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1 The Last Wish.txt
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1 The Last Wish.txt
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'Does she always devour her victims?'
Velerad spat vehemently on the straw.
'Come on, Geralt, it'll be supper soon. Pish! Devours, takes a bite, leaves aside, it varies -
according to her mood, no doubt. She only bit the head from one, gutted a couple, and a few
more she picked clean to the bone, sucked them dry, you could say. Damned mother's-!'
'Careful, Velerad,' snarled Ostrit. 'Say what you want about the striga but do not insult Adda
in front of me, as you would not dare in the king's presence!'
'Has anyone she's attacked survived?' The witcher asked, apparently paying no special
attention to the magnate's outburst.
Segelin and Ostrit looked at each other.
'Yes,' said the bearded man. 'At the very beginning, seven years ago, she threw herself at two
soldiers standing guard over the crypt. One escaped-'
And then,' interrupted Velerad, 'there was another, the miller she attacked near the town. You
remember . . . ?'
IV
The following day, late in the evening, the miller was brought to the small chamber above the
guardhouse allocated to the witcher. He was led in by a soldier in a hooded coat.
The conversation did not yield any significant results. The miller was terrified; he mumbled
and stammered, and his scars told the witcher more than he did. The striga could open her
jaws impressively wide and had extremely sharp teeth, including very long upper fangs -
four of them, two on each side. Her claws were sharper than a wildcat's, but less curved. And
it was only because of that the miller had managed to tear himself away.
Having finished his examination Geralt nodded to the miller and soldier, dismissing them.
The soldier pushed the peasant through the door and lowered his hood. It was Foltest himself.
'Sit, do not get up,' said the king. 'This visit is unofficial. Are you happy with the interview? I
heard you were at the palace this morning.'
'Yes, your Majesty.'
'When will you set about your task?'
'It is four days until the full moon. After that.'
'You prefer to have a look at her yourself beforehand?'
'There is no need. But having had her fill the- the princess will be less active.'
'Striga, master witcher, striga. Let us not play at diplomacy. She will be a princess afterwards.
And that is what I have come to talk about. Answer me unofficially, briefly and clearly: will it
work or not? Don't hide behind your code.'
Geralt rubbed his brow.
'I confirm, your Majesty, that the spell might be reversed. And, unless I am mistaken, it can be
done by spending the night at the palace. The third crowing of the cock, as long as it catches
the striga outside her sarcophagus, will end the spell. That is what is usually done with
strigas.'
'So simple?'
'It is not simple. First you have to survive the night. Then there are exceptions to the rule, for
example, not one night but three. Consecutively. There are also cases which are . . . well . . .
hopeless.'
Yes,' Foltest bristled. 'I keep hearing that from some people. Kill the monster because it's an
incurable case. Master witcher, I
am sure they have already spoken to you. Am I right? Hack the man-eater to death without
any more fuss, at the beginning, and tell the king nothing else could be done. I won't pay, but
they will. Very convenient. And cheap. Because the king will order the witcher beheaded or
hanged and the gold will remain in their pockets.'
'The king unconditionally orders the witcher to be beheaded?' Geralt grimaced.
Foltest looked the Rivian in the eyes for a long while.
'The king does not know,' he finally said. 'But the witcher should bear such an eventuality in
mind.'
Geralt was silent for a moment. 'I intend to do what is in my power,' he said. 'But if it goes
badly I will defend my life. Your Majesty, you must also be prepared for such an eventuality.'
Foltest got up. 'You do not understand me. It's obvious you'll kill her if it becomes necessary,
whether I like it or not. Because otherwise she'll kill you, surely and inevitably. I won't punish
anyone who kills her in self-defence. But I will not allow her to be killed without trying to
save her. There have already been attempts to set fire to the old palace. They shot at her with
arrows, dug pits and set traps and snares, until I hung a few of her attackers. But that is not the
point. Witcher, listen!'
'I'm listening.'
'After the third crowing of the cock, there will be no striga, if I understand correctly. What
will there be?'
'If all goes well, a fourteen-year-old girl.'
With red eyes? Crocodile's teeth?'
'A normal fourteen-year-old. Except that . . .'
Well?'
'Physically.'
'I see. And mentally? Every day, a bucket of blood for breakfast? A little girl's thigh?'
'No. Mentally . . . There is no telling. On the level, I think, of a three- or four-year-old child.
She'll require loving care for a long while.'
'That's obvious. Witcher?'
'I'm listening.'
'Can it happen to her again? Later on?'
Geralt was silent.
'Aha,' said the king. 'It can. And what then?'
'Should she die after a long swoon lasting several days, her body will have to be burned.
Quickly.'
Foltest grew gloomy.
'I do not think it will come to that,' added Geralt. 'Just to be sure, I will give you some
instructions, your Majesty, to lessen the danger.'
'Right now? Is it not too soon, master witcher? And if-'
'Right now,' interrupted the Rivian. 'Many things may happen, your Majesty. It could be that
you'll find a princess in the morning, the spell already broken, and my corpse.'
'Even so? Despite my permission to defend yourself? Which, it seems, wasn't that important
to you.'
'This is a serious matter, your Majesty. The risk is great. That is why you must listen: the
princess should always wear a sapphire around her neck, or better, an inclusion, on a silver
chain. Day and night.'
'What is an inclusion?'
'A sapphire with a pocket of air trapped within the stone. Aside from that, every now and then
you should burn juniper, broom and aspen in the fireplace of her chamber.'
Foltest grew pensive. 'I thank you for your advice, witcher. I will pay heed if- And now
listen to me carefully. If you find the case is hopeless, kill her. If you undo the spell but the
girl is not . . . normal. If you have a shadow of a doubt as to whether you have been entirely
successful, kill her. Do not worry, you have nothing to fear from me. I'll shout at you in front
of others, banish you from the palace and the town, nothing more. Of course I won't give you
the reward, but maybe you'll manage to negotiate something from you know who.'
They were both quiet for a while.
'Geralt.' For the first time Foltest called the witcher by his name.
'Yes.'
'How much truth is there in the rumour that the child is as she is because Adda was my sister?'
'Not much. A spell has to be cast, they don't cast themselves. But I think your congress with
your sister was the reason the spell was cast, and this is the result.'
'As I thought. That is what some of the Knowing Ones said, although not all of them. Geralt?
Where do such things come from? Spells, magic?'
'I don't know, your Majesty. Knowing Ones study the causes of such phenomena. For us
witchers the knowledge that concentrated will can cause such phenomena is enough. That and
the knowledge to fight them.'
'And kill them?'
'Usually. Besides, that is what we're usually paid for. Only a few demand the reversal of
spells, your Majesty. As a rule, people simply want to defend themselves from danger. If the
monster has men on its conscience then revenge can also come into play.'
The king got up, took a few paces across the chamber, and stopped in front of the witcher's
sword hanging on the wall.
'With this?' he asked, not looking at Geralt.
'No. That is for men.'
'So I heard. Do you know what, Geralt? I'm going to the crypt with you.'
'Out of the question.'
Foltest turned, his eyes glinted. 'Do you know, sorcerer, that I have not seen her? Neither after
she was born, nor later. I was afraid. I may never see her, am I not right? At least I have the
right to see my daughter while you're murdering her.'
'I repeat, it's out of the question. It is certain death. For me as well as you. If my attention, my
will falters- No, your Majesty.'
Foltest turned away, started towards the door. For a moment Geralt thought he would leave
without a word, without a parting gesture, but the king stopped and looked at him.
'You inspire trust,' he said, 'although I know what a rogue you are. I was told what happened
at the tavern. I'm sure you killed
those thugs solely for word to spread, to shock people, to shock me. It's obvious that you
could have dealt with them without killing. I'm afraid I'll never know whether you are going
there to save my daughter, or to kill her. But I agree to it. I have to agree. Do you know why?'
Geralt did not reply.
'Because I think,' said the king, 'I think that she is suffering. Am I not right?'
The witcher fixed his penetrating eyes on the king. He didn't confirm it, didn't nod, didn't
make the slightest gesture, but Foltest knew. He knew the answer.
V
Geralt looked out of the palace window for the last time. Dusk was falling rapidly. Beyond
the lake the distant lights of Wyzima twinkled. There was a wilderness around the old palace -
a strip of no-man's land with which, over seven years, the town had cut itself off from this
dangerous place, leaving nothing but a few ruins, rotten beams and the remains of a gap-
toothed palisade which had obviously not been worth dismantling and moving. As far away as
possible - at the opposite end of the settlement - the king had built his new residence. The
stout tower of his new palace loomed black in the distance, against the darkening blue of the
sky.
In one of the empty, plundered chambers, the witcher returned to the dusty table at which he
was preparing, calmly and meticulously. He knew he had plenty of time. The striga would not
leave her crypt before midnight.
On the table in front of him he had a small chest with metal fittings. He opened it. Inside,
packed tightly in compartments lined with dried grass, stood small vials of dark glass. The
witcher removed three.
From the floor, he picked up an oblong packet thickly wrapped
in sheep's skins and fastened with a leather strap. He unwrapped it and pulled out a sword
with an elaborate hilt, in a black, shiny scabbard covered with rows of runic signs and
symbols. He drew the blade, which lit up with a pure shine of mirror-like brightness. It was
pure silver.
Geralt whispered an incantation and drank, one after the other, the contents of two vials,
placing his left hand on the blade of the sword after each sip. Then, wrapping himself tightly
in his black coat, he sat down on the floor. There were no chairs in the chamber, or in the rest
of the palace.
He sat motionless, his eyes closed. His breathing, at first even, suddenly quickened, became
rasping and tense. And then stopped completely. The mixture which helped the witcher gain
full control of his body was chiefly made up of veratrum, stramonium, hawthorn and spurge.
The other ingredients had no name in any human language. For anyone who was not, like
Geralt, inured to it from childhood, it would have been lethal poison.
The witcher turned his head abruptly. In the silence his hearing, sharpened beyond measure,
easily picked out a rustle of footsteps through the courtyard overgrown with stinging nettles.
It could not be the striga. The steps were too light. Geralt threw his sword across his back, hid
his bundle in the hearth of the ruined chimney-place and, silent as a bat, ran downstairs.
It was still light enough in the courtyard for the approaching man to see the witcher's face.
The man, Ostrit, backed away abruptly; an involuntary grimace of terror and repulsion
contorted his lips. The witcher smiled wryly - he knew what he looked like. After drinking a
mixture of banewart, monk's hood and eyebright the face takes on the colour of chalk, and the
pupils fill the entire iris. But the mixture enables one to see in the deepest darkness, and this is
what Geralt wanted.
Ostrit quickly regained control.
'You look as if you were already a corpse, witcher,' he said. 'From fear, no doubt. Don't be
afraid. I bring you reprieve.'
The witcher did not reply.
'Don't you hear what I say, you Rivian charlatan? You're saved.
And rich.' Ostrit hefted a sizeable purse in his hand and threw it at Geralt's feet. 'A thousand
orens. Take it, get on your horse and get out of here!'
The Rivian still said nothing.
'Don't gawp at me!' Ostrit raised his voice. 'And don't waste my time. I have no intention of
standing here until midnight. Don't you understand? I do not wish you to undo the spell. No,
you haven't guessed. I am not in league with Velerad and Segelin. I don't want you to kill her.
You are simply to leave. Everything is to stay as it is.'
The witcher did not move. He did not want the magnate to realise how fast his movements
and reactions now were. It was quickly growing dark. A relief, as even the semi-darkness of
dusk was too bright for his dilated pupils.
'And why, sir, is everything to remain as it is?' he asked, trying to enunciate each word
slowly.
'Now, that,' Ostrit raised his head proudly, 'should really be of damn little concern to you.'
'And what if I already know?'
'Go on.'
'It will be easier to remove Foltest from the throne if the striga frightens the people even
more? If the royal madness completely disgusts both magnates and common folk, am I right?
I came here by way of Redania and Novigrad. There is much talk there that there are those in
Wyzim who look to King Vizimir as their saviour and true monarch. But I, Lord Ostrit, do not
care about politics, or the successions to thrones, or revolutions in palaces. I am here to
accomplish my task. Have you never heard of a sense of responsibility and plain honesty?
About professional ethics?'
'Careful to whom you speak, you vagabond!' Ostrit yelled furiously, placing his hand on the
hilt of his sword. 'I have had enough of this. I am not accustomed to hold such discussions!
Look at you - ethics, codes of practice, morality?! Who are you to talk? A brigand who's
barely arrived before he starts murdering men? Who bends double to Foltest and behind his
back bargains with Velerad like a hired thug? And you dare to turn your nose up at me, you
serf? Play at being a Knowing One? A Magician? You scheming witcher! Be gone before I
run the flat of my sword across your gob!'
The witcher did not stir. He stood calmly.
'You'd better leave, Lord Ostrit,' he said. 'It's growing dark.'
Ostrit took a step back, drew his sword in a flash.
'You asked for this, you sorcerer. I'll kill you. Your tricks won't help you. I carry a turtle-
stone.'
Geralt smiled. The reputation of turtle-stone was as mistaken as it was popular. But the
witcher was not going to lose his strength on spells, much less expose his silver sword to
contact with Ostrit's blade. He dived under the whirling blade and, with the heel of his hand
and his silver-studded cuff, hit him in the temple.
VI
Ostrit quickly regained consciousness and looked around in the total darkness. He noticed that
he was tied up. He did not see Geralt standing right beside him. But he realised where he was
and let out a prolonged, terrifying howl.
'Keep quiet,' said the witcher. 'Otherwise you'll lure her out before her time.'
'You damned murderer! Where are you? Untie me immediately, you louse! You'll hang for
this, you son-of-a-bitch!'
'Quiet.'
Ostrit panted heavily.
'You're leaving me here to be devoured by her! Tied up?' he asked, quieter now, whispering a
vile invective.
'No,' said the witcher. I'll let you go. But not now.'
'You scoundrel,' hissed Ostrit. 'To distract the striga?'
'Yes.'
Ostrit didn't say anything. He stopped wriggling and lay quietly.
'Witcher?'
'Yes.'
'It's true that I wanted to overthrow Foltest. I'm not the only one. But I am the only one who
wanted him dead. I wanted him to die in agony, to go mad, to rot alive. Do you know why?'
Geralt remained silent.
'I loved Adda. The king's sister. The king's mistress. The king's trollop. I loved her- Witcher,
are you there?'
'I am.'
'I know what you're thinking. But it wasn't like that. Believe me, I didn't cast any spells. I
don't know anything about magic. Only once in anger did I say . . . Only once. Witcher? Are
you listening?'
1 am.
'It's his mother, the old queen. It must be her. She couldn't watch him and Adda- It wasn't
me. I only once, you know, tried to persuade them but Adda- Witcher! I was besotted, and
said . . . Witcher? Was it me? Me?'
'It doesn't matter anymore.'
Witcher? Is it nearly midnight?'
'It's close.'
'Let me go. Give me more time.'
'No.'
Ostrit did not hear the scrape of the tomb lid being moved aside, but the witcher did. He leant
over and, with his dagger, cut the magnate's bonds. Ostrit did not wait for the word. He
jumped up, numb, hobbled clumsily, and ran. His eyes had grown accustomed enough to the
darkness for him to see his way from the main hall to the exit.
The slab blocking the entrance to the crypt opened and fell to the floor with a thud. Geralt,
prudently behind the staircase balustrade, saw the misshapen figure of the striga speeding
swiftly and unerringly in the direction of Ostrit's receeding footsteps. Not the slightest sound
issued from the striga.
A terrible, quivering, frenzied scream tore the night, shook the old walls, continued rising and
falling, vibrating. The witcher couldn't make out exactly how far away it was - his sharpened
hearing deceived him - but he knew that the striga had caught up with Ostrit quickly. Too
quickly.
He stepped into the middle of the hall, stood right at the entrance to the crypt. He threw down
his coat, twitched his shoulders, adjusted the position of his sword, pulled on his gauntlets. He
still had some time. He knew that the striga, although well fed after the last full moon, would
not readily abandon Ostrit's corpse. The heart and liver were, for her, valuable reserves of
nutrition for the long periods spent in lethargic sleep.
The witcher waited. By his count, there were about three hours left until dawn. The cock's
crow could only mislead him. Besides, there were probably no cocks in the neighbourhood.
He heard her. She was trudging slowly, shuffling along the floor. And then he saw her.
The description had been accurate. The disproportionately large head set on a short neck was
surrounded by a tangled, curly halo of reddish hair. Her eyes shone in the darkness like an
animal's. The striga stood motionless, her gaze fixed on Geralt. Suddenly she opened her jaws
- as if proud of her rows of pointed white teeth - then snapped them shut with a crack like a
chest being closed. And leapt, slashing at the witcher with her bloodied claws.
Geralt jumped to the side, spun a swift pirouette. The striga rubbed against him, also spun
around, slicing through the air with her talons. She didn't lose her balance and attacked anew,
mid-spin, gnashing her teeth fractions of an inch from Geralt's chest. The Rivian jumped
away, changing the direction of his spin with a fluttering pirouette to confuse the striga. As he
leapt away he dealt a hard blow to the side of her head with the silver spikes studding the
knuckles of his gauntlet.
The striga roared horribly, filling the palace with a booming echo, fell to the ground, froze
and started to howl hollowly and furiously.
The witcher smiled maliciously. His first attempt, as he had hoped, had gone well. Silver was
fatal to the striga, as it was for most monsters brought into existence through magic. So there
was a chance: the beast was like the others, and that boded well for lifting the spell, while the
silver sword would, as a last resort, assure his life.
The striga was in no hurry with her next attack. She approached slowly, baring her fangs,
dribbling repulsively. Geralt backed away and, carefully placing his feet, traced a semi-circle.
By slowing and quickening his movements he distracted the striga, making it difficult for her
to leap. As he walked the witcher unwound a long, strong silver chain, weighted at the end.
The moment the striga tensed and leapt the chain whistled through the air and, coiling like a
snake, twined itself around the monster's shoulders, neck and head. The striga's jump became
a tumble, and she let out an ear-piercing whistle. She thrashed around on the floor, howling
horribly with fury or from the burning pain inflicted by the despised metal. Geralt was content
- if he wanted he could kill the striga without great difficulty. But the witcher did not draw his
sword. Nothing in the striga's behaviour had given him reason to think she might be an
incurable case. Geralt moved to a safer distance and, without letting the writhing shape on the
floor out of his sight, breathed deeply, focused himself.
The chain snapped. The silver links scattered like rain in all directions, ringing against the
stone. The striga, blind with fury, tumbled to the attack, roaring. Geralt waited calmly and,
with his raised right hand, traced the Sign of Aard in front of him.
The striga fell back as if hit by a mallet but kept her feet, extended her talons, bared her fangs.
Her hair stood on end and fluttered as if she were walking against a fierce wind. With
difficulty, one rasping step at a time, she slowly advanced. But she did advance.
Geralt grew uneasy. He did not expect such a simple Sign to paralyse the striga entirely but
neither did he expect the beast to overcome it so easily. He could not hold the Sign for long, it
was too exhausting, and the striga had no more than ten steps to go. He lowered the Sign
suddenly, and sprung aside. The striga, taken by surprise, flew forward, lost her balance, fell,
slid along the floor and tumbled down the stairs into the crypt's entrance, yawning in the floor.
Her infernal scream reverberated from below.
To gain time Geralt jumped on to the stairs leading to the
gallery. He had not even climbed halfway up when the striga ran out of the crypt, speeding
along like an enormous black spider. The witcher waited until she had run up the stairs after
him, then leapt over the balustrade. The striga turned on the stairs, sprang and flew at him in
an amazing ten-metre leap. She did not let herself be deceived by his pirouettes this time;
twice her talons left their mark on the Rivian's leather tunic. But another desperately hard
blow from the silver spiked gauntlet threw the striga aside, shook her. Geralt, feeling fury
building inside him, swayed, bent backwards and, with a mighty kick, knocked the beast off
her legs.
The roar she gave was louder than all the previous ones. Even the plaster crumbled from the
ceiling.
The striga sprang up, shaking with uncontrolled anger and lust for murder. Geralt waited. He
drew his sword, traced circles with it in the air, and skirted the striga, taking care that the
movement of his sword was not in rhythm with his steps. The striga did not jump. She
approached slowly, following the bright streak of the blade with her eyes.
Geralt stopped abruptly, froze with his sword raised. The striga, disconcerted, also stopped.
The witcher traced a slow semi-circle with the blade, took a step in the striga's direction. Then
another. Then he leapt, feigning a whirling movement with his sword above her head.
The striga curled up, retreated in a zigzag. Geralt was close again, the blade shimmering in his
hand. His eyes lit up with an ominous glow, a hoarse roar tore through his clenched teeth. The
striga backed away, pushed by the power of concentrated hatred, anger and violence which
emanated from the attacking man and struck her in waves, penetrating her mind and body.
Terrified and pained by feelings unknown to her she let out a thin, shaking squeak, turned on
the spot and ran off in a desperate, crazy escape down the dark tangle of the palace's
corridors.
Geralt stood quivering in the middle of the hall. Alone. It had taken a long time, he thought,
before this dance on the edge of an abyss, this mad, macabre ballet of a fight, had achieved
the desired effect, allowed him to psychically become one with his opponent,
to reach the underlayers of concentrated will which permeated the striga. The evil, twisted
will from which the striga was born. The witcher shivered at the memory of taking on that
evil to redirect it, as if in a mirror, against the monster. Never before had he come across such
a concentration of hatred and murderous frenzy, not even from basilisks, who enjoyed a
ferocious reputation for it.
All the better, he thought as he walked toward the crypt entrance and the blackness that spread
from it like an enormous puddle. All the better, all the stronger, was the blow received by the
striga. This would give him a little more time until the beast recovered from the shock. The
witcher doubted whether he could repeat such an effort. The elixirs were weakening and it
was still a long time until dawn. But the striga could not return to her crypt before first light,
or all his trouble would come to nothing.
He went down the stairs. The crypt was not large; there was room for three stone sarcophagi.
The slab covering the first was half pushed aside. Geralt pulled the third vial from beneath his
tunic, quickly drank its contents, climbed into the tomb and stretched out in it. As he had
expected, it was a double tomb -for mother and daughter.
He had only just pulled the cover closed when he heard the striga's roar again. He lay on his
back next to Adda's mummified corpse and traced the Sign of Yrden on the inside of the slab.
He laid his sword on his chest, stood a tiny hourglass filled with phosphorescent sand next to
it and crossed his arms. He no longer heard the striga's screams as she searched the palace. He
had gradually stopped hearing anything as the true-love and celandine began to work.
VII
When Geralt opened his eyes the sand had passed through the hourglass, which meant his
sleep had been even longer than he had intended. He pricked up his ears, and heard nothing.
His senses were now functioning normally.
He took hold of his sword and, murmuring an incantation, ran his hand across the lid of the
sarcophagus. He then moved the slab slightly, a couple of inches.
Silence.
He pushed the lid further, sat, holding his weapon at the ready, and lifted his head above the
tomb. The crypt was dark but the witcher knew that outside dawn was breaking. He struck a
light, lit a miniature lamp and lifted it, throwing strange shadows across the walls of the crypt.
It was empty.
He scrambled from the sarcophagus, aching, numb, cold. And then he saw her. She was lying
on her back next to the tomb, naked and unconscious.
She was rather ugly. Slim with small pointed breasts, and dirty. Her hair - flaxen-red - reached
almost to her waist. Standing the lamp on the slab he knelt beside her and leant over. Her lips
were pale and her face was bloody where he had hit her cheekbone. Geralt removed his
gloves, put his sword aside and, without any fuss, drew up her top lip with his finger. Her
teeth were normal. He reached for her hand which was buried in her tangled hair. Before he
took it he saw her open eyes. Too late.
She swiped him across the neck with her talons, cutting him deeply. Blood splashed on to her
face. She howled, striking him in the eyes with her other hand. He fell on her, grabbing her by
the wrists, nailing her to the floor. She gnashed her teeth - which were now too short - in
front of his face. He butted her in the face with his forehead and pinned her down harder. She
had lost her former strength; she could only writhe beneath him, howling, spitting out blood -
his blood - which was pouring over her mouth. His blood was draining away quickly. There
was no time. The witcher cursed and bit her hard on the neck, just below the ear. He dug his
teeth in and clenched them until her inhuman howling became a thin, despairing scream and
then a choking sob - the cry of a hurt fourteen-year-old girl.
He let her go when she stopped moving, got to his knees, tore a piece of canvas from his
sleeve pocket and pressed it to his neck. He felt for his sword, held the blade to the
unconscious girl's throat, and leant over her hand. The nails were dirty, broken, bloodied but .
. . normal. Completely normal.
The witcher got up with difficulty. The sticky-wet greyness of early morning was flooding in
through the crypt's entrance. He made a move towards the stairs but staggered and sat down
heavily on the floor. Blood was pouring through the drenched canvas onto his hands, running
down his sleeve. He unfastened his tunic, slit his shirt, tore and ripped rags from it and tied
them around his neck, knowing that he didn't have much time, that he would soon faint . . .
He succeeded. And fainted.
In Wyzim, beyond the lake, a cock, ruffling his feathers in the cold damp, crowed hoarsely for
the third time.
VIII
He saw the whitened walls and beamed ceiling of the small chamber above the guardroom.
He moved his head, grimacing with pain, and moaned. His neck was bandaged, thickly,
thoroughly, professionally.
'Lie still, witcher,' said Velerad. 'Lie, do not move.'
'My . . . sword . . .'
'Yes, yes. Of course, what is most important is your witcher's silver sword. It's here, don't
worry. Both the sword and your little trunk. And the three thousand orens. Yes, yes, don't
utter a word. It is I who am an old fool and you the wise witcher. Foltest has been repeating it
over and over for the last two days.'
'Two-'
'Oh yes, two. She slit your neck open quite thoroughly. One could see everything you have
inside there. You lost a great deal of blood. Fortunately we hurried to the palace straight after
the
third crowing of the cock. Nobody slept in Wyzim that night. It was impossible, you made a
terrible noise. Does my talking tire you?'
'The prin . . . cess?'
'The princess is like a princess. Thin. And somewhat dull-witted. She weeps incessantly and
wets her bed. But Foltest says this will change. I don't think it'll change for the worse, do you,
Geralt?'
The witcher closed his eyes.
'Good. I take my leave now. Rest.' Velerad got up. 'Geralt? Before I go, tell me: why did you
try to bite her to death? Eh? Geralt?'
The witcher was asleep.
THE VOICE OF REASON 2
I
'Geralt.'
He raised his head, torn from sleep. The sun was already high and forced blinding golden rays
through the shutters, penetrating the chamber with tentacles of light. The witcher shaded his
eyes with his hand in an unnecessary, instinctive reflex which he had never managed to shake
off - all he needed to do, after all, was narrow his pupils into vertical slits.
'It's late,' said Nenneke, opening the shutters. 'You've slept in. Off with you, Iola.'
The girl sat up suddenly and leant out of bed to take her mantle from the floor. Geralt felt a
trickle of cool saliva on his shoulder, where her lips had been a moment ago.
'Wait . ..' he said hesitantly. She looked at him, quickly turned away.
She had changed. There was nothing of the water nymph in her any more, nothing of the
luminous, chamomile-scented apparition she had been at dawn. Her eyes were blue, not black.
And she had freckles - on her nose, her neckline, her shoulders. They weren't unattractive,
they suited her complexion and reddish hair. But he hadn't seen them at dawn, when she had
been his dream. With shame he realised he felt resentment towards her, resentment that she
hadn't remained a dream, and that he would never forgive himself for it.
'Wait,' he repeated. 'Iola ... I wanted-'
'Don't speak to her, Geralt,' said Nenneke. 'She won't answer you anyway. Off with you, Iola.'
Wrapped in her mantle the girl pattered towards the door, her
bare feet slapping the floor - troubled, flushed, awkward. No longer reminding him, in any
way, of-
Yennefer.
'Nenneke,' he said, reaching for his shirt. 'I hope you're not annoyed that- You won't punish
her, will you?'
'Fool,' the priestess snorted. 'You've forgotten where you are. This is neither a hermitage nor a
convent. It's Melitele's temple. Our goddess doesn't forbid our priestesses anything. Almost.'
'You forbade me to talk to her.'
'I didn't forbid you. But I know it's pointless. Iola doesn't speak.'
'What?'
'She doesn't speak. She's taken a vow. It's a sort of sacrifice through which . . . Oh, what's the
point of explaining, you wouldn't understand anyway. You wouldn't even try to understand, I
know your views on religion. No, don't get dressed yet. I want to check your neck.'
She sat on the edge of the bed and skilfully unwound the linen bandages wrapped thickly
around the witcher's neck. He grimaced in pain.
As soon as he had arrived in Ellander, Nenneke had removed the painfully thick stitches of
shoemaker's twine with which they had stitched him in Wyzim, opened the wound and
dressed it again. The results were clear: he had arrived at the temple almost cured, if perhaps a
little stiff. Now he was sick again, and in pain. But he didn't protest. He'd known the priestess
for years and knew how great was her knowledge of healing, how rich and comprehensive her
pharmacy was. A course of treatment at Melitele's temple could do nothing but good.
Nenneke felt the wound, washed it and began to curse. He already knew this routine by heart.
She had started on the very first day, and had never failed to moan when she saw the marks
left by the princess of Wyzim's talons.
'It's terrible! To let yourself be slashed like this by an ordinary striga. Muscles, tendons - she
only just missed your carotid artery! Great Melitele! Geralt, what's happening to you? How
did she get
so close to you? What did you want with her? To mount her?'
He didn't answer, and smiled faintly.
'Don't grin like an idiot.' The priestess rose and took a bag of dressings from the chest of
drawers. Despite her weight and low stature she moved swiftly and gracefully. 'There's
nothing funny about it. You're losing your reflexes, Geralt.'
'You're exaggerating.'
'I'm not exaggerating at all.' Nenneke spread a greenish mush smelling sharply of eucalyptus
over the wound. 'You shouldn't have allowed yourself to get wounded, but you did, and very
seriously at that. Fatally even. And even with your exceptional powers of regeneration it'll be
months before your neck is fully mobile again. I warn you, don't test your strength by fighting
an agile opponent during that time.'
'Thank you for the warning. Perhaps you could give me some advice, too: how am I supposed
to live in the meantime? Rally a few girls, buy a cart and organize a travelling house of ill-
repute?'
Nenneke shrugged, bandaging his neck with quick, deft movements. 'Am I supposed to give
you advice and teach you how to live? Am I your mother or something? Right, that's done.
You can get dressed. Breakfast's waiting for you in the refectory. Hurry up or you'll have to
make it yourself. I don't intend to keep the girls in the kitchen to midday.'
'Where will I find you later? In the sanctuary?'
'No.' Nenneke got up. 'Not in the sanctuary. You're a welcome guest here, witcher, but don't
hang around in the sanctuary. Go for a walk, and I'll find you myself.'
'Fine.'
II
Geralt strolled - for the fourth time - along the poplar alley which led from the gate to the
dwellings by the sanctuary and main temple block, which merged into the sheer rock.
After brief
consideration he decided against returning to shelter, and turned towards the gardens and
outbuildings. Umpteen priestesses, clad in grey working garments, were toiling away,
weeding the beds and feeding the birds in the henhouses. The majority of them were young or
very young, virtually children. Some greeted him with a nod or a smile in passing. He
answered their greetings but didn't recognise any of them. Although he often visited the
temple - once or even twice a year - he never saw more than three or four faces he knew.
The girls came and went - becoming oracles in other temples, midwives and healers
specialising in women's and children's diseases, wandering druids, teachers or governesses.
But there was never a shortage of priestesses, arriving from all over, even the remotest
regions. Melitele's temple in Ellander was well-known and enjoyed well-earned fame.
The cult of Melitele was one of the oldest and, in its day, one of the most widespread cults
from time immemorial. Practically every pre-human race and every primordial nomadic
human tribe honoured a goddess of harvest and fertility, a guardian of farmers and gardeners,
a patroness of love and marriage. Many of these religions merged into the cult of Melitele.
Time, which was quite pitiless towards other religions and cults, effectively isolating them in
forgotten, rarely visited little temples and oratories buried amongst urban buildings, had
proved merciful to Melitele. She did not lack either followers or sponsors. In explaining the
popularity of the goddess, learned men who studied this phenomenon used to hark back to the
pre-cults of the Great Mother, Mother Nature, and pointed to the links with nature's cycle,
with the rebirth of life and other grandiloquently named phenomena. Geralt's friend, the
troubadour Dandilion, who enjoyed a reputation as a specialist in every possible field, looked
for simpler explanations. Melitele's cult, he deduced, was a typical woman's cult. Melitele
was, after all, the patroness of fertility and birth; she was the guardian of midwives. And a
woman in labour has to scream. Apart from the usual cries - usually promising never to give
herself to any bloody man ever again in her life - a woman in labour has to call upon some
godhead for help, and
Melitele was perfect. And since women gave birth, give birth and will continue to give birth,
the goddess Melitele, the poet proved, did not have to fear for her popularity.
'Geralt.'
'Nenneke. I was looking for you.'
'Me?' The priestess looked at him mockingly. 'Not Iola?'
'Iola, too,' he admitted. 'Does that bother you?'
'Right now, yes. I don't want you to get in her way and distract her. She's got to get herself
ready and pray if something's to come of this trance.'
'I've already told you,' he said coldly, 'I don't want any trance. [ don't think a trance will help
me in any way.'
'While I,' Nenneke winced, 'don't think a trance will harm you in any way.'
'I can't be hypnotised, I have immunity. I'm afraid for Iola. It might be too great an effort for a
medium.'
'Iola isn't a medium or a mentally ill soothsayer. That child enjoys the goddess's favour. Don't
pull silly faces, if you please. As I said, your view on religion is known to me, it's never
particularly bothered me and, no doubt, it won't bother me in the future. I'm not a fanatic.
You've a right to believe that we're governed by Nature and the Force hidden within her. You
can think that the gods, including my Melitele, are merely a personification of this power
invented for simpletons so they can understand it better, accept its existence. According to
you, that power is blind. But for me, Geralt, faith allows you to expect what my goddess
personifies from nature: order, law, goodness. And hope.'
'I know.'
'If you know that then why your reservations about the trance? What are you afraid of? That
I'll make you bow your head to a statue and sing canticles? Geralt, we'll simply sit together for
a while - you, me and Iola - and see if the girl's talents will let her see into the vortex of power
surrounding you. Maybe we'll discover something worth knowing. And maybe we won't
discover anything. Maybe the power and fate surrounding you won't choose to reveal
themselves to us, will remain hidden and incomprehensible. I don't know. But why shouldn't
we try?'
'Because there's no point. I'm not surrounded by any vortex or fate. And if I were, why the
hell would I delve into it?'
'Geralt, you're sick.'
'Injured, you mean.'
'I know what I mean. There's something not quite right with you. I can sense that. After all, I
have known you ever since you were a youngster. When I met you, you came up to my waist.
And now I feel that you're spinning around in some damned whirlpool, tangled up in a slowly
tightening noose. I want to know what's happening. But I can't do it myself, I have to count on
Iola's gifts.'
'You want to delve too deeply. Why the metaphysics? I'll confide in you, if you like. I'll fill
your evenings with tales of ever more astounding events from the past few years. Get a keg of
beer so my throat doesn't dry up and we can start today. But I fear I'll bore you because you
won't find any nooses or vortexes there. Just a witcher's ordinary tales.'
'I'll willingly listen to them. But a trance, I repeat, would do no harm.'
'Don't you think,' he smiled, 'that my lack of faith makes such a trance pointless?'
'No, I don't. And do you know why?'
'No.'
Nenneke leant over and looked him in the eyes with a strange smile on her pale lips.
'Because it would be the first proof I've ever heard of that a lack of faith has any kind of
power at all.'
A GRAIN OF TRUTH
I
A number of black points moving against a bright sky streaked with mist drew the witcher's
attention. Birds. They wheeled in slow, peaceful circles, then suddenly swooped and soared
up again, napping their wings.
The witcher observed the birds for a long time then - bearing in mind the shape of the land,
density of the wood, depth and course of the ravine which he suspected lay in his path -
calculated the distance to them, and how long he would take to cover it. Finally he threw aside
his coat and tightened the belt across his chest by two holes. The pommel and hilt of the
sword strapped across his back peeked over his shoulder.
'We'll go a little out of our way, Roach,' he said. 'We'll take a detour from the highway. I don't
think the birds are circling there for nothing.'
The mare walked on, obedient to Geralt's voice.
'Maybe it's just a dead elk,' said Geralt. 'But maybe it's not. Who knows?'
There was a ravine, as he had suspected; the witcher scanned the crowns of the trees tightly
filling the rift. But the sides of the gully were gentle, the riverbed dry and clear of blackthorns
and rotting tree trunks. He crossed it easily. On the other side was a copse of birches, and
behind it a large glade, heath and undergrowth, which threw tentacles of tangled branches and
roots upwards.
The birds, scared away by the appearance of a rider, soared higher, croaking sharply in their
hoarse voices.
Geralt saw the first corpse immediately - the white of the
sheepskin jacket and matt-blue of the dress stood out clearly against a yellowing clump of
sedge. He didn't see the second corpse but its location was betrayed by three wolves sitting
calmly on their haunches watching the witcher. His mare snorted and the wolves, as if at a
command, unhurriedly, trotted into the woods, every now and again turning their triangular
heads to watch the newcomer. Geralt jumped off his horse.
The woman in the sheepskin and blue dress had no face or throat, and most of her left thigh
had gone. The witcher, not leaning over, walked by her.
The man lay with his face to the ground. Geralt didn't turn the body over, seeing that the
wolves and birds hadn't been idle. And there was no need to examine the corpse in detail - the
shoulders and back of the woollen doublet were covered with thick black rivulets of dried
blood. It was clear the man had died from a blow to the neck, and the wolves had only found
the body afterwards.
On a wide belt next to a short cutlass in a wooden sheath the man wore a leather purse. The
witcher tore it off and, item by item, threw the contents on the grass: a tinder-box, a piece of
chalk, sealing-wax, a handful of silver coins, a folding shaving-knife with a bone handle, a
rabbit's ear, three keys and a talisman with a phallic symbol. Two letters, written on canvas,
were damp with rain and dew, smudged beyond readability. The third, written on parchment,
was also ruined by damp, but still legible. It was a credit note made out by the dwarves' bank
in Murivel to a merchant called Rulle Asper, or Aspen. It wasn't for a large sum.
Bending over, Geralt lifted the man's right hand. As he had expected, the copper ring digging
into the swollen, blue finger carried the sign of the armourers' guild: a stylised helmet with
visor, two crossed swords and the rune 'A' engraved beneath them.
The witcher returned to the woman's corpse. As he was turning the body over something
pricked him in the finger - a rose, pinned to the dress. The flower had withered but not lost its
colour: the petals were dark blue, very dark blue. It was the first time Geralt had seen such a
rose. He turned the body over completely, and winced.
On the woman's bare and bloody neck were clear bite marks. And not those of a wolf.
The witcher carefully backed away to his horse. Without taking his eyes from the forest edge,
he climbed into the saddle. He circled the glade twice and, leaning over, looked around,
examining the ground closely.
'So, Roach,' he said quietly, 'the case is reasonably clear. The armourer and the woman arrived
on horseback from the direction of the forest. They were on their way home from Murivel,
because nobody carries an uncashed credit note for long. Why they were going this way and
not following the highway? I don't know. But they were crossing the heath, side by side. And
then - again, I don't know why - they both dismounted, or fell from, their horses. The
armourer died instantly. The woman ran, then fell and died, and whatever attacked her -
which didn't leave any tracks - dragged her along the ground, with her throat in its teeth. The
horses ran off. This happened two or three days ago.'
The mare snorted restlessly, reacting to his tone of voice.
'The thing which killed them,' continued Geralt, watching the forest's edge, 'was neither a
werewolf nor a leshy. Neither would have left so much for the scavengers. If there were
swamps here I'd say it was a kikimora or a vypper . . . but there aren't any swamps here.'
Leaning over, the witcher pulled back the blanket which covered the horse's side and
uncovered another sword strapped to the saddle-bag - one with a shining, ornate guard and
black corrugated hilt.
'Well, Roach. We're taking a roundabout route; we'd better check why this armourer and
woman were riding through the forest not along the highway. If we pass by ignoring such
incidents we won't ever earn enough for your oats, will we?'
The mare obediently moved forward, across the heath, carefully sidestepping hollows.
'Although it's not a werewolf, we won't take any risks,' the witcher continued, taking a bunch
of dried monkshead from a saddlebag and hanging it by the bit. The mare snorted. Geralt
unlaced his tunic a little and pulled out a medallion engraved with a wolf with bared jaws.
The medallion, hanging on a silver chain, bobbed up and down in rhythm to the horse's gait,
sparkling in the sun's rays like mercury.
II
He noticed the red tiles of the tower's conical roof from the summit of a hill as he cut across a
bend in the faint trail. The slope, covered with hazel, dry branches and a thick carpet of
yellow leaves, wasn't safe to descend on horseback. The witcher retreated, carefully rode
down the incline and returned to the main path. He rode slowly, stopped the horse every now
and again and, hanging from the saddle, looked out for tracks.
The mare tossed her head, neighed wildly, stamped and danced on the path, kicking up a
storm of dried leaves. Geralt, wrapping his left arm around the horse's neck, swept his right
hand - the fingers arranged in the Sign of Axia - over the mount's head as he whispered an
incantation.
'Is it as bad as all that?' he murmured, looking around and not withdrawing the Sign. 'Easy,
Roach, easy.'
The charm worked quickly but the mare, prodded with his heel, moved forward reluctantly,
losing the natural springy rhythm of her gait. The witcher jumped nimbly to the ground and
went on by foot, leading her by the bridle. He saw a wall.