations"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:["You can only use ",(0,s.jsx)(i.a,{href:"https://simple.wikipedia.org/wiki/Hotlinking",children:"hotlinks"}),", which means direct linking to the video itself ending in the appropriate file extension such as ",(0,s.jsx)(i.code,{children:".mp4"}),". Cloud services like Google Drive or OneDrive will not work for storage."]}),"\n",(0,s.jsxs)(i.li,{children:["You cannot use Discord's CDN (cdn.discordapp.com) as the video source. I assume this is because of Discord's proxy blocking embeds over 50 MiB, but ",(0,s.jsx)(i.strong,{children:"only discord.nfp.is can do this"}),", as it ",(0,s.jsx)(i.strong,{children:"proxies cdn.discordapp.com"})," itself."]}),"\n",(0,s.jsx)(i.li,{children:"You cannot embed videos in any resolutions higher than 3840 x 2160, Discord imposes a hard limit for this on all video after it was discovered that some videos could play normally but then be maliciously scaled to ridiculous resolutions during playback to crash Discord."}),"\n"]}),"\n",(0,s.jsx)(i.h2,{id:"differences-between-sites",children:"Differences between Sites"}),"\n",(0,s.jsx)(i.p,{children:"As mentioned before, there are five known sites at the time of writing. They all serve the same function, but one may interest you more than another due to slight differences in features & functionality."}),"\n",(0,s.jsx)(i.p,{children:"Here are the sites, each with one noteworthy special benefit:"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://stolen.shoes",children:"https://stolen.shoes"})," - Recognition, as it is the OG."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://discord.nfp.is",children:"https://discord.nfp.is"})," - You can use Discord CDN as video source."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://embeds.video",children:"https://embeds.video"})," - Immediately input video source into the URL (",(0,s.jsx)(i.code,{children:"https://embeds.video/https://example.com/v/video.mp4"}),")"]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://x266.mov/discord-embed",children:"https://x266.mov/discord-embed"})," - Attractive domain, simple layout."]}),"\n",(0,s.jsxs)(i.li,{children:[(0,s.jsx)(i.a,{href:"https://autocompressor.net/av1",children:"https://autocompressor.net/av1"})," - Lots of info dump, pretty advanced features."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:"That concludes the technical overview! Next, let's cover the history of this exploit."}),"\n",(0,s.jsx)(i.h2,{id:"the-lore",children:"The Lore"}),"\n",(0,s.jsx)(i.h3,{id:"dwayne",children:"Dwayne"}),"\n",(0,s.jsxs)(i.p,{children:["In around April of 2022, a Reddit user going by the name of u/CreativeGamer03 ",(0,s.jsx)(i.a,{href:"https://www.reddit.com/r/discordapp/comments/u96kky/someone_sent_this_in_the_memes_channel_and_bruh",children:"posted a video on r/discordapp"}),' of a link where a GIF of Dwayne "The Rock" Johnson plays caption with "Is this a GIF or is it a video?" When played, a low-quality music video of Rick Astley\'s "Never Gonna Give You Up" plays.']}),"\n",(0,s.jsxs)(i.p,{children:["The link used is now unfortunately ",(0,s.jsx)(i.a,{href:"https://archuser.de/the-rock",children:"removed"}),"."]}),"\n",(0,s.jsx)(i.h3,{id:"discovery",children:"Discovery"}),"\n",(0,s.jsxs)(i.p,{children:["On 23rd June 2022, a Discord user ",(0,s.jsx)(i.em,{children:"Clybius"})," on the AV1 Community server asked people for ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/VP9",children:"VP9"})," or ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/AVC",children:"H.264"})," videos that were over 100 MB in size. At the time the current 500 MB nitro tier did not exist. They then decided to use a 59 minute 1080p sample video of nature scenery from around the world with a thumbnail featuring a GIF of a waterfall to test the exploit. It worked."]}),"\n",(0,s.jsxs)(i.p,{children:["He tried shortly afterward with ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/video/AV1",children:"AV1"}),". Eureka, it also worked:"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"AV1",src:t(169).A+"",width:"497",height:"421"})}),"\n",(0,s.jsx)(i.p,{children:"Clybius confirmed that this could be patched if discovered. He cites having had the idea from the Dwayne Johnson example above, but forgetting about it for a couple of months. So, it seems this entire concept stemmed from a silly rickroll."}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"Dwayne",src:t(7131).A+"",width:"1108",height:"98"})}),"\n",(0,s.jsx)(i.h3,{id:"the-experiments--interactive-site",children:"The Experiments & Interactive Site"}),"\n",(0,s.jsxs)(i.p,{children:["After the discovery of AV1 embedding, experimentation brought about the discovery that ",(0,s.jsx)(i.em,{children:"any"})," video codec will work as long as the user can decode/play the codec and the container/extension is an MP4, MOV, or WebM. These are all traditionally web-compatible containers. If you're interested in learning about containers, please see the ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology#container",children:"Containers"})," section on the ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/introduction/terminology",children:"Terminology"})," page."]}),"\n",(0,s.jsxs)(i.p,{children:["This applies to HEVC, ProRes, ",(0,s.jsx)(i.a,{href:"https://wiki.x266.mov/docs/audio/AAC#xhe-aac",children:"xHE-AAC"}),", and other bizarre codecs that are rarely seen on the Web."]}),"\n",(0,s.jsxs)(i.p,{children:["While experimentating, Clybius converted one their idle domains ",(0,s.jsx)(i.code,{children:"stolen.shoes"})," into an interactive embedder that provided a textbox for a video URL, a thumbnail URL, a width value, & a height value for the desired video. This would be the first website for Discord embedding."]}),"\n",(0,s.jsx)(i.h3,{id:"virality",children:"Virality"}),"\n",(0,s.jsxs)(i.p,{children:["It's not long before people outside of the AV1 Community discovered ",(0,s.jsx)(i.code,{children:"stolen.shoes"}),", and its popularity increased rapidly. Its use usually involved the illicit distribution of full-length, unauthorized copies of movies; this sometimes happened very shortly after some movies were released. There were a couple notable instances of this happenening that caused quite the stir online each time."]}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The first instance featured the DreamWorks sequel of "Puss in Boots (2011)", "Puss in Boots: The Last Wish (2022)". A 1080p video sourced from a streaming site was the first wake up call that attracted attention to the existence of these embed sites. This example used ',(0,s.jsx)(i.code,{children:"stolen.shoes"}),"."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"puss",src:t(5570).A+"",width:"1088",height:"318"})}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The second instance was when highly-anticipated animated film "The Super Mario Bros. Movie (2023)" produced by Illumination, Universal Studios, and Nintendo was spread around Discord. It was first spotted as a Cam (A camera recording by someone in theaters), then as it went out on streaming services a different link appeared but spread faster and with upgraded 1080p quality. Both used ',(0,s.jsx)(i.code,{children:"stolen.shoes"})," as the embed site."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"mario",src:t(3397).A+"",width:"1307",height:"335"})}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsxs)(i.li,{children:['The third instance is very recent as of the day this was posted. A streaming-service sourced "Five Nights at Freddy\'s (2023)" was spread around since the movie released both in theaters and streaming service (Peacock) day one, and it gained steam extremely fast as most people had not seen it yet. Currently, this illegal novelty is gaining ',(0,s.jsx)(i.a,{href:"https://www.reddit.com/r/discordapp/comments/17hx45y/is_discordnfp_an_ip_grabber/",children:"hundreds of upvotes within the r/discordapp subreddit"}),". The copy seems to be a compressed 720p encode. This example used ",(0,s.jsx)(i.code,{children:"discord.nfp.is"}),"."]}),"\n"]}),"\n",(0,s.jsx)(i.p,{children:(0,s.jsx)(i.img,{alt:"fnaf",src:t(9769).A+"",width:"1044",height:"409"})}),"\n",(0,s.jsx)(i.p,{children:"Note the ones listed here are the ones that I saw become extremely popular. There may be lesser known links that have been spread around privately or just did not cause enough noise for me to notice. Some less popular examples I've noticed, featuring more illicit copyrighted content distribution:"}),"\n",(0,s.jsxs)(i.ul,{children:["\n",(0,s.jsx)(i.li,{children:"Top Gun Maverick (2022)"}),"\n",(0,s.jsx)(i.li,{children:"The SpongeBob trilogy (2005/2015/2020)"}),"\n",(0,s.jsx)(i.li,{children:"Spider-Man: Across the Spider-Verse (2023)"}),"\n"]}),"\n",(0,s.jsx)(i.h2,{id:"closing",children:"Closing"}),"\n",(0,s.jsx)(i.p,{children:"The ability to embed unusually large videos on Discord has enabled both positive and negative use cases. On the one hand, it allows high-quality content to be shared easily among friends. However, it has also facilitated mass copyright infringement by empowering virtually anyone with a Discord accound to freely spread pirated movies."}),"\n",(0,s.jsx)(i.p,{children:"While this is fascinating from a technical perspective, embedding techniques like these tread a fine ethical line. As with anything, it is important to be mindful of how our actions affect others, and I should remind everyone that content creators deserve to be compensated for their work. As users, we should support them by accessing their content via legitimate platforms."}),"\n",(0,s.jsx)(i.p,{children:"It is hard to say how long this exploit will continue to be usable. Instead of enabling piracy, which may cause Discord to be more likely to patch this exploit if they see it as a serious threat, let's instead use these capabilities responsibly to share our own creations, gaming highlights, and other media which we can share legally. Given some thoughtfulness, perhaps we can find a fair balance between respecting copyright law and appeasing Discord's sensibilities while allowing some creative flexibility on the platform."}),"\n",(0,s.jsx)(i.p,{children:"Thank you for reading this blog post, I hope you learned something!"})]})}function c(e={}){const{wrapper:i}={...(0,n.R)(),...e.components};return i?(0,s.jsx)(i,{...e,children:(0,s.jsx)(h,{...e})}):h(e)}},169:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/clybius-av1-28dcfefe8d58784301332b8119d2e926.webp"},7131:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/clybius-dwayne-15341f187cb8e7dbfd5c4ee00451eabd.webp"},5364:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/discord-embed-blog-image-2bcaf4f73f5fa33664328756753f3041.webp"},9769:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/discordnfpis-fnaf-dab5b24a63605605e7c7882d20a992a3.webp"},3397:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/stolenshoes-mario-6de3b4071d4c09064d7323fec40530f4.webp"},5570:(e,i,t)=>{t.d(i,{A:()=>s});const s=t.p+"assets/images/stolenshoes-puss-842a1f9165b7571d293a74be89da25c2.webp"},8453:(e,i,t)=>{t.d(i,{R:()=>r,x:()=>a});var s=t(6540);const n={},o=s.createContext(n);function r(e){const i=s.useContext(o);return s.useMemo((function(){return"function"==typeof e?e(i):{...i,...e}}),[i,e])}function a(e){let i;return i=e.disableParentContext?"function"==typeof e.components?e.components(n):e.components||n:r(e.components),s.createElement(o.Provider,{value:i},e.children)}}}]); \ No newline at end of file diff --git a/assets/js/09bc817a.2cf169f0.js b/assets/js/09bc817a.a9273c21.js similarity index 99% rename from assets/js/09bc817a.2cf169f0.js rename to assets/js/09bc817a.a9273c21.js index acecb54d1..9409e1c06 100644 --- a/assets/js/09bc817a.2cf169f0.js +++ b/assets/js/09bc817a.a9273c21.js @@ -1 +1 @@ -"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[1554],{5811:(e,n,i)=>{i.r(n),i.d(n,{assets:()=>c,contentTitle:()=>a,default:()=>h,frontMatter:()=>t,metadata:()=>r,toc:()=>d});var s=i(4848),o=i(8453);const t={title:"Opus",sidebar_position:2},a="Opus",r={id:"audio/Opus",title:"Opus",description:"The content in this entry is incomplete & is in the process of being completed.",source:"@site/docs/audio/Opus.mdx",sourceDirName:"audio",slug:"/audio/Opus",permalink:"/docs/audio/Opus",draft:!1,unlisted:!1,editUrl:"https://github.com/av1-community-contributors/codec-wiki/tree/main/docs/audio/Opus.mdx",tags:[],version:"current",sidebarPosition:2,frontMatter:{title:"Opus",sidebar_position:2},sidebar:"tutorialSidebar",previous:{title:"AAC",permalink:"/docs/audio/AAC"},next:{title:"Dolby Digital",permalink:"/docs/audio/Dolby"}},c={},d=[{value:"Format Breakdown",id:"format-breakdown",level:2},{value:"SILK",id:"silk",level:3},{value:"CELT",id:"celt",level:3},{value:"Encoders",id:"encoders",level:2},{value:"Opusenc",id:"opusenc",level:3},{value:"FFopus",id:"ffopus",level:3},{value:"vac-enc",id:"vac-enc",level:3}];function l(e){const n={a:"a",admonition:"admonition",blockquote:"blockquote",br:"br",code:"code",em:"em",h1:"h1",h2:"h2",h3:"h3",li:"li",p:"p",pre:"pre",ul:"ul",...(0,o.R)(),...e.components};return(0,s.jsxs)(s.Fragment,{children:[(0,s.jsx)(n.h1,{id:"opus",children:"Opus"}),"\n",(0,s.jsx)(n.admonition,{title:"Under Maintenance",type:"info",children:(0,s.jsx)(n.p,{children:"The content in this entry is incomplete & is in the process of being completed."})}),"\n",(0,s.jsxs)(n.p,{children:["Opus is an open-source audio codec that has largely replaced ",(0,s.jsx)(n.a,{href:"/docs/audio/Vorbis",children:"Vorbis"})," as the standard open audio codec. It is the recommended codec for usage in WebM video containers in tandem with the ",(0,s.jsx)(n.a,{href:"/docs/video/VP9",children:"VP9"})," or ",(0,s.jsx)(n.a,{href:"/docs/video/AV1",children:"AV1"})," video codecs."]}),"\n",(0,s.jsxs)(n.p,{children:["Opus is known for its incredible coding efficiency and unique multi-channel optimizations. Stereo Opus audio reaches ",(0,s.jsx)(n.a,{href:"https://en.wikipedia.org/wiki/Transparency_(data_compression)",children:"transparency"})," (psychoacoustically lossless audio quality) at 128kb/s, compared to ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC",children:"AAC"}),"'s generally agreed upon 256kb/s and ",(0,s.jsx)(n.a,{href:"/docs/audio/MP3",children:"MP3"}),"'s 320kb/s. Transparency varies based on the type of content & the encoding implementation used, especially for codecs other than Opus, and the values provided above may be debated to a degree."]}),"\n",(0,s.jsxs)(n.p,{children:["Opus is described on ",(0,s.jsx)(n.a,{href:"https://opus-codec.org/",children:"opus-codec.org"}),' as a "totally open, royalty-free, highly versatile audio codec. Opus is unmatched for interactive speech and music transmission over the Internet, but is also intended for storage and streaming applications. It is standardized by the Internet Engineering Task Force (IETF) as ',(0,s.jsx)(n.a,{href:"https://datatracker.ietf.org/doc/html/rfc6716",children:"RFC 6716"}),' which incorporated technology from Skype\u2019s SILK codec and Xiph.Org\u2019s CELT codec."']}),"\n",(0,s.jsx)(n.p,{children:"Opus supports the following features:"}),"\n",(0,s.jsxs)(n.ul,{children:["\n",(0,s.jsx)(n.li,{children:"Bitrates from 6 kb/s to 510 kb/s (with a maximum of around 255 kb/s per channel on non stereo layouts)"}),"\n",(0,s.jsx)(n.li,{children:"Sampling rates from 8 kHz (narrowband) to 48 kHz (fullband)"}),"\n",(0,s.jsx)(n.li,{children:"Frame sizes from 2.5 ms to 60 ms"}),"\n",(0,s.jsx)(n.li,{children:"Support for both constant bitrate (CBR) and variable bitrate (VBR)"}),"\n",(0,s.jsx)(n.li,{children:"Audio bandwidth from narrowband to fullband"}),"\n",(0,s.jsx)(n.li,{children:"Support for speech and music"}),"\n",(0,s.jsx)(n.li,{children:"Support for mono and stereo"}),"\n",(0,s.jsx)(n.li,{children:"Support for up to 255 channels (multistream frames)"}),"\n",(0,s.jsx)(n.li,{children:"Dynamically adjustable bitrate, audio bandwidth, and frame size"}),"\n",(0,s.jsx)(n.li,{children:"Good loss robustness and packet loss concealment (PLC)"}),"\n",(0,s.jsx)(n.li,{children:"Floating point and fixed-point implementation"}),"\n"]}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.em,{children:"via opus-codec.org and wiki.hydrogenaud.io"}),"."]}),"\n",(0,s.jsx)(n.h2,{id:"format-breakdown",children:"Format Breakdown"}),"\n",(0,s.jsx)(n.p,{children:"Opus is a hybrid audio codec, composed of two codecs as mentioned above. These are Skype's SILK codec for voice & Xiph.Org's CELT codec. Opus's initial name, Harmony, may have been because of the \"harmony\" of these two codecs and the musical connotation of harmony."}),"\n",(0,s.jsx)(n.h3,{id:"silk",children:"SILK"}),"\n",(0,s.jsx)(n.p,{children:"SILK, initially from Skype, was designed to be used for voice calls on Microsoft products like Skype. The first stable release of the codec was in 2009, and since then it has been freely licensed under the BSD 2-Clause license which has allowed for its adoption into Opus. The version of SILK used in Opus is substantially modified from - and not compatible with - the standalone SILK codec previously described here."}),"\n",(0,s.jsx)(n.p,{children:"SILK is optimized for speech, and so has limited sample rates as follows:"}),"\n",(0,s.jsxs)(n.blockquote,{children:["\n",(0,s.jsx)(n.p,{children:"Narrowband: 3-4000hz\nMediumband: 3-6000hz\nWideband: 3-8000hz"}),"\n"]}),"\n",(0,s.jsx)(n.p,{children:"SILK's latency is 10 to 60ms based on the desired framesize + 5ms lookahead to estimate noise shaping + (potentially) 1.5ms sampling rate conversion overhead if the input audio needs to be resampled."}),"\n",(0,s.jsx)(n.h3,{id:"celt",children:"CELT"}),"\n",(0,s.jsx)(n.p,{children:'Much like SILK, CELT is under the BSD 2-Clause license. The preview release came out in 2011. CELT stands for "Code-Excited Lapped Transform" and was designed to be the true successor to Vorbis, even being dubbed as "Vorbis II" during its initial development as part og Xiph.Org\'s "Ghost" project in 2005.'}),"\n",(0,s.jsxs)(n.p,{children:["CELT was designed to be a full-band general purpose codec without a particular specialization for a certain kind of audio, making it distinctly different from Xiph's ",(0,s.jsx)(n.a,{href:"/docs/audio/Speex",children:"Speex"})," codec & more similar to Vorbis. It is computationally simple relative to competing codec technologies like ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC",children:"AAC"})," & even Vorbis, enabling extremely low latency that is competitive with ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC#aac-ld--aac-eld",children:"AAC-LD"}),"."]}),"\n",(0,s.jsx)(n.p,{children:"CELT can work with the following sample rates:"}),"\n",(0,s.jsxs)(n.blockquote,{children:["\n",(0,s.jsx)(n.p,{children:"Narrowband: 3-4000hz\nMediumband: 3-6000hz\nWideband: 3-8000hz\nSuperWideband: 3-12000hz\nFullband: 3-20000hz"}),"\n"]}),"\n",(0,s.jsx)(n.h2,{id:"encoders",children:"Encoders"}),"\n",(0,s.jsx)(n.h3,{id:"opusenc",children:"Opusenc"}),"\n",(0,s.jsxs)(n.p,{children:["Opus's reference encoder is ",(0,s.jsx)(n.a,{href:"https://github.com/xiph/opus",children:"opusenc"}),", which is known for its fantastic performance and versatility. It is licensed under the BSD 3-clause license as part of the reference libopus library. There are a myriad of options that may be used to encode with opusenc, but the utility is considered to have sane encoding defaults for local storage & playback. The best options will be outlined below."]}),"\n",(0,s.jsxs)(n.p,{children:["Usage: ",(0,s.jsx)(n.code,{children:"opusenc [options] input_file output_file.opus"})]}),"\n",(0,s.jsxs)(n.ul,{children:["\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--bitrate #.###"})," Sets the overall target bitrate in kbit/s. Most encoders use ",(0,s.jsx)(n.em,{children:"bits"}),' per second, meaning you have to specify "128K" for 128kbit/s for example. Opus doesn\'t follow this, so you\'d just have to type "128" though keep in mind using efficient VBR encoding means the final bitrate may be different than the target. Opus supports bitrates from 6 kb/s to 510 kb/s.']}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--vbr"})," Tells the encoder to encode using a variable bit rate, allocating more or less bits when necessary to preserve overall fidelity per bit. This is the best option for local storage & playback, and is ",(0,s.jsx)(n.em,{children:"enabled by default."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--cvbr"})," Tells the encoder that it is allowed to vary the bitrate like with VBR, but it must constrain the maximum bitrate at any given moment to the value provided."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--hard-cbr"})," Tells the encoder to use a constant bitrate the whole time."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--music"})," & ",(0,s.jsx)(n.code,{children:"--speech"})," Forces the AI content-detector built into opusenc to treat the input as either speech or music. The bitrate range where this is relevant is around 12-40kb/s."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--comp #"})," Sets the encoder complexity to a value from 0 to 10, 0 being the least complex & 10 being the most. ",(0,s.jsx)(n.em,{children:"The default is 10."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--framesize #"})," Sets the maximum encoder frame size in milliseconds. Lowering this is useful for improving latency at the expense of audio quality per bit. It is worth noting that 40 & 60ms framesizes are just multiple 20ms frames stitched together via opusenc's default behavior, and are not considered useful as they just lower the encoder's adaptability which can worsen both latency & coding efficiency. ",(0,s.jsx)(n.em,{children:"The default value is 20."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--expect-loss #"})," Percentage value for expected packet loss. Not useful for local encoding & playback, but useful for real-time applications. ",(0,s.jsx)(n.em,{children:"Default value is 0."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--downmix-mono"})," Downmixes multiple channels into a single channel."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--downmix-stereo"})," Downmixes multiple channels into two channels, left & right, given more than two channels are provided to the encoder."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--no-phase-inv"})," Disables phase inversion. Helpful when downmixing stereo to mono, although this is the default behavior in that scenario since libopus 1.3. Slightly decreases stereo audio quality."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--max-delay #"})," Sets maximum container delay in milliseconds, from 0-1000. ",(0,s.jsx)(n.em,{children:"Default is 1000."})]}),"\n"]}),"\n"]}),"\n",(0,s.jsx)(n.p,{children:"Looking at the default values for the encoder flags, opusenc almost always follows the best practices for every default value. This makes it very easy to use, and it is as simple as plugging in a source of some kind and using only the most basic commands to encode with opus."}),"\n",(0,s.jsx)(n.p,{children:"An example opusenc command:"}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'opusenc "input.wav" "output.opus" --bitrate 96\n'})}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.a,{href:"/docs/utilities/ffmpeg",children:"FFmpeg"})," using libopus:"]}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.flac" -c:a libopus -b:a 128K "output.ogg"\n'})}),"\n",(0,s.jsxs)(n.p,{children:["If you'd like to learn more about opusenc & its recommended default behavior, read this article on ",(0,s.jsx)(n.a,{href:"https://wiki.xiph.org/Opus_Recommended_Settings#Bandwidth_Transition_Thresholds",children:"Opus Recommended Settings"}),"."]}),"\n",(0,s.jsxs)(n.admonition,{title:"Existing bug in ffmpeg",type:"info",children:[(0,s.jsxs)(n.p,{children:["Due to a bug in ffmpeg ",(0,s.jsx)(n.a,{href:"https://trac.ffmpeg.org/ticket/5718",children:"(#5718)"}),", ffmpeg won't automatically remap ",(0,s.jsx)(n.code,{children:"5.1(side)"})," to ",(0,s.jsx)(n.code,{children:"5.1"})," when using libopus.",(0,s.jsx)(n.br,{}),"\n","To remap the channel layout explicitly, try this:"]}),(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.flac" -c:a libopus -af aformat=channel_layouts=5.1 "output.ogg"\n'})}),(0,s.jsxs)(n.admonition,{type:"tip",children:[(0,s.jsx)(n.p,{children:"You can handle arbitrary audio stream mappings with this:"}),(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:"-af aformat=channel_layouts=7.1|5.1|stereo -mapping_family 1\n"})})]})]}),"\n",(0,s.jsx)(n.h3,{id:"ffopus",children:"FFopus"}),"\n",(0,s.jsx)(n.p,{children:"FFopus is an experimental native opus encoder from FFmpeg. It is not widely regarded as providing any decent uplift in coding efficiency compared to libopus, and is usually considered worse; its only merit is being able to handle 5.1(side) streams while libopus in FFmpeg cannot. It only implements the CELT part of the Opus codec."}),"\n",(0,s.jsx)(n.p,{children:"FFopus usage:"}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.wma" -c:a opus -b:a 128K -strict -2 "output.opus"\n'})}),"\n",(0,s.jsx)(n.h3,{id:"vac-enc",children:"vac-enc"}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.a,{href:"https://github.com/gianni-rosato/vac-enc",children:"VAC"}),", or Value Added Codec, is a libopus encoder that uses SoX to resample inputs & supports output to ",(0,s.jsx)(n.code,{children:".ogg"})," rather than exclusively ",(0,s.jsx)(n.code,{children:".opus"}),". Better resampling theoretically leads to better coding efficiency, but vac-enc hasn't been thoroughly tested."]}),"\n",(0,s.jsxs)(n.p,{children:["Encoding a 16-bit signed little endian ",(0,s.jsx)(n.code,{children:"pcm_s16le"})," WAV to 128kbit/s Opus in an OGG container:"]}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:"vac-enc input.wav output.ogg 128\n"})})]})}function h(e={}){const{wrapper:n}={...(0,o.R)(),...e.components};return n?(0,s.jsx)(n,{...e,children:(0,s.jsx)(l,{...e})}):l(e)}},8453:(e,n,i)=>{i.d(n,{R:()=>a,x:()=>r});var s=i(6540);const o={},t=s.createContext(o);function a(e){const n=s.useContext(t);return s.useMemo((function(){return"function"==typeof e?e(n):{...n,...e}}),[n,e])}function r(e){let n;return n=e.disableParentContext?"function"==typeof e.components?e.components(o):e.components||o:a(e.components),s.createElement(t.Provider,{value:n},e.children)}}}]); \ No newline at end of file +"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[1554],{2120:(e,n,i)=>{i.r(n),i.d(n,{assets:()=>c,contentTitle:()=>a,default:()=>h,frontMatter:()=>t,metadata:()=>r,toc:()=>d});var s=i(4848),o=i(8453);const t={title:"Opus",sidebar_position:2},a="Opus",r={id:"audio/Opus",title:"Opus",description:"The content in this entry is incomplete & is in the process of being completed.",source:"@site/docs/audio/Opus.mdx",sourceDirName:"audio",slug:"/audio/Opus",permalink:"/docs/audio/Opus",draft:!1,unlisted:!1,editUrl:"https://github.com/av1-community-contributors/codec-wiki/tree/main/docs/audio/Opus.mdx",tags:[],version:"current",sidebarPosition:2,frontMatter:{title:"Opus",sidebar_position:2},sidebar:"tutorialSidebar",previous:{title:"AAC",permalink:"/docs/audio/AAC"},next:{title:"Dolby Digital",permalink:"/docs/audio/Dolby"}},c={},d=[{value:"Format Breakdown",id:"format-breakdown",level:2},{value:"SILK",id:"silk",level:3},{value:"CELT",id:"celt",level:3},{value:"Encoders",id:"encoders",level:2},{value:"Opusenc",id:"opusenc",level:3},{value:"FFopus",id:"ffopus",level:3},{value:"vac-enc",id:"vac-enc",level:3}];function l(e){const n={a:"a",admonition:"admonition",blockquote:"blockquote",br:"br",code:"code",em:"em",h1:"h1",h2:"h2",h3:"h3",li:"li",p:"p",pre:"pre",ul:"ul",...(0,o.R)(),...e.components};return(0,s.jsxs)(s.Fragment,{children:[(0,s.jsx)(n.h1,{id:"opus",children:"Opus"}),"\n",(0,s.jsx)(n.admonition,{title:"Under Maintenance",type:"info",children:(0,s.jsx)(n.p,{children:"The content in this entry is incomplete & is in the process of being completed."})}),"\n",(0,s.jsxs)(n.p,{children:["Opus is an open-source audio codec that has largely replaced ",(0,s.jsx)(n.a,{href:"/docs/audio/Vorbis",children:"Vorbis"})," as the standard open audio codec. It is the recommended codec for usage in WebM video containers in tandem with the ",(0,s.jsx)(n.a,{href:"/docs/video/VP9",children:"VP9"})," or ",(0,s.jsx)(n.a,{href:"/docs/video/AV1",children:"AV1"})," video codecs."]}),"\n",(0,s.jsxs)(n.p,{children:["Opus is known for its incredible coding efficiency and unique multi-channel optimizations. Stereo Opus audio reaches ",(0,s.jsx)(n.a,{href:"https://en.wikipedia.org/wiki/Transparency_(data_compression)",children:"transparency"})," (psychoacoustically lossless audio quality) at 128kb/s, compared to ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC",children:"AAC"}),"'s generally agreed upon 256kb/s and ",(0,s.jsx)(n.a,{href:"/docs/audio/MP3",children:"MP3"}),"'s 320kb/s. Transparency varies based on the type of content & the encoding implementation used, especially for codecs other than Opus, and the values provided above may be debated to a degree."]}),"\n",(0,s.jsxs)(n.p,{children:["Opus is described on ",(0,s.jsx)(n.a,{href:"https://opus-codec.org/",children:"opus-codec.org"}),' as a "totally open, royalty-free, highly versatile audio codec. Opus is unmatched for interactive speech and music transmission over the Internet, but is also intended for storage and streaming applications. It is standardized by the Internet Engineering Task Force (IETF) as ',(0,s.jsx)(n.a,{href:"https://datatracker.ietf.org/doc/html/rfc6716",children:"RFC 6716"}),' which incorporated technology from Skype\u2019s SILK codec and Xiph.Org\u2019s CELT codec."']}),"\n",(0,s.jsx)(n.p,{children:"Opus supports the following features:"}),"\n",(0,s.jsxs)(n.ul,{children:["\n",(0,s.jsx)(n.li,{children:"Bitrates from 6 kb/s to 510 kb/s (with a maximum of around 255 kb/s per channel on non stereo layouts)"}),"\n",(0,s.jsx)(n.li,{children:"Sampling rates from 8 kHz (narrowband) to 48 kHz (fullband)"}),"\n",(0,s.jsx)(n.li,{children:"Frame sizes from 2.5 ms to 60 ms"}),"\n",(0,s.jsx)(n.li,{children:"Support for both constant bitrate (CBR) and variable bitrate (VBR)"}),"\n",(0,s.jsx)(n.li,{children:"Audio bandwidth from narrowband to fullband"}),"\n",(0,s.jsx)(n.li,{children:"Support for speech and music"}),"\n",(0,s.jsx)(n.li,{children:"Support for mono and stereo"}),"\n",(0,s.jsx)(n.li,{children:"Support for up to 255 channels (multistream frames)"}),"\n",(0,s.jsx)(n.li,{children:"Dynamically adjustable bitrate, audio bandwidth, and frame size"}),"\n",(0,s.jsx)(n.li,{children:"Good loss robustness and packet loss concealment (PLC)"}),"\n",(0,s.jsx)(n.li,{children:"Floating point and fixed-point implementation"}),"\n"]}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.em,{children:"via opus-codec.org and wiki.hydrogenaud.io"}),"."]}),"\n",(0,s.jsx)(n.h2,{id:"format-breakdown",children:"Format Breakdown"}),"\n",(0,s.jsx)(n.p,{children:"Opus is a hybrid audio codec, composed of two codecs as mentioned above. These are Skype's SILK codec for voice & Xiph.Org's CELT codec. Opus's initial name, Harmony, may have been because of the \"harmony\" of these two codecs and the musical connotation of harmony."}),"\n",(0,s.jsx)(n.h3,{id:"silk",children:"SILK"}),"\n",(0,s.jsx)(n.p,{children:"SILK, initially from Skype, was designed to be used for voice calls on Microsoft products like Skype. The first stable release of the codec was in 2009, and since then it has been freely licensed under the BSD 2-Clause license which has allowed for its adoption into Opus. The version of SILK used in Opus is substantially modified from - and not compatible with - the standalone SILK codec previously described here."}),"\n",(0,s.jsx)(n.p,{children:"SILK is optimized for speech, and so has limited sample rates as follows:"}),"\n",(0,s.jsxs)(n.blockquote,{children:["\n",(0,s.jsx)(n.p,{children:"Narrowband: 3-4000hz\nMediumband: 3-6000hz\nWideband: 3-8000hz"}),"\n"]}),"\n",(0,s.jsx)(n.p,{children:"SILK's latency is 10 to 60ms based on the desired framesize + 5ms lookahead to estimate noise shaping + (potentially) 1.5ms sampling rate conversion overhead if the input audio needs to be resampled."}),"\n",(0,s.jsx)(n.h3,{id:"celt",children:"CELT"}),"\n",(0,s.jsx)(n.p,{children:'Much like SILK, CELT is under the BSD 2-Clause license. The preview release came out in 2011. CELT stands for "Code-Excited Lapped Transform" and was designed to be the true successor to Vorbis, even being dubbed as "Vorbis II" during its initial development as part og Xiph.Org\'s "Ghost" project in 2005.'}),"\n",(0,s.jsxs)(n.p,{children:["CELT was designed to be a full-band general purpose codec without a particular specialization for a certain kind of audio, making it distinctly different from Xiph's ",(0,s.jsx)(n.a,{href:"/docs/audio/Speex",children:"Speex"})," codec & more similar to Vorbis. It is computationally simple relative to competing codec technologies like ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC",children:"AAC"})," & even Vorbis, enabling extremely low latency that is competitive with ",(0,s.jsx)(n.a,{href:"/docs/audio/AAC#aac-ld--aac-eld",children:"AAC-LD"}),"."]}),"\n",(0,s.jsx)(n.p,{children:"CELT can work with the following sample rates:"}),"\n",(0,s.jsxs)(n.blockquote,{children:["\n",(0,s.jsx)(n.p,{children:"Narrowband: 3-4000hz\nMediumband: 3-6000hz\nWideband: 3-8000hz\nSuperWideband: 3-12000hz\nFullband: 3-20000hz"}),"\n"]}),"\n",(0,s.jsx)(n.h2,{id:"encoders",children:"Encoders"}),"\n",(0,s.jsx)(n.h3,{id:"opusenc",children:"Opusenc"}),"\n",(0,s.jsxs)(n.p,{children:["Opus's reference encoder is ",(0,s.jsx)(n.a,{href:"https://github.com/xiph/opus",children:"opusenc"}),", which is known for its fantastic performance and versatility. It is licensed under the BSD 3-clause license as part of the reference libopus library. There are a myriad of options that may be used to encode with opusenc, but the utility is considered to have sane encoding defaults for local storage & playback. The best options will be outlined below."]}),"\n",(0,s.jsxs)(n.p,{children:["Usage: ",(0,s.jsx)(n.code,{children:"opusenc [options] input_file output_file.opus"})]}),"\n",(0,s.jsxs)(n.ul,{children:["\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--bitrate #.###"})," Sets the overall target bitrate in kbit/s. Most encoders use ",(0,s.jsx)(n.em,{children:"bits"}),' per second, meaning you have to specify "128K" for 128kbit/s for example. Opus doesn\'t follow this, so you\'d just have to type "128" though keep in mind using efficient VBR encoding means the final bitrate may be different than the target. Opus supports bitrates from 6 kb/s to 510 kb/s.']}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--vbr"})," Tells the encoder to encode using a variable bit rate, allocating more or less bits when necessary to preserve overall fidelity per bit. This is the best option for local storage & playback, and is ",(0,s.jsx)(n.em,{children:"enabled by default."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--cvbr"})," Tells the encoder that it is allowed to vary the bitrate like with VBR, but it must constrain the maximum bitrate at any given moment to the value provided."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--hard-cbr"})," Tells the encoder to use a constant bitrate the whole time."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--music"})," & ",(0,s.jsx)(n.code,{children:"--speech"})," Forces the AI content-detector built into opusenc to treat the input as either speech or music. The bitrate range where this is relevant is around 12-40kb/s."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--comp #"})," Sets the encoder complexity to a value from 0 to 10, 0 being the least complex & 10 being the most. ",(0,s.jsx)(n.em,{children:"The default is 10."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--framesize #"})," Sets the maximum encoder frame size in milliseconds. Lowering this is useful for improving latency at the expense of audio quality per bit. It is worth noting that 40 & 60ms framesizes are just multiple 20ms frames stitched together via opusenc's default behavior, and are not considered useful as they just lower the encoder's adaptability which can worsen both latency & coding efficiency. ",(0,s.jsx)(n.em,{children:"The default value is 20."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--expect-loss #"})," Percentage value for expected packet loss. Not useful for local encoding & playback, but useful for real-time applications. ",(0,s.jsx)(n.em,{children:"Default value is 0."})]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--downmix-mono"})," Downmixes multiple channels into a single channel."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--downmix-stereo"})," Downmixes multiple channels into two channels, left & right, given more than two channels are provided to the encoder."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--no-phase-inv"})," Disables phase inversion. Helpful when downmixing stereo to mono, although this is the default behavior in that scenario since libopus 1.3. Slightly decreases stereo audio quality."]}),"\n"]}),"\n",(0,s.jsxs)(n.li,{children:["\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.code,{children:"--max-delay #"})," Sets maximum container delay in milliseconds, from 0-1000. ",(0,s.jsx)(n.em,{children:"Default is 1000."})]}),"\n"]}),"\n"]}),"\n",(0,s.jsx)(n.p,{children:"Looking at the default values for the encoder flags, opusenc almost always follows the best practices for every default value. This makes it very easy to use, and it is as simple as plugging in a source of some kind and using only the most basic commands to encode with opus."}),"\n",(0,s.jsx)(n.p,{children:"An example opusenc command:"}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'opusenc "input.wav" "output.opus" --bitrate 96\n'})}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.a,{href:"/docs/utilities/ffmpeg",children:"FFmpeg"})," using libopus:"]}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.flac" -c:a libopus -b:a 128K "output.ogg"\n'})}),"\n",(0,s.jsxs)(n.p,{children:["If you'd like to learn more about opusenc & its recommended default behavior, read this article on ",(0,s.jsx)(n.a,{href:"https://wiki.xiph.org/Opus_Recommended_Settings#Bandwidth_Transition_Thresholds",children:"Opus Recommended Settings"}),"."]}),"\n",(0,s.jsxs)(n.admonition,{title:"Existing bug in ffmpeg",type:"info",children:[(0,s.jsxs)(n.p,{children:["Due to a bug in ffmpeg ",(0,s.jsx)(n.a,{href:"https://trac.ffmpeg.org/ticket/5718",children:"(#5718)"}),", ffmpeg won't automatically remap ",(0,s.jsx)(n.code,{children:"5.1(side)"})," to ",(0,s.jsx)(n.code,{children:"5.1"})," when using libopus.",(0,s.jsx)(n.br,{}),"\n","To remap the channel layout explicitly, try this:"]}),(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.flac" -c:a libopus -af aformat=channel_layouts=5.1 "output.ogg"\n'})}),(0,s.jsxs)(n.admonition,{type:"tip",children:[(0,s.jsx)(n.p,{children:"You can handle arbitrary audio stream mappings with this:"}),(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:"-af aformat=channel_layouts=7.1|5.1|stereo -mapping_family 1\n"})})]})]}),"\n",(0,s.jsx)(n.h3,{id:"ffopus",children:"FFopus"}),"\n",(0,s.jsx)(n.p,{children:"FFopus is an experimental native opus encoder from FFmpeg. It is not widely regarded as providing any decent uplift in coding efficiency compared to libopus, and is usually considered worse; its only merit is being able to handle 5.1(side) streams while libopus in FFmpeg cannot. It only implements the CELT part of the Opus codec."}),"\n",(0,s.jsx)(n.p,{children:"FFopus usage:"}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:'ffmpeg -i "input.wma" -c:a opus -b:a 128K -strict -2 "output.opus"\n'})}),"\n",(0,s.jsx)(n.h3,{id:"vac-enc",children:"vac-enc"}),"\n",(0,s.jsxs)(n.p,{children:[(0,s.jsx)(n.a,{href:"https://github.com/gianni-rosato/vac-enc",children:"VAC"}),", or Value Added Codec, is a libopus encoder that uses SoX to resample inputs & supports output to ",(0,s.jsx)(n.code,{children:".ogg"})," rather than exclusively ",(0,s.jsx)(n.code,{children:".opus"}),". Better resampling theoretically leads to better coding efficiency, but vac-enc hasn't been thoroughly tested."]}),"\n",(0,s.jsxs)(n.p,{children:["Encoding a 16-bit signed little endian ",(0,s.jsx)(n.code,{children:"pcm_s16le"})," WAV to 128kbit/s Opus in an OGG container:"]}),"\n",(0,s.jsx)(n.pre,{children:(0,s.jsx)(n.code,{className:"language-bash",children:"vac-enc input.wav output.ogg 128\n"})})]})}function h(e={}){const{wrapper:n}={...(0,o.R)(),...e.components};return n?(0,s.jsx)(n,{...e,children:(0,s.jsx)(l,{...e})}):l(e)}},8453:(e,n,i)=>{i.d(n,{R:()=>a,x:()=>r});var s=i(6540);const o={},t=s.createContext(o);function a(e){const n=s.useContext(t);return s.useMemo((function(){return"function"==typeof e?e(n):{...n,...e}}),[n,e])}function r(e){let n;return n=e.disableParentContext?"function"==typeof e.components?e.components(o):e.components||o:a(e.components),s.createElement(t.Provider,{value:n},e.children)}}}]); \ No newline at end of file diff --git a/assets/js/0b185270.72d28bf6.js b/assets/js/0b185270.72d28bf6.js new file mode 100644 index 000000000..2c75b78f1 --- /dev/null +++ b/assets/js/0b185270.72d28bf6.js @@ -0,0 +1 @@ +"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[3482],{5754:(e,t,i)=>{i.r(t),i.d(t,{assets:()=>d,contentTitle:()=>r,default:()=>h,frontMatter:()=>s,metadata:()=>a,toc:()=>c});var n=i(4848),o=i(8453);const s={title:"FAQ",sidebar_label:"\u2753 FAQ",position:14},r="FAQ",a={id:"FAQ",title:"FAQ",description:"Why are you doing this?",source:"@site/docs/FAQ.mdx",sourceDirName:".",slug:"/FAQ",permalink:"/docs/FAQ",draft:!1,unlisted:!1,editUrl:"https://github.com/av1-community-contributors/codec-wiki/tree/main/docs/FAQ.mdx",tags:[],version:"current",frontMatter:{title:"FAQ",sidebar_label:"\u2753 FAQ",position:14},sidebar:"tutorialSidebar",previous:{title:"\u2712\ufe0f Contribution Guide",permalink:"/docs/contribution-guide"},next:{title:"\ud83d\udd0f Privacy Policy",permalink:"/docs/privacy-policy"}},d={},c=[{value:"Why are you doing this?",id:"why-are-you-doing-this",level:2},{value:"But alternatives exist. Why not contribute there?",id:"but-alternatives-exist-why-not-contribute-there",level:3},{value:"How do I get started as a contributor?",id:"how-do-i-get-started-as-a-contributor",level:3},{value:"Why "Codec Wiki"?",id:"why-codec-wiki",level:3}];function l(e){const t={a:"a",h1:"h1",h2:"h2",h3:"h3",li:"li",p:"p",ul:"ul",...(0,o.R)(),...e.components};return(0,n.jsxs)(n.Fragment,{children:[(0,n.jsx)(t.h1,{id:"faq",children:"FAQ"}),"\n",(0,n.jsx)(t.h2,{id:"why-are-you-doing-this",children:"Why are you doing this?"}),"\n",(0,n.jsx)(t.p,{children:"Multimedia encoding & the digital compression space is an incredible field that many tech enthusiasts, professionals, & laymen have no easy entry point to. Wikipedia has a vast amount of information on many of the individual topics covered here but doesn't offer a cohesive way to engage with the entire sphere of knowledge as a whole. While this site started as a lighthearted guide (you'll see the remnants of this strewn about the various wiki entries), it has quickly become an endeavor to unite digital compression aficionados to make the knowledge more accessible for all."}),"\n",(0,n.jsx)(t.h3,{id:"but-alternatives-exist-why-not-contribute-there",children:"But alternatives exist. Why not contribute there?"}),"\n",(0,n.jsx)(t.p,{children:"While this is true, this is easier said than done."}),"\n",(0,n.jsxs)(t.ul,{children:["\n",(0,n.jsxs)(t.li,{children:["\n",(0,n.jsx)(t.p,{children:"Multimedia Wiki is not as active as it used to be, & a new effort makes sense to carry past efforts forward."}),"\n"]}),"\n",(0,n.jsxs)(t.li,{children:["\n",(0,n.jsxs)(t.p,{children:[(0,n.jsx)(t.a,{href:"https://guide.encode.moe/",children:"guide.encode.moe"})," is stagnant and mostly focused on fansub, docs & personal experiences that are scattered around the Internet."]}),"\n"]}),"\n",(0,n.jsxs)(t.li,{children:["\n",(0,n.jsx)(t.p,{children:"There are sources littered about that explain pieces of the larger puzzle, but these serve as small drops in a bucket of vast incoherency & don't meaningfully remedy the steep learning curve for understanding multimedia compression without background knowledge."}),"\n"]}),"\n"]}),"\n",(0,n.jsx)(t.h3,{id:"how-do-i-get-started-as-a-contributor",children:"How do I get started as a contributor?"}),"\n",(0,n.jsx)(t.p,{children:"See our Contribution Guide page in the sidebar."}),"\n",(0,n.jsx)(t.h3,{id:"why-codec-wiki",children:'Why "Codec Wiki"?'}),"\n",(0,n.jsx)(t.p,{children:'This wiki is mostly going to be focused on multimedia compression, & the term "Codec" is already widely recognized & understood. While other topics like video filtering & general compression algorithms may be covered, the main focus remains multimedia compression.'})]})}function h(e={}){const{wrapper:t}={...(0,o.R)(),...e.components};return t?(0,n.jsx)(t,{...e,children:(0,n.jsx)(l,{...e})}):l(e)}},8453:(e,t,i)=>{i.d(t,{R:()=>r,x:()=>a});var n=i(6540);const o={},s=n.createContext(o);function r(e){const t=n.useContext(s);return n.useMemo((function(){return"function"==typeof e?e(t):{...t,...e}}),[t,e])}function a(e){let t;return t=e.disableParentContext?"function"==typeof e.components?e.components(o):e.components||o:r(e.components),n.createElement(s.Provider,{value:t},e.children)}}}]); \ No newline at end of file diff --git a/assets/js/0b185270.d29f97f0.js b/assets/js/0b185270.d29f97f0.js deleted file mode 100644 index cf9d41d90..000000000 --- a/assets/js/0b185270.d29f97f0.js +++ /dev/null @@ -1 +0,0 @@ -"use strict";(self.webpackChunkcodec_wiki=self.webpackChunkcodec_wiki||[]).push([[3482],{455:(e,t,i)=>{i.r(t),i.d(t,{assets:()=>d,contentTitle:()=>r,default:()=>h,frontMatter:()=>s,metadata:()=>a,toc:()=>c});var n=i(4848),o=i(8453);const s={title:"FAQ",sidebar_label:"\u2753 FAQ",position:14},r="FAQ",a={id:"FAQ",title:"FAQ",description:"Why are you doing this?",source:"@site/docs/FAQ.mdx",sourceDirName:".",slug:"/FAQ",permalink:"/docs/FAQ",draft:!1,unlisted:!1,editUrl:"https://github.com/av1-community-contributors/codec-wiki/tree/main/docs/FAQ.mdx",tags:[],version:"current",frontMatter:{title:"FAQ",sidebar_label:"\u2753 FAQ",position:14},sidebar:"tutorialSidebar",previous:{title:"\u2712\ufe0f Contribution Guide",permalink:"/docs/contribution-guide"},next:{title:"\ud83d\udd0f Privacy Policy",permalink:"/docs/privacy-policy"}},d={},c=[{value:"Why are you doing this?",id:"why-are-you-doing-this",level:2},{value:"But alternatives exist. Why not contribute there?",id:"but-alternatives-exist-why-not-contribute-there",level:3},{value:"How do I get started as a contributor?",id:"how-do-i-get-started-as-a-contributor",level:3},{value:"Why "Codec Wiki"?",id:"why-codec-wiki",level:3}];function l(e){const t={a:"a",h1:"h1",h2:"h2",h3:"h3",li:"li",p:"p",ul:"ul",...(0,o.R)(),...e.components};return(0,n.jsxs)(n.Fragment,{children:[(0,n.jsx)(t.h1,{id:"faq",children:"FAQ"}),"\n",(0,n.jsx)(t.h2,{id:"why-are-you-doing-this",children:"Why are you doing this?"}),"\n",(0,n.jsx)(t.p,{children:"Multimedia encoding & the digital compression space is an incredible field that many tech enthusiasts, professionals, & laymen have no easy entry point to. Wikipedia has a vast amount of information on many of the individual topics covered here but doesn't offer a cohesive way to engage with the entire sphere of knowledge as a whole. While this site started as a lighthearted guide (you'll see the remnants of this strewn about the various wiki entries), it has quickly become an endeavor to unite digital compression aficionados to make the knowledge more accessible for all."}),"\n",(0,n.jsx)(t.h3,{id:"but-alternatives-exist-why-not-contribute-there",children:"But alternatives exist. 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It was designed to be easy to implement while offering better compression ratios than the widely used but more complex ",(0,i.jsx)(n.a,{href:"/docs/images/PNG",children:"PNG"})," format while achieving much faster encoding & decoding speeds."]}),"\n",(0,i.jsx)(n.h2,{id:"performance-checklist",children:"Performance Checklist"}),"\n",(0,i.jsxs)(n.p,{children:["Lossless? ",(0,i.jsx)(n.em,{children:"Yes"})]}),"\n",(0,i.jsxs)(n.p,{children:["Lossy? ",(0,i.jsx)(n.em,{children:"No"})]}),"\n",(0,i.jsxs)(n.p,{children:["Supported Bit Depths:\n",(0,i.jsx)(n.em,{children:"8 BPC"})]}),"\n",(0,i.jsxs)(n.p,{children:["HDR/Wide Gamut? ",(0,i.jsx)(n.em,{children:"No"})]}),"\n",(0,i.jsxs)(n.p,{children:["Animation? ",(0,i.jsx)(n.em,{children:"No"})]}),"\n",(0,i.jsxs)(n.p,{children:["Transparency? ",(0,i.jsx)(n.em,{children:"Yes"})]}),"\n",(0,i.jsxs)(n.p,{children:["Progressive Decode? ",(0,i.jsx)(n.em,{children:"No"})]}),"\n",(0,i.jsxs)(n.p,{children:["Royalty Free? 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