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3 Blood of Elves.txt
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3 Blood of Elves.txt
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Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf's blizzard. The Time
of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt:
Tedd Deireddh, the Time of End. The world will die amidst frost and be reborn with the new sun.
It will be reborn of the Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which
will not sprout but will burst into flame.
Ess'tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first
the earth will flow with the blood of Aen Seidhe, the Blood of Elves ...
Aen Ithlinnespeath, Ithlinne Aegli aep Aevenien's prophecy
I
CHAPTER ONE
The town was in flames.
The narrow streets leading to the moat and the first terrace belched smoke and embers, flames devouring
the densely clustered thatched houses and licking at the castle walls. From the west, from the harbour
gate, the screams and clamour of vicious battle and the dull blows of a battering ram smashing against the
walls grew ever louder.
Their attackers had surrounded them unexpectedly, shattering the barricades which had been held by no
more than a few soldiers, a handful of townsmen carrying halberds and some crossbowmen from the
guild. Their horses, decked out in flowing black caparisons, flew over the barricades like spectres, their
riders' bright, glistening blades sowing death amongst the fleeing defenders.
Ciri felt the knight who carried her before him on his saddle abruptly spur his horse. She heard his cry.
'Hold on,' he shouted. 'Hold on!'
Other knights wearing the colours of Cintra overtook them, sparring, even in full flight, with the
Nilfgaardians. Ciri caught a glimpse of the skirmish from the corner of her eye - the crazed swirl of
blue-gold and black cloaks amidst the clash of steel, the clatter of blades against shields, the neighing of
horses-
Shouts. No, not shouts. Screams.
'Hold on!'
Fear. With every jolt, every jerk, every leap of the horse pain shot through her hands as she clutched at
the reins. Her legs contracted painfully, unable to find support, her eyes watered from the smoke. The
arm around her suffocated her, choking her, the force compressing her ribs. All around her screaming
such as she had never before heard grew louder. What must one do to a man to make him scream so?
Fear. Overpowering, paralysing, choking fear.
Again the clash of iron, the grunts and snorts of the horses. The houses whirled around her and suddenly
she could see windows belching fire where a moment before there'd been nothing but a muddy little street
strewn with corpses and cluttered with the abandoned possessions of the fleeing population. All at once
the knight at her back was wracked by a strange wheezing cough. Blood spurted over the hands grasping
the reins. More screams. Arrows whistled past.
A fall, a shock, painful bruising against armour. Hooves pounded past her, a horse's belly and a frayed
girth flashing by above her head, then another horse's belly and a flowing black caparison. Grunts of
exertion, like a lumberjack's when chopping wood. But this isn't wood; it's iron against iron. A shout,
muffled and dull, and something huge and black collapsed into the mud next to her with a splash, spurting
blood. An armoured foot quivered, thrashed, goring the earth with an enormous spur.
A jerk. Some force plucked her up, pulled her onto another saddle. Hold on! Again the bone-shaking
speed, the mad gallop. Arms and legs desperately searching for support. The horse rears. Hold on! ...
There is no support. There is no ... There is no ... There is blood. The horse falls. It's impossible to
jump aside, no way to break free, to escape the tight embrace of these chainmail-clad arms. There is no
way to avoid the blood pouring onto her head and over her shoulders.
A jolt, the squelch of mud, a violent collision with the ground, horrifically still after the furious ride. The
horse's harrowing wheezes and squeals as it tries to regain its feet. The pounding of horseshoes, fetlocks
and hooves flashing past. Black caparisons and cloaks. Shouting.
The street is on fire, a roaring red wall of flame. Silhouetted before it, a rider towers over the flaming
roofs, enormous. His black-caparisoned horse prances, tosses its head, neighs.
The rider stares down at her. Ciri sees his eyes gleaming through the slit in his huge helmet, framed by a
bird of prey's wings. She sees the fire reflected in the broad blade of the sword held in his lowered hand.
The rider looks at her. Ciri is unable to move. The dead man's motionless arms wrapped around her
waist hold her down. She is locked in place by something heavy and wet with blood, something which is
lying across her thigh, pinning her to the ground.
And she is frozen in fear: a terrible fear which turns her entrails inside out, which deafens Ciri to the
screams of the wounded horse, the roar of the blaze, the cries of dying people and the pounding drums.
The only thing which exists, which counts, which still has any meaning, is fear. Fear embodied in the figure
of a black knight wearing a helmet decorated with feathers frozen against the wall of raging, red flames.
The rider spurs his horse, the wings on his helmet fluttering as the bird of prey takes to flight, launching
itself to attack its helpless victim, paralysed with fear. The bird - or maybe the knight -screeches
terrifyingly, cruelly, triumphantly. A black horse, black armour, a black flowing cloak, and behind this flames.
A sea of flames.
Fear.
The bird shrieks. The wings beat, feathers slap against her face. Fear!
Help! Why doesn't anyone help me? Alone, weak, helpless - I can't move, can't force a sound from my
constricted throat. Why does no one come to help me?
I'm terrified!
Eyes blaze through the slit in the huge winged helmet. The black cloak veils everything-
'Ciri!'
She woke, numb and drenched in sweat, with her scream - the scream which had woken her - still
hanging in the air, still vibrating somewhere within her, beneath her breast-bone and burning against her
parched throat. Her hands ached, clenched around the blanket; her back ached ...
'Ciri. Calm down.'
such as she had never before heard grew louder. What must one do to a man to make him scream so?
Fear. Overpowering, paralysing, choking fear.
Again the clash of iron, the grunts and snorts of the horses. The houses whirled around her and suddenly
she could see windows belching fire where a moment before there'd been nothing but a muddy little street
strewn with corpses and cluttered with the abandoned possessions of the fleeing population. All at once
the knight at her back was wracked by a strange wheezing cough. Blood spurted over the hands grasping
the reins. More screams. Arrows whistled past.
A fall, a shock, painful bruising against armour. Hooves pounded past her, a horse's belly and a frayed
girth flashing by above her head, then another horse's belly and a flowing black caparison. Grunts of
exertion, like a lumberjack's when chopping wood. But this isn't wood; it's iron against iron. A shout,
muffled and dull, and something huge and black collapsed into the mud next to her with a splash, spurting
blood. An armoured foot quivered, thrashed, goring the earth with an enormous spur.
A jerk. Some force plucked her up, pulled her onto another saddle. Hold on! Again the bone-shaking
speed, the mad gallop. Arms and legs desperately searching for support. The horse rears. Hold on! ...
There is no support. There is no ... There is no ... There is blood. The horse falls. It's impossible to
jump aside, no way to break free, to escape the tight embrace of these chainmail-clad arms. There is no
way to avoid the blood pouring onto her head and over her shoulders.
A jolt, the squelch of mud, a violent collision with the ground, horrifically still after the furious ride. The
horse's harrowing wheezes and squeals as it tries to regain its feet. The pounding of horseshoes, fetlocks
and hooves flashing past. Black caparisons and cloaks. Shouting.
The street is on fire, a roaring red wall of flame. Silhouetted before it, a rider towers over the flaming
roofs, enormous. His black-caparisoned horse prances, tosses its head, neighs.
The rider stares down at her. Ciri sees his eyes gleaming through the slit in his huge helmet, framed by a
bird of prey's wings. She sees the fire reflected in the broad blade of the sword held in his lowered hand.
The rider looks at her. Ciri is unable to move. The dead man's motionless arms wrapped around her
waist hold her down. She is locked in place by something heavy and wet with blood, something which is
lying across her thigh, pinning her to the ground.
And she is frozen in fear: a terrible fear which turns her entrails inside out, which deafens Ciri to the
screams of the wounded horse, the roar of the blaze, the cries of dying people and the pounding drums.
The only thing which exists, which counts, which still has any meaning, is fear. Fear embodied in the figure
of a black knight wearing a helmet decorated with feathers frozen against the wall of raging, red flames.
The rider spurs his horse, the wings on his helmet fluttering as the bird of prey takes to flight, launching
itself to attack its helpless victim, paralysed with fear. The bird - or maybe the knight -screeches
terrifyingly, cruelly, triumphantly. A black horse, black armour, a black flowing cloak, and behind this flames.
A sea of flames.
Fear.
The bird shrieks. The wings beat, feathers slap against her face. Fear!
Help! Why doesn't anyone help me? Alone, weak, helpless - I can't move, can't force a sound from my
constricted throat. Why does no one come to help me?
I'm terrified!
Eyes blaze through the slit in the huge winged helmet. The black cloak veils everything-
'Ciri!'
She woke, numb and drenched in sweat, with her scream - the scream which had woken her - still
hanging in the air, still vibrating somewhere within her, beneath her breast-bone and burning against her
parched throat. Her hands ached, clenched around the blanket; her back ached ...
'Ciri. Calm down.'
the ground. There was no other fire and no other iron. The hand against her cheek smelled of leather and
ashes. Not of blood.
'Geralt-'
'It was just a dream. A bad dream.'
Ciri shuddered violently, curling her arms and legs up tight.
A dream. Just a dream.
The campfire had already died down; the birch logs were red and luminous, occasionally crackling, giving
off tiny spurts of blue flame which illuminated the white hair and sharp profile of the man wrapping a
blanket and sheepskin around her.
'Geralt, I-'
'I'm right here. Sleep, Ciri. You have to rest. We've still a long way ahead of us.'
I can hear music, she thought suddenly. Amidst the rustling of the trees ... there's music. Lute music.
And voices. The Princess of Cintra ... A child of destiny ... A child of Elder Blood, the blood of elves.
Geralt of Rivia, the White Wolf, and his destiny. No, no, that's a legend. A poet's invention. The princess
is dead. She was killed in the town streets while trying to escape ...
Hold on...! Hold ...
'Geralt?'
'What, Ciri?'
'What did he do to me? What happened? What did he ... do to me?'
'Who?'
'The knight ... The black knight with feathers on his helmet ... I can't remember anything. He shouted . .
. and looked at me. I can't remember what happened. Only that I was frightened ... I was so frightened
...'
The man leaned over her, the flame of the campfire sparkling in his eyes. They were strange eyes. Very
strange. Ciri had been frightened of them, she hadn't liked meeting his gaze. But that had been a long time
ago. A very long time ago.
'I can't remember anything,' she whispered, searching for his hand, as tough and coarse as raw wood.
'The black knight-'
'It was a dream. Sleep peacefully. It won't come back.'
Ciri had heard such reassurances in the past. They had been repeated to her endlessly; many, many times
she had been offered comforting words when her screams had woken her during the night. But this time it
was different. Now she believed it. Because it was Geralt of Rivia, the White Wolf, the Witcher, who
said it. The man who was her destiny. The one for whom she was destined. Geralt the Witcher, who had
found her surrounded by war, death and despair, who had taken her with him and promised they would
never part.
She fell asleep holding tight to his hand.
The bard finished the song. Tilting his head a little he repeated the ballad's refrain on his lute, delicately,
softly, a single tone higher than the apprentice accompanying him.
No one said a word. Nothing but the subsiding music and the whispering leaves and squeaking boughs of
the enormous oak could be heard. Then, all of a sudden, a goat tethered to one of the carts which circled
the ancient tree bleated lengthily. At that moment, as if given a signal, one of the men seated in the large
semi-circular audience stood up. Throwing his cobalt blue cloak with gold braid trim back over his
shoulder, he gave a stiff, dignified bow.
'Thank you, Master Dandelion,' he said, his voice resonant without being loud. 'Allow me, Radcliffe of
Oxenfurt, Master of the Arcana, to express what I am sure is the opinion of everyone here present and
utter words of gratitude and appreciation for your fine art and skill.'
The wizard ran his gaze over those assembled - an audience of well over a hundred people - seated on
the ground, on carts, or standing in a tight semi-circle facing the foot of the oak. They nodded and
whispered amongst themselves. Several people began to applaud while others greeted the singer with
upraised hands. Women, touched by the music, sniffed and wiped their eyes on whatever came to hand,
which differed according to their standing, profession and wealth: peasant women used their forearms or
the backs of their hands, merchants' wives dabbed their eyes with linen handkerchiefs while elves and
noblewomen used kerchiefs of the finest tight-woven cotton, and Baron Vilibert's three daughters, who
had, along with the rest of his retinue, halted their falcon hunt to attend the famous troubadour's
performance, blew their noses loudly and sonorously into elegant mould-green cashmere scarves.
'It would not be an exaggeration to say,' continued the wizard, 'that you have moved us deeply, Master
Dandelion. You have prompted us to reflection and thought; you have stirred our hearts. Allow me to
express our gratitude, and our respect.'
The troubadour stood and took a bow, sweeping the heron feather pinned to his fashionable hat across
his knees. His apprentice broke off his playing, grinned and bowed too, until Dandelion glared at him
sternly and snapped something under his breath. The boy lowered his head and returned to softly
strumming his lute strings.
The assembly stirred to life. The merchants travelling in the caravan whispered amongst themselves and
then rolled a sizable cask of beer out to the foot of the oak tree. Wizard Radcliffe lost himself in quiet
conversation with Baron Vilibert. Having blown their noses, the baron's daughters gazed at Dandelion in
adoration -which went entirely unnoticed by the bard, engrossed as he was in smiling, winking and
flashing his teeth at a haughty, silent group of roving elves, and at one of them in particular: a dark-haired,
large-eyed beauty sporting a tiny ermine cap. Dandelion had rivals for her attention - the elf, with her huge
eyes and beautiful torque hat, had caught his audience's interest as well, and a number of knights,
students and goliards were paying court to her with their eyes. The elf clearly enjoyed the attention,
picking at the lace cuffs of her chemise and fluttering her eyelashes, but the group of elves with her
surrounded her on all sides, not bothering to hide their antipathy towards her admirers.
The glade beneath Bleobheris, the great oak, was a place of frequent rallies, a well-known travellers'
resting place and meeting ground for wanderers, and was famous for its tolerance and openness. The
druids protecting the ancient tree called it the Seat of Friendship and willingly welcomed all comers. But
even during an event as exceptional as the world-famous troubadour's just-concluded performance the
travellers kept to themselves, remaining in clearly delineated groups. Elves stayed with elves. Dwarfish
craftsmen gathered with their kin, who were often hired to protect the merchant caravans and were
armed to the teeth. Their groups tolerated at best the gnome miners and halfling farmers who camped
beside them. All non-humans were uniformly distant towards humans. The humans repaid in kind, but
were not seen to mix amongst themselves either. Nobility looked down on the merchants and travelling
salesmen with open scorn, while soldiers and mercenaries distanced themselves from shepherds and their
reeking sheepskins. The few wizards and their disciples kept themselves entirely apart from the others,
and bestowed their arrogance on everyone in equal parts. A tight-knit, dark and silent group of peasants
lurked in the background. Resembling a forest with their rakes, pitchforks and flails poking above their
heads, they were ignored by all and sundry.
The exception, as ever, was the children. Freed from the constraints of silence which had been enforced
during the bard's performance, the children dashed into the woods with wild cries, and enthusiastically
immersed themselves in a game whose rules were incomprehensible to all those who had bidden farewell
to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half-elves, quarter-elves
and toddlers of mysterious provenance neither knew nor recognised racial or social divisions. At least,
not yet.
'Indeed!' shouted one of the knights present in the glade, who was as thin as a beanpole and wearing a
red and black tunic emblazoned with three lions passant. 'The wizard speaks the truth!
which differed according to their standing, profession and wealth: peasant women used their forearms or
the backs of their hands, merchants' wives dabbed their eyes with linen handkerchiefs while elves and
noblewomen used kerchiefs of the finest tight-woven cotton, and Baron Vilibert's three daughters, who
had, along with the rest of his retinue, halted their falcon hunt to attend the famous troubadour's
performance, blew their noses loudly and sonorously into elegant mould-green cashmere scarves.
'It would not be an exaggeration to say,' continued the wizard, 'that you have moved us deeply, Master
Dandelion. You have prompted us to reflection and thought; you have stirred our hearts. Allow me to
express our gratitude, and our respect.'
The troubadour stood and took a bow, sweeping the heron feather pinned to his fashionable hat across
his knees. His apprentice broke off his playing, grinned and bowed too, until Dandelion glared at him
sternly and snapped something under his breath. The boy lowered his head and returned to softly
strumming his lute strings.
The assembly stirred to life. The merchants travelling in the caravan whispered amongst themselves and
then rolled a sizable cask of beer out to the foot of the oak tree. Wizard Radcliffe lost himself in quiet
conversation with Baron Vilibert. Having blown their noses, the baron's daughters gazed at Dandelion in
adoration -which went entirely unnoticed by the bard, engrossed as he was in smiling, winking and
flashing his teeth at a haughty, silent group of roving elves, and at one of them in particular: a dark-haired,
large-eyed beauty sporting a tiny ermine cap. Dandelion had rivals for her attention - the elf, with her huge
eyes and beautiful torque hat, had caught his audience's interest as well, and a number of knights,
students and goliards were paying court to her with their eyes. The elf clearly enjoyed the attention,
picking at the lace cuffs of her chemise and fluttering her eyelashes, but the group of elves with her
surrounded her on all sides, not bothering to hide their antipathy towards her admirers.
The glade beneath Bleobheris, the great oak, was a place of frequent rallies, a well-known travellers'
resting place and meeting ground for wanderers, and was famous for its tolerance and openness. The
druids protecting the ancient tree called it the Seat of Friendship and willingly welcomed all comers. But
even during an event as exceptional as the world-famous troubadour's just-concluded performance the
travellers kept to themselves, remaining in clearly delineated groups. Elves stayed with elves. Dwarfish
craftsmen gathered with their kin, who were often hired to protect the merchant caravans and were
armed to the teeth. Their groups tolerated at best the gnome miners and halfling farmers who camped
beside them. All non-humans were uniformly distant towards humans. The humans repaid in kind, but
were not seen to mix amongst themselves either. Nobility looked down on the merchants and travelling
salesmen with open scorn, while soldiers and mercenaries distanced themselves from shepherds and their
reeking sheepskins. The few wizards and their disciples kept themselves entirely apart from the others,
and bestowed their arrogance on everyone in equal parts. A tight-knit, dark and silent group of peasants
lurked in the background. Resembling a forest with their rakes, pitchforks and flails poking above their
heads, they were ignored by all and sundry.
The exception, as ever, was the children. Freed from the constraints of silence which had been enforced
during the bard's performance, the children dashed into the woods with wild cries, and enthusiastically
immersed themselves in a game whose rules were incomprehensible to all those who had bidden farewell
to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half-elves, quarter-elves
and toddlers of mysterious provenance neither knew nor recognised racial or social divisions. At least,
not yet.
'Indeed!' shouted one of the knights present in the glade, who was as thin as a beanpole and wearing a
red and black tunic emblazoned with three lions passant. 'The wizard speaks the truth!
aside and picked up a little casket which served as a collection box for the audience's more measurable
expressions of appreciation. He hesitated, ran his eyes over the crowd, then replaced the little casket and
grabbed a large bucket standing nearby. Master Dandelion bestowed an approving smile on the young
man for his prudence.
'Master!' shouted a sizeable woman sitting on a cart, the sides of which were painted with a sign for
'Vera Loewenhaupt and Sons', and which was full of wickerwork. Her sons, nowhere to be seen, were
no doubt busy wasting away their mother's hard-earned fortune. 'Master Dandelion, what is this? Are you
going to leave us in suspense? That can't be the end of your ballad? Sing to us of what happened next!'
'Songs and ballads' the musician bowed - 'never end, dear lady, because poetry is eternal and immortal,
it knows no beginning, it knows no end-'
'But what happened next?' The tradeswoman didn't give up, generously rattling coins into the bucket
Dandelion's apprentice held out to her. 'At least tell us about it, even if you have no wish to sing of it.
Your songs mention no names, but we know the witcher you sing of is no other than the famous Geralt of
Rivia, and the enchantress for whom he burns with love is the equally famous Yennefer. And the Child
Surprise, destined for the witcher and sworn to him from birth, is Cirilla, the unfortunate Princess of
Cintra, the town destroyed by the Invaders. Am I right?'
Dandelion smiled, remaining enigmatic and aloof. 'I sing of universal matters, my dear, generous lady,' he
stated. 'Of emotions which anyone can experience. Not about specific people.'
'Oh, come on!' yelled a voice from the crowd. 'Everyone knows those songs are about Geralt the
Witcher!'
'Yes, yes!' squealed Baron Vilibert's daughters in chorus, drying their sodden scarves. 'Sing on, Master
Dandelion! What happened next? Did the witcher and Yennefer the Enchantress find each other in the
end? And did they love each other? Were they happy? We want to know!'
'Enough!' roared the dwarf leader with a growl in his throat, shaking his mighty waist-length, red beard.
'It's crap - all these princesses, sorceresses, destiny, love and women's fanciful tales. If you'll pardon the
expression, great poet, it's all lies, just a poetic invention to make the story prettier and more touching.
But of the deeds of war the massacre and plunder of Cintra, the battles of Marnadal and Sodden - you
did sing that mightily, Dandelion! There's no regrets in parting with silver for such a song, a joy to a
warrior's heart! And I, Sheldon Skaggs, declare there's not an ounce of lies in what you say - and I can
tell the lies from the truth because I was there at Sodden. I stood against the Nilfgaard invaders with an
axe in my hand ..."
'I, Donimir of Troy,' shouted the thin knight with three lions passant blazoned across his tunic, 'was at
both battles of Sodden! But I did not see you there, sir dwarf!'
'No doubt because you were looking after the supply train!' Sheldon Skaggs retorted. 'While I was in the
front line where thivings got hot!'
'Mind your tongue, beardy!' said Donimir of Troy flushing, hitching up his sword belt. 'And who you're
speaking to!'
'Have a care yourself!' The dwarf whacked his palm against the axe wedged in his belt, turned to his
companions and grinned. 'Did you see him there? Frigging knight! See his coat of arms? Ha! Three lions
on a shield? Two shitting and the third snarling!'
'Peace, peace!' A grey-haired druid in a white cloak averted trouble with a sharp, authoritative voice.
'This is not fitting, gentlemen! Not here, under Bleobheris' crown, an oak older than all the disputes
and quarrels of the world! And not in Poet Dandelion's presence, from whose ballads we ought to learn
of love, not contention.'
'Quite so!' a short, fat priest with a face glistening with sweat seconded the druid. 'You look but have no
eyes, you listen but have deaf ears. Because divine love is not in you, you are like empty barrels-'
'Speaking of barrels,' squeaked a long-nosed gnome from his cart, painted with a sign for 'Iron hardware,
manufacture and sale', 'roll another out, guildsmen! Poet Dandelion's throat is surely dry -and ours too,
from all these emotions!'
'-Verily, like empty barrels, I tell ye!' The priest, determined not to be put off, drowned out the
ironware gnome. 'You have understood nothing of Master Dandelion's ballad, you have learned nothing!
You did not see that these ballads speak of man's fate, that we are no more than toys in the hands of the
gods, our lands no more than their playground. The ballads about destiny portrayed the destinies of us all,
and the legend of Geralt the Witcher and Princess Cirilla - although it is set against the true background
of that war - is, after all, a mere metaphor, the creation of a poet's imagination designed to help us-'
'You're talking rubbish, holy man!' hollered Vera Loewenhaupt from the heights of her cart. 'What
legend? What imaginative creation? You may not know him, but I know Geralt of Rivia. I saw him with
my own eyes in Wyzima, when he broke the spell on King Foltest's daughter. And I met him again later
on the Merchants' Trail, where, at Gildia's request, he slew a ferocious griffin which was preying on the
caravans and thus saved the lives of many good people. No. This is no legend or fairy-tale. It is the truth,
the sincere truth, which Master Dandelion sang for us.'
'I second that,' said a slender female warrior with her black hair smoothly brushed back and plaited into a
thick braid. 'I, Rayla of Lyria, also know Geralt the White Wolf, the famous slayer of monsters. And I've
met the enchantress, Lady Yennefer, on several occasions -I used to visit Aedirn and her home town of
Vengerberg. I don't know anything about their being in love, though.'
'But it has to be true,' the attractive elf in the ermine toque
You did not see that these ballads speak of man's fate, that we are no more than toys in the hands of the
gods, our lands no more than their playground. The ballads about destiny portrayed the destinies of us all,
and the legend of Geralt the Witcher and Princess Cirilla - although it is set against the true background
of that war - is, after all, a mere metaphor, the creation of a poet's imagination designed to help us-'
'You're talking rubbish, holy man!' hollered Vera Loewenhaupt from the heights of her cart. 'What
legend? What imaginative creation? You may not know him, but I know Geralt of Rivia. I saw him with
my own eyes in Wyzima, when he broke the spell on King Foltest's daughter. And I met him again later
on the Merchants' Trail, where, at Gildia's request, he slew a ferocious griffin which was preying on the
caravans and thus saved the lives of many good people. No. This is no legend or fairy-tale. It is the truth,
the sincere truth, which Master Dandelion sang for us.'
'I second that,' said a slender female warrior with her black hair smoothly brushed back and plaited into a
thick braid. 'I, Rayla of Lyria, also know Geralt the White Wolf, the famous slayer of monsters. And I've
met the enchantress, Lady Yennefer, on several occasions -I used to visit Aedirn and her home town of
Vengerberg. I don't know anything about their being in love, though.'
'But it has to be true,' the attractive elf in the ermine toque
many a time and the king and queen lived in a childless home, with no daughter, no son-'
'Liar!' shouted a red-haired man in a sealskin jacket, a checked kerchief bound around his forehead.
'Queen Calanthe, the Lionness of Cintra, had a daughter called Pavetta. She died, together with her
husband, in a tempest which struck out at sea, and the depths swallowed them both.'
'So you see for yourselves I'm not making this up!' The ironware gnome called everyone to be his
witnesses. 'The Princess of Cintra was called Pavetta, not Ciri.'
'Cirilla, known as Ciri, was the daughter of this drowned Pavetta,' explained the red-haired man.
'Calanthe's granddaughter. She was not the princess herself, but the daughter of the Princess of Cintra.
She was the Child Surprise destined for the witcher, the man to whom - even before she was born - the
queen had sworn to hand her granddaughter over to, just as Master Dandelion has sung. But the witcher
could neither find her nor collect her. And here our poet has missed the truth.'
'Oh yes, he's missed the truth indeed,' butted in a sinewy young man who, judging by his clothes, was a
journeyman on his travels prior to crafting his masterpiece and passing his master's exams. 'The witcher's
destiny bypassed him: Cirilla was killed during the siege of Cintra. Before throwing herself from the
tower, Queen Calanthe killed the princess's daughter with her own hand, to prevent her from falling into
the Nilfgaardians' claws alive.'
'It wasn't like that. Not like that at all!' objected the red-haired man. 'The princess's daughter was killed
during the massacre while trying to escape from the town.'
'One way or another,' shouted Ironware, 'the witcher didn't find Cirilla! The poet lied!'
'But lied beautifully,' said the elf in the toque, snuggling up to the tall, fair-haired elf.
'It's not a question of poetry but of facts!' shouted the journeyman. 'I tell you, the princess's daughter died
by her grandmother's hand. Anyone who's been to Cintra can confirm that!'
'And I say she was killed in the streets trying to escape,' declared the red-haired man. 'I know because
although I'm not from Cintra I served in the Earl of Skellige's troop supporting Cintra during the war. As
everyone knows, Eist Tuirseach, the King of Cintra, comes from the Skellige Isles. He was the earl's
uncle. I fought in the earl's troop at Marnadal and Cintra and later, after the defeat, at Sodden-'
'Yet another veteran,' Sheldon Skaggs snarled to the dwarves crowded around him. 'All heroes and
warriors. Hey, folks! Is there at least one of you out there who didn't fight at Marnadal or Sodden?'
'That dig is out of place, Skaggs,' the tall elf reproached him, putting his arm around the beauty wearing
the toque in a way intended to dispel any lingering doubts amongst her admirers. 'Don't imagine you were
the only one to fight at Sodden. I took part in the battle as well.'
'On whose side, I wonder,' Baron Vilibert said to Radcliffe in a highly audible whisper which the elf
ignored entirely.
'As everyone knows,' he continued, sparing neither the baron nor the wizard so much as a glance, 'over a
hundred thousand warriors stood on the field during the second battle of Sodden Hill, and of those at
least thirty thousand were maimed or killed. Master Dandelion should be thanked for immortalising this
famous, terrible battle in one of his ballads. In both the lyrics and melody of his work I heard not an
exaltation but a warning. So I repeat: offer praise and everlasting renown to this poet for his ballad, which
may, perhaps, prevent a tragedy as horrific as this cruel and unnecessary war from occurring in the
future.'
'Indeed,' said Baron Vilibert, looking defiantly at the elf. 'You have read some very interesting things into
this ballad, honoured sir. An unnecessary war, you say? You'd like to avoid such a tragedy in the future,
would you? Are we to understand that if the Nilfgaardians were to attack us again you would advise that
we capitulate? Humbly accept the Nilfgaardian yoke?'
'Life is a priceless gift and should be protected,' the elf replied coldly. 'Nothing justifies wide-scale
slaughter and sacrifice of life, which is what the battles at Sodden were - both the battle lost and the
battle won. Both of them cost the humans thousands of lives. And with them, you lost unimaginable
potential-'
'Elven prattle!' snarled Sheldon Skaggs. 'Dim-witted rubbish! It was the price that had to be paid to
allow others to live decently, in peace, instead of being chained, blinded, whipped and forced to work in
salt and sulphur mines. Those who died a heroic death, those who will now, thanks to Dandelion, live on
forever in our memories, taught us to defend our own homes. Sing your ballads, Dandelion, sing them to
everyone. Your lesson won't go to waste, and it'll come in handy, you'll see! Because, mark my words,
Nilfgaard will attack us again. If not today, then tomorrow! They're licking their wounds now, recovering,
but the day when we'll see their black cloaks and feathered helmets again is growing ever nearer!'
'What do they want from us?' yelled Vera Loewenhaupt. 'Why are they bent on persecuting us? Why
don't they leave us in peace, leave us to our lives and work? What do the Nilfgaardians want?'
'They want our blood!' howled Baron Vilibert.
'And our land!' someone cried from the crowd of peasants.
'And our women!' chimed in Sheldon Skaggs, with a ferocious glower.
Several people started to laugh - as quietly and furtively as they could. Even though the idea that anyone
other than another dwarf would desire one of the exceptionally unattractive dwarf-women was highly
amusing, it was not a safe subject for teasing or jests - especially not in the presence of the short, stocky,
bearded individuals whose axes and short-swords had an ugly habit of leaping from their belts and into
their hands at incredible speed. And the dwarves, for some unknown reason, were entirely convinced
that the rest of the world was lecherously lying in wait for their wives and daughters, and were extremely
touchy about it.
'This had to happen at some point,' the grey-haired druid declared suddenly. 'This had to happen. We
forgot that we are not the only ones in this world, that the whole of creation does not revolve around us.
Like stupid, fat, lazy minnows in a slimy pond we chose not to accept the existence of pike. We allowed
our world, like the pond, to become slimy, boggy and sluggish. Look around you - there is crime and sin
everywhere, greed, the pursuit of profit, quarrels and disagreements are rife. Our traditions are
disappearing, respect for our values is fading. Instead of living according to Nature we have begun to
destroy it. And what have we got for it? The air is poisoned by the stink of smelting furnaces, the rivers
and brooks are tainted by slaughter houses and tanneries, forests are being cut down without a thought . .
. Ha just look! -even on the living bark of sacred Bleobheris, there just above the poet's head, there's a
foul phrase carved out with a knife - and it's misspelled at that - by a stupid, illiterate vandal. Why are
you surprised? It had to end badly-'
'Yes, yes!' the fat priest joined in. 'Come to your senses, you Dinners, while there is still time, because the
anger and vengeance of the gods hangs over you! Remember Ithlin's oracle, the prophetic words
describing the punishment of the gods reserved for a tribe poisoned by crime! "The Time of Contempt
will come, when the tree will lose its leaves, the bud will wither, the fruit will rot, the seed turn bitter and
the river valleys will run with ice instead of water. The White Chill will come, and after it the White Light,
and the world will perish beneath blizzards." Thus spoke Seeress Ithlin! And before this comes to pass
there will be visible signs, plagues will ravish the earth - Remember! - the Nilfgaard are our punishment
from the gods! They are the whip with which the Immortals will lash you sinners, so that you may-'
'Shut up, you sanctimonious old man!' roared Sheldon Skaggs, stamping his heavy boots. 'Your
superstitious rot make me sick! My guts are churning-'
'Careful, Sheldon.' The tall elf cut him short with a smile. 'Don't mock another's religion. It is not pleasant,
polite or ... safe.'
'I'm not mocking anything,' protested the dwarf. 'I don't doubt the existence of the gods, but it annoys me
when someone drags them into earthly matters and tries to pull the wool over my eyes using the
prophecies of some crazy elf. The Nilfgaardians are the instrument of the gods? Rubbish! Search back
through your memories to the past, to the days of Dezmod, Radowid and Sambuk, to the days of Abrad,
the Old Oak! You may not remember them, because your lives are so very short - you're like MayfIies
but I remember, and I'll tell you what it was like in these lands just after you climbed from your boats on
the Yaruga Estuary and the Pontar Delta onto the beach. Three kingdoms sprang from the four ships
which beached on those shores; the stronger groups absorbed the weaker and so grew, strengthening
their positions. They invaded others territories, conquered them, and their kingdoms expanded, becoming
ever larger and more powerful. And now the Nilfgaardians are doing the same, because theirs is strong
and united, disciplined and tightly knit country. And unless you close ranks in the same way, Nilfgaard
will swallow you as a pike does a minnow - just as this wise druid said!'
'Let them just try!' Donimir of Troy puffed out his lion-emblazoned chest and shook his sword in its
scabbard. 'We beat them hollow on Sodden Hill, and we can do it again!'
'Let them just try!' Donimir of Troy puffed out his lion-emblazoned chest and shook his sword in its
scabbard. 'We beat them hollow on Sodden Hill, and we can do it again!'
'What do I care?' replied Skaggs with a shrug. 'That's a human affair. Whoever you chose to be king
wouldn't be a dwarf anyway.'
'Or an elf, or even half-elf,' added the tall representative of the Elder Race, his arm still wrapped around
the toque-wearing beauty. 'You even consider quarter-elves inferior-'
'That's where it stings,' laughed Vilibert. 'You're blowing the same horn as Nilfgaard because Nilfgaard is
also shouting about equality, promising you a return to the old order as soon as we've been conquered
and they've scythed us off these lands. That's the sort of unity, the sort of equality you're dreaming of, the
sort you're talking about and trumpeting! Nilfgaard pays you gold to do it! And it's hardly surprising you
love each other so much, the Nilfgaardians being an elven race-'
Nonsense,' the elf said coldly. 'You talk rubbish, sir knight. You're clearly blinded by racism. The
Nilfgaardians are human, just like you.'
'That's an outright lie! They're descended from the Black Seidhe and everyone knows it! Elven blood
flows through their veins! The blood of elves!'
'And what flows through yours?' The elf smiled derisively. 'We've been combining our blood for
generations, for centuries, your race and mine, and doing so quite successfully - fortunately or
unfortunately, I don't know. You started persecuting mixed relationships less than a quarter of a century
ago and, incidentally, not very successfully. So show me a human now who hasn't a dash of Seidhe
Ichaer, the blood of the Elder Race.'
Vilibert visibly turned red. Vera Loewenhaupt also flushed. Wizard Radcliffe bowed his head and
coughed. And, most interestingly, the beautiful elf in the ermine toque blushed too.
'We are all children of Mother Earth.' The grey-haired druid's voice resounded in the silence. 'We are
children of Mother Nature. And though we do not respect our mother, though we often worry her and
cause her pain, though we break her heart, she loves us. Loves us all. Let us remember that, we who are
assembled here in this Seat of Friendship. And let us not bicker over which of us was here first: Acorn
was the first to be thrown up by the waves and from Acorn sprouted the Great Bleobheris, the oldest of
oaks. Standing beneath its crown, amongst its primordial roots, let us not forget our own brotherly roots,
the earth from, which these roots grow. Let us remember the words of Poet Dandelion's song-'
'Exactly!' exclaimed Vera Loewenhaupt. 'And where is he?'
'He's fled,' ascertained Sheldon Skaggs, gazing at the empty place under the oak. 'Taken the money and
fled without saying goodbye. Very elf-like!'
'Dwarf-like!' squealed Ironware.
'Human-like,' corrected the tall elf, and the beauty in the toque rested her head against his shoulder.
'Hey, minstrel,' said Mama Lantieri, striding into the room without knocking, the scents of hycinths,
sweat, beer and smoked bacon wafting before her. 'You've got a guest. Enter, noble gentleman.'
Dandelion smoothed his hair and sat up in the enormous carved armchair. The two girls sitting on his lap
quickly jumped up, covering their charms and pulling down their disordered clothes. The modesty of
harlots, thought the poet, was not at all a bad title for a ballad. He got to his feet, fastened his belt and
pulled on his doublet, all the while looking at the nobleman standing at the threshold.
'Indeed,' he remarked, 'you know how to find me anywhere, though you rarely pick an opportune
moment. You're lucky I'd not yet decided which of these two beauties I prefer. And at your prices,
Lantieri, I cannot afford them both.'
Mama Lantieri smiled in sympathy and clapped her hands. Both girls - a fair-skinned, freckled islander
and a dark-haired half-elf - swiftly left the room. The man at the door removed his cloak and handed it to
Mama along with a small but well-filled money-bag.
T'orgive me, master,' he said, approaching the table and making himself comfortable. 'I know this is not a
good time to disturb you, But you disappeared out from beneath the oak so quickly ... I did not catch
you on the High Road as I had intended and did not immediately come across your tracks in this little
town. I'll not take much of your time, believe me-'
'They always say that, and it's always a lie,' the bard interrupted. 'Leave us alone, Lantieri, and see to it
that we're not disturbed. I'm listening, sir.'
The man scrutinised him. He had dark, damp, almost tearful eyes, a pointed nose and ugly, narrow lips.
'I'll come to the point without wasting your time,' he declared, waiting for the door to close behind
Mama. 'Your ballads interest me, master. To be more specific, certain characters of which you sang
interest me. I am concerned with the true fate of your ballad's heroes. If I am not mistaken, the true
destinies of real people inspired the beautiful work I heard beneath the oak tree? I have in mind ... Little
Cirilla of Cintra. Queen Calanthe's granddaughter.'
Dandelion gazed at the ceiling, drumming his fingers on the table.
'Honoured sir,' he said dryly, 'you are interested in strange matters. You ask strange questions.
Something tells me you are not the person I took you to be.'
'And who did you take me to be, if I may ask?'
'I'm not sure you may. It depends if you are about to convey greetings to me from any mutual friends.
You should have done so initially, but somehow you have forgotten.'
'1 did not forget at all.' The man reached into the breast pocket of his sepia-coloured velvet tunic and
pulled out a money-bag somewhat larger than the one he had handed the procuress but just as well-filled,
which clinked as it touched the table. 'We simply have no mutual friends, Dandelion. But might this purse
not suffice to mitigate the lack?'
'And what do you intend to buy with this meagre purse?' The troubadour pouted. 'Mama Lantieri's entire
brothel and all the land surrounding it?'
'Let us say that I intend to support the arts. And an artist. In order to chat with the artist about his work.'
'You love art so much, do you, dear sir? Is it so vital for you to talk to an artist that you press money on
him before you've even introduced yourself and, in doing so, break the most elementary rules of
courtesy?'
'At the beginning of our conversation' - the stranger's dark eyes narrowed imperceptibly - 'my anonymity
did not bother you.'
'And now it is starting to.'
'I am not ashamed of my name,' said the man, a faint smile appearing on his narrow lips. 'I am called
Rience. You do not know me, Master Dandelion, and that is no surprise. You are too famous and well
known to know all of your admirers. Yet everyone who admires your talents feels he knows you, knows
you so well that a certain degree of familiarity is permissible. This applies to me, too. I know it is a
misconception, so please graciously forgive me.'
'I graciously forgive you.'
'Then I can count on you agreeing to answer a few questions-'
'No! No you cannot,' interrupted the poet, putting on airs. 'Now, if you will graciously forgive me, I am
not willing to discuss the subjects of my work, its inspiration or its characters, fictitious or otherwise. To
do so would deprive poetry of its poetic veneer and lead to triteness.'
'Is that so?'
' It certainly is. For example, if, having sung the ballad about the miller's merry wife, I were to announce
it's really about Zvirka, Miller Loach's wife, and I included an announcement that Zvirka can most easily
be bedded every Thursday because on Thursdays the miller goes to market, it would no longer be
poetry. It would be cither rhyming couplets, or foul slander.'
'I understand, I understand,' Rience said quickly. 'But perhaps that is a bad example. I am not, after all,
interested in anyone's peccadilloes or sins. You will not slander anyone by answering my questions. All I
need is one small piece of information: what really happened to Cirilla, the Queen of Cintra's
granddaughter? Many people claim she was killed during the siege of the town; there are even
eye-witnesses to support the claim. From your ballad, however, it would appear that the child survived. I
am truly interested to know if this is your imagination at work, or the truth? True or false?'
'I'm extremely pleased you're so interested.' Dandelion smiled broadly. 'You may laugh, Master
whatever-your-name-is, but that was precisely what I intended when I composed the ballad. I wished to
excite my listeners and arouse their curiosity.'
'True or false?' repeated Rience coldly.
'If I were to give that away I would destroy the impact of my work. Goodbye, my friend. You have used
up all the time I can spare you. And two of my many inspirations are waiting out there, wondering which
of them I will choose.'
Rience remained silent for a long while, making no move to leave. He stared at the poet with his
unfriendly, moist eyes, and the poet felt a growing unease. A merry din came from the bawdy-house's
main room, punctuated from time to time by high-pitched feminine giggles. Dandelion turned his head
away, pretending to show derisive haughtiness but, in fact, he was judging the distance to the corner of
the room and the tapestry showing a nymph sprinkling her breasts with water poured from a jug.
'Dandelion,' Rience finally spoke, slipping his hand back into the pocket of his sepia-coloured tunic,
'answer my questions. Please. I have to know the answer. It's incredibly important to me. To you, too,
believe me, because if you answer of your own free will then-'
'Then what?'
A hideous grimace crept over Rience's narrow lips.
'Then I won't have to force you to speak.'
'Now listen, you scoundrel.' Dandelion stood up and pretended to pull a threatening face. 'I loathe
violence and force, but I'm going to call Mama Lantieri in a minute and she will call a certain Gruzila who
fulfils the honourable and responsible role of bouncer in this establishment. He is a true artist in his field.
He'll kick your arse so hard you'll soar over the town roofs with such magnificence that the few people
passing by at this hour will take you for a Pegasus.'
Rience made an abrupt gesture and something glistened in his hand.
'Are you sure,' he asked, 'you'll have time to call her?'
Dandelion had no intention of checking if he would have time. Nor did he intend to wait. Before the
stiletto had locked in Rience's hand Dandelion had taken a long leap to the corner of the room, dived
under the nymph tapestry, kicked open a secret door and rushed headlong down the winding stairs,
nimbly steering himself with the aid of the well-worn banisters. Rience darted after him, but the poet was
sure of himself - he knew the secret passage like the back of his hand, having used it numerous times to
flee creditors, jealous husbands and furious rivals from whom he had, from time to time, stolen rhymes
and tunes. He knew that after the third turning he would be able to grope for a revolving door, behind
which there was a ladder leading down to the cellar. He was sure that his persecutor would be unable to
stop in time, would run on and step on a trapdoor through which he would fall and land in the pigsty. He
was equally sure that - bruised, covered in shit and mauled by the pigs - his persecutor would give up the
chase.
Dandelion was mistaken, as was usually the case whenever he was too confident. Something flashed a
sudden blue behind his back and the poet felt his limbs grow numb, lifeless and stiff. He couldn't slow
down for the revolving door, his legs wouldn't obey him. He yelled and rolled down the stairs, bumping
against the walls of the little corridor. The trapdoor opened beneath him with a dry crack and the
troubadour tumbled down into the darkness and stench. Before thumping his head on the dirt floor and
losing consciousness, he remembered Mama Lantieri saying something about the pigsty being repaired.
The pain in his constricted wrists and shoulders, cruelly twisted in their joints, brought him back to his
senses. He wanted to scream but couldn't; it felt as though his mouth had been stuck up with clay. He
was kneeling on the dirt floor with a creaking rope hauling him up by his wrists. He tried to stand, wanting
to ease the pressure on his shoulders, but his legs, too, were tied together. Choking and suffocating he
somehow struggled to his feet, helped considerably by the rope which tugged mercilessly at him.
Rience was standing in front of him and his evil eyes glinted in the light of a lantern held aloft by an
unshaven ruffian who stood over six feet tall. Another ruffian, probably no shorter, stood behind him.
Dandelion could hear his breathing and caught a whiff of stale sweat. It was the reeking man who tugged
on the rope looped over a roof beam and fastened to the poet's wrists.
Dandelion's feet tore off the dirt floor. The poet whistled through his nose, unable to do anything more.
'Enough,' Rience snapped at last - he spoke almost immediately, yet it had seemed an age to Dandelion.
The bard's feet touched the ground but, despite his most heart-felt desire, he could not kneel again - the
tight drawn rope was still holding him as taut as a string.
Rience came closer. There was not even a trace of emotion on his face; the damp eyes had not changed
their expression in the least. His tone of voice, too, remained calm, quiet, even a little bored.
'You nasty rhymester. You runt. You scum. You arrogant nobody. You tried to run from me? No one
has escaped me yet. We haven't finished our conversation, you clown, you sheep's head. I asked you a
question under much pleasanter circumstances than these. Now you are going to answer all my questions,
and in far less pleasant circumstances. Am I right?'
Dandelion nodded eagerly. Only now did Rience smile and make a sign. The bard squealed helplessly,
feeling the rope tighten and his arms, twisted backwards, cracking in their joints.
You can't talk,' Rience confirmed, still smiling loathsomely, 'and it hurts, doesn't it? For the moment, you
should know I'm having you strung up like this for my own pleasure just because I love watching people
suffer. Go on, just a little higher.'
Dandelion was wheezing so hard he almost choked.
'Enough,' Rience finally ordered, then approached the poet and grabbed him by his shirt ruffles. 'Listen to
me, you little cock. I'm going to lift the spell so you can talk. But if you try to raise your charming voice
any louder than necessary, you'll be sorry.'
He made a gesture with his hand, touched the poet's cheek with his ring and Dandelion felt sensation
return to his jaw, tongue and palate.
'Now,' Rience continued quietly, 'I am going to ask you a few questions and you are going to answer
them quickly, fluently and comprehensively. And if you stammer or hesitate even for a moment, if you
give me the slightest reason to doubt the truth of your words, then ... Look down.'
Dandelion obeyed. He discovered to his horror that a short rope had been tied to the knots around his
ankles, with a bucket full of lime attached to the other end.
'If I have you pulled any higher,' Rience smiled cruelly, 'and this bucket lifts with you, then you will
probably never regain the feeling in your hands. After that, I doubt you will be capable of playing anything
on a lute. I really doubt it. So I think you'll talk to me. Am I right?'
Dandelion didn't agree because he couldn't move his head or find his voice out of sheer fright. But Rience
did not seem to require confirmation.
'It is to be understood,' he stated, 'that I will know immediately if you are telling the truth, if you try to
trick me I will realise straight away, and I won't be fooled by any poetic ploys or vague erudition. This is
a trifle for me - just as paralysing you on the stairs was a trifle. So I advise you to weigh each word with
care, you piece of scum. So, let's get on with it and stop wasting time. As you know, I'm interested in the
heroine of one of your beautiful ballads, Queen Calanthe of Cintra's granddaughter, Princess Cirilla,
endearingly known as Ciri. According to eye-witnesses this little person died during the siege of the town,
two years ago. Whereas in your ballad you so vividly and touchingly described her meeting a strange,
almost legendary individual, the ... witcher ... Geralt, or Gerald. Leaving the poetic drivel about destiny
and the decrees of fate aside, from the rest of the ballad it seems the child survived the Battle of Cintra in
one piece. Is that true?'
'I don't know ...' moaned Dandelion. 'By all the gods, I'm only a poet! I've heard this and that, and the
rest ...'
'Well?'
'The rest I invented. Made it up! I don't know anything!' The bard howled on seeing Rience give a sign to
the reeking man and feeling the rope tighten. 'I'm not lying!'
'True.' Rience nodded. 'You're not lying outright, I would have sensed it. But you are beating about the
bush. You wouldn't have thought the ballad up just like that, not without reason. And you do know the
witcher, after all. You have often been seen in his company. So talk, Dandelion, if you treasure your
joints. Everything you know.'
'This Ciri,' panted the poet, 'was destined for the witcher. She's a so-called Child Surprise ... You must
have heard it, the story's well known. Her parents swore to hand her over to the witcher-'
'Her parents are supposed to have handed the child over to that crazed mutant? That murderous
mercenary? You're lying, rhymester. Keep such tales for women.'
'That's what happened, I swear on my mother's soul,' sobbed Dandelion. 'I have it from a reliable source .
. . The witcher-'
'Talk about the girl. For the moment I'm not interested in the witcher.'
'I don't know anything about the girl! I only know that the witcher was going to fetch her from Cintra
when the war broke out. I met him at the time. He heard about the massacre, about Calanthe's death,
from me ... He asked me about the child, the queen's granddaughter ... But I knew everyone in Cintra
was killed, not a single soul in the last bastion survived-'
'Go on. Fewer metaphors, more hard facts!'
'When the witcher learned of the massacre and fall of Cintra he forsook his journey. We both escaped
north. We parted ways in Hengfors and I haven't seen him since ... But because he talked, on the way,
a bit about this ... Ciri, or whatever-her-name-is ... and about destiny ... Well, I made up this ballad.
I don't know any more, I swear!'
Rience scowled at him.
'And where is this witcher now?' he asked. 'This hired monster murderer, this poetic butcher who likes to
discuss destiny?'
'I told you, the last time I saw him-'
'I know what you said,' Rience interrupted. 'I listened carefully to what you said. And now you're going
to listen carefully to me. Answer my questions precisely. The question is: if no one has seen Geralt, or
Gerald, the Witcher for over a year, where is he hiding? Where does he usually hide?'
'I don't know where it is,' the troubadour said quickly. 'I'm not lying. I really don't know-'
'Too quick, Dandelion, too quick.' Rience smiled ominously. 'Too eager. You are cunning but not careful
enough. You don't know where it is, you say. But I warrant you know what it is.'
1 )andilion clenched his teeth with anger and despair.
'Well?' Rience made a sign to the reeking man. 'Where is the witcher hiding? What is the place called?'
The poet remained silent. The rope tightened, twisting his hands painfully, and his feet left the ground.
Dandelion let out a howl, brief and broken because Rience's wizardly ring immediately gagged him.
'Higher, higher.' Rience rested his hands on his hips. 'You know, Dandelion, I could use magic to sound
out your mind, but it's exhausting. Besides, I like seeing people's eyes pop out of their sockets from pain.
And you're going to tell me anyway.'
Dandelion knew he would. The rope secured to his ankles grew taut, the bucket of lime scraped along the
ground.
'Sir,' said the first ruffian suddenly, covering the lantern with his cloak and peering through the gap in the
pigsty door, 'someone's coming. A lass, I think.'
'You know what to do,' Rience hissed. 'Put the lantern out.'
The reeking man released the rope and Dandelion tumbled inertly to the ground, falling in such a way that
he could see the man with the lantern standing at the door and the reeking man, a long knife in his hand,
lying in wait on the other side. Light broke in from the bawdy-house through gaps in the planks, and the
poet heard the singing and hubbub.
The door to the pigsty creaked open revealing a short figure wrapped in a cloak and wearing a round,
tightly fitting cap. After a moment's hesitation, the woman crossed the threshold. The
reeking man threw himself at her, slashing forcefully with his knife, and tumbled to his knees as the knife
met with no resistance, passing through the figure's throat as though through a cloud of smoke. Because
the figure really was a cloud of smoke - one which was already starting to disperse. But before it
completely vanished another figure burst into the pigsty, indistinct, dark and nimble as a weasel. Dandelion
saw it throw a cloak at the lantern man, jump over the reeking one, saw something glisten in its hand, and
heard the reeking man wheeze and choke savagely. The lantern man disentangled himself from the cloak,
jumped, took a swing with his knife. A fiery lightning bolt shot from the dark figure with a hiss, slapped
over the tough's face and chest with a crack and spread over him like flaming oil. The ruffian screamed
piercingly and the grim reek of burning meat filled the pigsty.
Then Rience attacked. The spell he cast illuminated the darkness with a bluish flash in which Dandelion
saw a slender woman wearing man's clothes gesticulating strangely with both hands. He only glimpsed
her for a second before the blue glow disappeared with a bang and a blinding flash. Rience fell back with
a roar of fury and collapsed onto the wooden pigsty walls, breaking them with a crash. The woman
dressed in man's clothing leapt after him, a stiletto flashing in her hand. The pigsty filled with brightness
again - this time golden - beaming from a bright oval which suddenly appeared in the air. Dandelion saw
Rience spring up from the dusty floor, leap into the oval and immediately disappear. The oval dimmed
but, before it went out entirely, the woman ran up to it shouting incomprehensively, stretching out her
hand. Something crackled and rustled and the dying oval boiled with roaring flames for a moment. A
muffled sound, as if coming from a great distance, reached Dandelion's ears - a sound very much like a
scream of pain. The oval went out completely and darkness engulfed the pigsty again. The poet felt the
power which gagged him disappear.
'Help!' he howled. 'Help!'
'Stop yelling, Dandelion,' said the woman, kneeling next to him and slicing through the knots with Rience's
stiletto.
'Yennefer? Is that you?'
'Surely you're not going to say you don't remember how I look. And I'm sure my voice is not unfamiliar
to your musical ear. Can you get up? They didn't break any bones, did they?'
Dandelion stood with difficulty, groaned and stretched his aching shoulders.
'What's with them?' He indicated the bodies lying on the ground.
'We'll check.' The enchantress snicked the stiletto shut. 'One of them should still be alive. I've a few
questions for him.'
'This one,' the troubadour stood over the reeking man, 'probably still lives.'
'I doubt it,' said Yennefer indifferently. 'I severed his windpipe and carotid artery. There might still be a
little murmur in him but not for long.'
Dandelion shuddered.
'You slashed his throat?'
'If, out of inborn caution, I hadn't sent an illusion in first, I would be the one lying there now. Let's look at
the other one ... Bloody hell. Such a sturdy fellow and he still couldn't take it. Pity, pity '
'He's dead, too?'
'He couldn't take the shock. Hmm ... I fried him a little too haul ... See, even his teeth are charred-
What's the matter with you, Dandelion? Are you going to be sick?'
'I am,' the poet replied indistinctly, bending over and leaning his forehead against the pigsty wall.
'That's everything?' The enchantress put her tumbler down and reached for the skewer of roast chickens.
'You haven't lied about anything? Haven't forgotten anything?'
'Nothing. Apart from "thank you". Thank you, Yennefer.' She looked him in the eyes and nodded her
head lightly, making her glistening, black curls writhe and cascade down to her shoulders. She slipped the
roast chicken onto a trencher and began dividing it skilfully, She used a knife and fork. Dandelion had
only known one person, up until then, who could eat a chicken with a knife and fork as skilfully. Now he
knew how, and from whom, Geralt had learnt the knack. Well, he thought, no wonder. After all, he did
live with her for a year in Vengerberg and before he left her, she had instilled a number of strange things
into him. He pulled the other chicken from the skewer and, without a second thought, ripped off a thigh
and began eating it, pointedly holding it with both hands.
'How did you know?' he asked. 'How did you arrive with help on time?'
'I was beneath Bleobheris during your performance.'
'I didn't see you.'
'I didn't want to be seen. Then I followed you into town. I waited here, in the tavern - it wasn't fitting,
after all, for me to follow you in to that haven of dubious delight and certain gonorrhoea. But I eventually
became impatient and was wandering around the yard when I thought I heard voices coming from the
pigsty. I sharpened my hearing and it turned out it wasn't, as I'd first thought, some sodomite but you.
Hey, innkeeper! More wine, if you please!'
'At your command, honoured lady! Quick as a flash!'
'The same as before, please, but this time without the water. I can only tolerate water in a bath, in wine I
find it quite loathsome.'
'At your service, at your service!'
Yennefer pushed her plate aside. There was still enough meat on the chicken, Dandelion noticed, to feed
the innkeeper and his family for breakfast. A knife and fork were certainly elegant and refined, but they
weren't very effective.
'Thank you,' he repeated, 'for rescuing me. That cursed Rience wouldn't have spared my life. He'd have
squeezed everything from me and then butchered me like a sheep.'
'Yes, I think he would.' She poured herself and the bard some wine then raised her tumbler. 'So let's
drink to your rescue and health, Dandelion.'
And to yours, Yennefer,' he toasted her in return. 'To health for which - as of today - I shall pray
whenever the occasion arises. I'm indebted to you, beautiful lady, and I shall repay the debt in my songs.
I shall explode the myth which claims wizards are insensitive to the pain of others, that they are rarely
eager to help poor, unfortunate, unfamiliar mortals.'
'What to do.' She smiled, half-shutting her beautiful violet eyes. 'The myth has some justification; it did not
spring from nowhere. But you're not a stranger, Dandelion. I know you and like you.'
'Really?' The poet smiled too. 'You have been good at concealing it up until now. I've even heard the
rumour that you can't stand me, I quote, any more than the plague.'
'It was the case once.' The enchantress suddenly grew serious. 'Later my opinion changed. Later, I was
grateful to you.'
'What for, if I may ask?'
'Never mind,' she said, toying with the empty tumbler. 'Let us get back to more important questions.
Those you were asked in the pigsty while your arms were being twisted out of their sockets. What really
happened, Dandelion? Have you really not seen Geralt since you fled the banks of the Yaruga? Did you
really not know he returned south after the war? That he was seriously wounded -so seriously there were
even rumours of his death? Didn't you know anything?'
'No. I didn't. I stayed in Pont Vanis for a long time, in Esterad Thyssen's court. And then at Niedamir's in
Hengfors-'
'You didn't know.' The enchantress nodded and unfastened her tunic. A black velvet ribbon wound
around her neck, an obsidian star set with diamonds hanging from it. 'You didn't know that when his
wounds healed Geralt went to Transriver? You can't guess who he was looking for?'
'That I can. But I don't know if he found her.'
You don't know,' she repeated. 'You, who usually know everything, and then sing about everything. Even
such intimate matters as someone else's feelings. I listened to your ballads beneath Bleobheris, Dandelion.
You dedicated a good few verses to me.'
'Poetry,' he muttered, staring at the chicken, 'has its rights. No one should be offended-'
'"I lair like a raven's wing, as a storm in the night ...'" quoted Yennefer with exaggerated emphasis, '"...
and in the violet eyes sleep lightning bolts ..." Isn't that how it went?'
'That's how I remembered you.' The poet smiled faintly. 'May
the first who wishes to claim the description is untrue throw the first stone.'
'Only I don't know,' the Enchantress pinched her lips together, 'who gave you permission to describe my
internal organs. How did it go? "Her heart, as though a jewel, adorned her neck. Hard as if of diamond
made, and as a diamond so unfeeling, sharper than obsidian, cutting-" Did you make that up yourself?
Or perhaps ...?'
Her lips quivered, twisted.
'... or perhaps you listened to someone's confidences and grievances?'
'Hmm ...' Dandelion cleared his throat and veered away from the dangerous subject. 'Tell me, Yennefer,
when did you last see Geralt?'
'A long time ago.'
'After the war?'
After the war ...' Yennefer's voice changed a little. 'No, I never saw him after the war. For a long time
... I didn't see anybody. Well, back to the point, Poet. I am a little surprised to discover that you do not
know anything, you have not heard anything and that, in spite of this, someone searching for information
picked you out to stretch over a beam. Doesn't that worry you?'
'It does.'
'Listen to me,' she said sharply, banging her tumbler against the table. 'Listen carefully. Strike that ballad
from your repertoire. Do not sing it again.'
'Are you talking about-'
'You know perfectly well what I'm talking about. Sing about the war against Nilfgaard. Sing about Geralt
and me, you'll neither harm nor help anyone in the process, you'll make nothing any better or worse. But
do not sing about the Lion Cub of Cintra.'
She glanced around to check if any of the few customers at this hour were eavesdropping, and waited
until the lass clearing up had returned to the kitchen.
And do try to avoid one-to-one meetings with people you
don't know,' she said quietly. 'People who "forget" to introduce themselves by conveying greetings from a
mutual acquaintance. Understand?'
He looked at her surprised. Yennefer smiled.
'Greetings from Dijkstra, Dandelion.'
Now the bard glanced around timidly. His astonishment must have been evident and his expression
amusing because the sorceress allowed herself a quite derisive grimace.
'While we are on the subject,' she whispered, leaning across the table, 'Dijkstra is asking for a report.
You're on your way back from Verden and he's interested in hearing what's being said at King Ervyll's
court. He asked me to convey that this time your report should be to the point, detailed and under no
circumstances in verse. Prose, Dandelion. Prose.'
The poet swallowed and nodded. He remained silent, pondering the question.
But the enchantress anticipated him. 'Difficult times are approaching,' she said quietly. 'Difficult and
dangerous. A time of change is coming. It would be a shame to grow old with the uncomfortable
conviction that one had done nothing to ensure that these changes are for the better. Don't you agree?'
Tie agreed with a nod and cleared his throat. 'Yennefer?'
'I'm listening, Poet.'
"Those men in the pigsty ... I would like to know who they were, what they wanted, who sent them. You
killed them both, but rumour has it that you can draw information even from the dead.'
'And doesn't rumour also have it that necromancy is forbidden, by edict of the Chapter? Let it go,
Dandelion. Those thugs probably didn't know much anyway. The one who escaped ... Hmm ... He's
another matter.'
'Rience. He was a wizard, wasn't he?'
'Yes. But not a very proficient one.'
'Yet he managed to escape from you. I saw how he did it - he teleported, didn't he? Doesn't that prove
anything?'
'Indeed it does. That someone helped him. Rience had neither
the time nor the strength to open an oval portal suspended in the air. A portal like that is no joke. It's
clear that someone else opened it. Someone far more powerful. That's why I was afraid to chase him, not
knowing where I would land. But I sent some pretty hot stuff after him. He's going to need a lot of spells
and some effective burn elixirs, and will remain marked for some time.'
'Maybe you will be interested to hear that he was a Nilfgaardian.'
'You think so?' Yennefer sat up and with a swift movement pulled the stiletto from her pocket and turned
it in her palm. 'A lot of people carry Nilfgaardian knives now. They're comfortable and handy - they can
even be hidden in a cleavage-'
'It's not the knife. When he was questioning me he used the term "battle for Cintra", "conquest of the
town" or something along those lines. I've never heard anyone describe those events like that. For us, it
has always been a massacre. The Massacre of Cintra. No one refers to it by any other name.'
The magician raised her hand, scrutinised her nails. 'Clever, Dandelion. You have a sensitive ear.'
'It's a professional hazard.'
'I wonder which profession you have in mind?' She smiled coquettishly. 'But thank you for the
information. It was valuable.'
'Let it be,' he replied with a smile, 'my contribution to making changes for the better. Tell me, Yennefer,
why is Nilfgaard so interested in Geralt and the girl from Cintra?'
'Don't stick your nose into that business.' She suddenly turned serious. 'I said you were to forget you ever
heard of Calanthe's granddaughter.'
'Indeed, you did. But I'm not searching for a subject for a ballad.'
'What the hell are you searching for then? Trouble?'
'Let's take it,' he said quietly, resting his chin on his clasped hands and looking the enchantress in the eye.
'Let's take it that Geralt did, in fact, find and rescue the child. Let's take it that he finally came to believe
in the power of destiny, and took the child with him. Where to? Rience tried to force it out of me with
torture. But you know, Yennefer. You know where the witcher is hiding.'
'I do.'
'And you know how to get there.'
'I know that too.'
'Don't you think he should be warned? Warned that the likes of Rience are looking for him and the little
girl? I would go, but I honestly don't know where it is ... That place whose name I prefer not to say ...'
'Get to the point, Dandelion.'
'If you know where Geralt is, you ought to go and warn him. You owe him that, Yennefer. There was,
after all, something between you.'
'Yes,' she acknowledged coldly. 'There was something between us. That's why I know him a bit. He
does not like having help imposed on him. And if he was in need of it he would seek it from those he
could trust. A year has gone by since those events and I ... I've not had any news from him. And as for
our debt, I owe him exactly as much as he owes me. No more and no less.'
'So I'll go then.' He raised his head high. 'Tell me-'
'I won't,' she interrupted. 'Your cover's blown, Dandelion. They might come after you again; the less you
know the better. Vanish from here. Go to Redania, to Dijkstra and Filippa Eilhart, stick to Vizimir's
court. And I warn you once more: forget the Lion Cub of Cintra. Forget about Ciri. Pretend you have
never heard the name. Do as I ask. I wouldn't like anything bad to happen to you. I like you too much,
owe you too much-'
'You've said that already. What do you owe me, Yennefer?'
The sorceress turned her head away, did not say anything for a while.
'You travelled with him,' she said finally. 'Thanks to you he was not alone. You were a friend to him. You
were with him.'
The bard lowered his eyes.
'He didn't get much from it,' he muttered. 'He didn't get much from our friendship. He had little but
trouble because of me. He constantly had to get me out of some scrape ... help me ...'
She leaned across the table, put her hand on his and squeezed it hard without saying anything. Her eyes
held regret.
'Go to Redania,' she repeated after a moment. 'To Tretogor. Stay in Dijkstra's and Filippa's care. Don't
play at being a hero. You have got yourself mixed up in a dangerous affair, Dandelion.'
'I've noticed.' He grimaced and rubbed his aching shoulder. 'And that is precisely why I believe Geralt
should be warned. You are the only one who knows where to look for him. You know the way. I guess
you used to be ... a guest there ... ?'
Yennefer turned away. Dandelion saw her lips pinch, the muscles in her cheek quiver.
'Yes, in the past,' she said and there was something elusive and strange in her voice. 'I used to be a guest
there, sometimes. But never uninvited.'
The wind howled savagely, rippling through the grasses growing over the ruins, rustling in the hawthorn
bushes and tall nettles. Clouds sped across the sphere of the moon, momentarily illuminating the great
castle, drenching the moat and few remaining walls in a pale glow undulating with shadows, and revealing
mounds of skulls baring their broken teeth and staring into nothingness through the black holes of their
eye-sockets. Ciri squealed sharply and hid her face in the witcher's cloak.
The mare, prodded on by the witcher's heels, carefully stepped over a pile of bricks and passed through
the broken arcade. Her horseshoes, ringing against the flagstones, awoke weird echoes between the
walls, muffled by the howling gale. Ciri trembled, digging her hands into the horse's mane.
'I'm frightened,' she whispered.
'There's nothing to be frightened of,' replied the witcher, laying his hand on her shoulder. 'It's hard to find
a safer place in the whole world. This is Kaer Morhen, the Witchers' Keep. There used to be a beautiful
castle here. A long time ago.'
She did not reply, bowing her head low. The witcher's mare, called Roach, snorted quietly, as if she too
wanted to reassure the girl.
They immersed themselves in a dark abyss, in a long, unending black tunnel dotted with columns and
arcades. Roach stepped
confidently and willingly, ignoring the impenetrable darkness, and her horseshoes rang brightly against the
floor.
In front of them, at the end of the tunnel, a straight, vertical line suddenly flared with a red light. Growing
taller and wider it became a door beyond which was a faint glow, the flickering brightness of torches
stuck in iron mounts on the walls. A black figure stood framed in the door, blurred by the brightness.
'Who comes?' Ciri heard a menacing, metallic voice which sounded like a dog's bark. 'Geralt?'
'Yes, Eskel. It's me.'
'Come in.'
The witcher dismounted, took Ciri from the saddle, stood her on the ground and pressed a bundle into
her little hands which she grabbed tightly, only regretting that it was too small for her to hide behind
completely.
'Wait here with Eskel,' he said. 'I'll take Roach to the stables.'
'Come into the light, laddie,' growled the man called Eskel. 'Don't lurk in the dark.'
Ciri looked up into his face and barely restrained her frightened scream. He wasn't human. Although he
stood on two legs, although he smelled of sweat and smoke, although he wore ordinary human clothes,