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6 The Tower of the Swallow.txt
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6 The Tower of the Swallow.txt
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THE TOWER OF THE SWALLOW
'I can give you everything you desire,' said the fairy. 'Wealth, a crown and sceptre, fame,
a long happy life. Choose.'
'I do not desire wealth or fame, a crown or sceptre,' the witcher replied. 'I desire a horse
that is black as night and as fast as the wind. And I desire a sword that is sharp and as bright
as a moonbeam. I want to ride at night on my black horse; I want to defeat the powers of Evil
with my bright sword. That is all I desire.'
'I'll give you a horse that will be blacker than the night and faster than the wind,'
promised the fairy. 'I'll give you a sword, which will be sharp and brighter than a
moonbeam. But what little you ask for, witcher, you will have to pay dearly.'
'With what? In truth I have nothing.'
'With your blood.'
Flourens Delannoy
Fairytales and Stories.
Chapter One
It was well known that the Universe, as well as life, revolves in a circle. On the rim of this
circle, in pairs exactly opposite each other are eight magic points, which give a full rotation,
the annual cycle. These points, lying along the rim of the circle in pairs opposite each other,
are: Imbaelk that is, Germination, Lammas that is, Maturity, Belleteyn, that is Blossoming,
Saovine that is, Withering. The rim of the circle is also marked by two solstices – winter or
Midinvaerne and summer or Midaete. There are also two equinoxes – spring or Birke and
autumn or Velen. These dates divide the circle into eight parts – and so the elven calendar
year is divided.
When Humans landed in the estuary of the Yaruga and the delta of the Pontar, they
brought with them their own lunar calendar, dividing the year into twelve months – which
cover the full annual cycle of work in the fields – from the beginning of January until the end
– in which frost turned the earth into a hard lump. But although humans divided the year and
counted the date differently, they accepted the elven circle and the eight points: Imbaelk,
Lammas, Belleteyn, Saovine and both solstices and equinoxes and among the humans they
became important holidays. Distinguishing themselves among other dates as much as a
solitary tree standing out in a meadow.
These dates differ from others by magic.
It was no secret that during these eight dates and nights magical auras intensify
dramatically. Nobody is surprised by these magical phenomena and enigmatic events that
accompany these eight dates, especially the equinoxes and solstices. Everyone had become
accustomed to these phenomena and they seldom gave rise to great sensation.
This year was different.
This year, as humans usually celebrate the autumn equinox festival dinner, during which
the table had the largest possible number of fruits from the harvest that year, but no more than
a little of each of them. So custom commanded. Once they had prepared the dinner and had
thanked the goddess Melitele for the year's harvest, the humans settled down to rest. And
then the horror began.
Shortly before midnight a terrible storm broke, the wind blew hellishly, in which could
be heard the crackling of broken branches, roof timbers creaking and shutters banging and the
sound of ghostly howls, screams and wailing. Even the clouds took on fantastic shapes,
among which the most frequently repeated were silhouettes of galloping horses and unicorns.
The wind suddenly stopped after about an hour. But silence did not occur, because the night
suddenly came alive with the chirping and fluttering of hundreds of nightjars, these
mysterious birds, according to popular belief flock to the houses of the dying and sing their
mournful song. This night, the chorus of the nightjars was so massive and loud that it seemed
as if the whole world were to die.
The nightjars warbled there wild song for the dead while on the horizon the clouds had
extinguished the remains of the moonlight. Then all of a sudden the dreadful howling of a
Banshee was heard, harbinger of sudden and violent death, and through the sky rode the Wild
Hunt, a procession of ghosts with flaming eyes riding on the backs of skeletal horses, their
tattered clothes waving around them like banners. From time to time, the Wild Hunt made its
harvest, but it had not been for decades so terrible. In Novigrad it was counted more than
twenty people had disappeared without a trace.
When the Hunt and the clouds had dispersed, human eyes where once again able to see
the moon, as usual at the time of the equinox, it was waning. But this night it was the colour
of blood.
Ordinary people had many explanations for the equinoxial phenomena, which differed
significantly according to regional demonology. Astrologers, druid and wizards also had their
explanations, but were mostly wrong and exaggerated. Few, very few people were able to
associate these phenomena with actual facts. For example, on the Skellige Islands, a few
superstitious people saw in those events the prophecies of Tedd Deireadh, the end of the
world, which is proceeded by the battle of Ragh nar Roog, the final struggle between the
forces of Light and Darkness. The superstitious believed that the violent storm on the night of
the autumn equinox and the waves that shook the islands with a wave was driven by the
monstrous bow of Naglfar from Morhogg, leading an army of ghosts and demons in a ship
built from the finger and toe-nails of the dead. Wiser and better informed people however
associated the fury of the elements with the infamous sorceress Yennefer and her terrible
death. And still other – even better informed, saw a sign in the stormy sea that someone was
dying, in whose veins ran the blood of the Rulers of Skellige and Cintra.
Since the world began, the night of the autumn equinox has also been a night of ghosts,
nightmare and apparitions, sudden awakening in the night, with breath and heartbeat caught
in fear, between sheets, twisted and wet with perspiration. The apparitions and awakenings
did not even spare the clearest of heads, in Nilfgaard, in the Towers of Gold, the emperor
himself, Emhyr var Emreis, woke up screaming. Far to the north in Lan Exeter, King Esterad
Thyssen jumped out of bed, waking his wife, Queen Zuleyka. In Tretogor, Dijkstra woke up
and reached for his knife, waking the Minister of Treasuries wife. In the palace of
Montecalvo, Philippa Eilhart jumped up from damask bed linens, without waking the wife of
Count de Noailles. They awoke – more or less sharply – the dwarf, Yarpen Zigrin in
Mahakam, the old witcher Vesemir in the mountain fortress of Kaer Morhen, the trainee
banker, Fabio Sachs in the city of Gors Velen and Crach an Craite on board the ship
'Ringhorn'. It awoke the witch Fringilla Vigo at the castle of Beauclair, the priestess
Sigrdrifa in the temple of the goddess Freya located on the island of Hindarsfjall. It awoke
Daniel Etcheverry, Earl of Garramone, at the besieged fortress of Maribor, Lance-corporal
Zyvik of the Dun Banner, at the fort of Ban Glean. Businessman Dominik Bombastus
Houvenaghel in the town of Claremont, and many others.
Few were able to connect these phenomena with actual events. And with a specific
person. As luck would have it, three of these people spent the night of the autumn equinox
under one roof. In the temple of the Goddess Melitele in Ellander.
***
'Nightjars...' moaned the scribe Jarre, while watching the darkness that flooded the park
in the sanctuary. 'I think there are thousands of them, a whole flock... They scream for the
death of someone... For the death of her... She is dying...'
'Do not talk nonsense,' Triss Merigold, turned abruptly, raised her clenched fist a looked
for a moment like she was going to push the boy or hit him in the chest. 'Do you believe in
stupid superstitions? September is finished, the birds are gathering to migrate. It is totally
natural!'
'She is dying...'
'Nobody is dying!' cried the enchantress, pale with rage. 'Nobody, do you understand?
Stop babbling!'
In the library hall, novices were awakened by the natural alarm. Their faces were grave
and pale.
'Jarre,' Triss calmed down, she put her hand on the boy's shoulder and squeezed. 'You're
the only man in the temple. All are looking to you, looking to you for help. You must not be
afraid, do not panic. Control yourself. Do not disappoint us.'
Jarre sighed and with a visible effort tried to suppress the shaking of his hands and lips.
'I'm not afraid...' he whispered, avoiding the eyes of the enchantress. 'It is not fear, just
concern. For her. I saw her in a dream...'
'I saw her too,' Triss pursed her lips, 'we had the same dream, you, me and Nenneke. But
not a word about it.'
'The blood on her face... So much blood...'
'I have asked you to be quiet. Nenneke is coming.'
The high priestess approached them. Her face was tired. At Triss' silent question, she
shook her head. Noticing Jarre opening his mouth, she hastened to speak.
'Unfortunately, nothing. When the Wild Hunt passed over the sanctuary, it awakened
almost everyone, but none have had visions. Even as vague as ours. Go to sleep, boy, there is
nothing here for you to do. Girls, go back to the dormitory!'
She rubbed her face with both hands.
'Heh... Equinox! Cursed night... Go to sleep, Triss. We cannot do anything.'
'This helplessness drives me crazy,' the enchantress said, clenching her fists. 'Just
thinking that she is suffering, bleeding, that she is threatened... The devil, if I know what to
do!'
Nenneke, the high priestess of the temple of Melitele, turned.
'And you have tried to pray?'
***
In the south, far beyond the mountains of Amell, in Ebbing, in the country called
Pereplut, in the extensive swamps formed by the intersection of the rivers Velda, Lete and
Arete, a place about eight hundred miles as the crow flies from the city of Ellander and the
temple of Melitele, as dawn, a nightmare abruptly woke an old hermit named Vysogota. Once
awake, Vysogota could not remember any of the content of the dream, but a strange
uneasiness kept him from falling back to sleep.
***
'Cold, cold, cold, brrr,' Vysogota said to himself as he walked along a path through the
bushes. 'Cold, cold, cold, brrr.'
The next trap was empty. Not a muskrat. A whole day of hunting with no luck. Vysogota
cleaned the mud and the algae covering the trap, muttering curses and sniffing his nose.
'Huh, it is winter' he said, walking towards the swamp. 'And it is not even the end of
September. After all, we are barely four days after the equinox. Such cold at this time I
cannot remember in my whole life. And I have been alive a long time!'
The next trap, the last one, was also empty. Vysogota had no desire to even curse.
'There is no doubt,' mused the old man, 'that year after year the climate is slowly
cooling. And now it seems the cooling effect is accelerating like an avalanche. Ha, the elves
had foreseen this a long time ago, but who believes in the predictions of the elves?'
Above the old man's head, fluttered wings, and dark silhouettes began to dart. The fog
over the marshes rang with the sudden wild shriek of nightjars, and with the rapid flapping of
their wings. Vysogota paid no attention to the birds. He was not superstitious and there had
always been many nightjars in the swamp, especially at dawn when they flew so close it was
a wonder they didn't collide with his head. Well, they may not have as many as they have this
day and not always with this dismal screaming... However, in recent times it was the nature
for outrageous antics and strange phenomena which followed one another, each more bizarre
than the last.
He was pulling the last snare from the water, also empty, when he heard the neighing of a
horse. The nightjars singing stopped as if on command.
Even on the moor, Pereplut had dry thickets located in higher places, ridges covered with
black birch, alders, cornejo, dogwood and blackthorn. Most of the groves were surrounded by
bogs so that it was completely impossible for any horse or rider who did not know the way to
reach them. And yet the neighing – Vysogota heard again – came precisely from one of these
groves.
Curiosity overcame caution.
Vysogota did not know much about horses and their breeds, but it was an aesthetician and
knew how to recognise and appreciate beauty. And the horse's hair glistened like anthracite,
silhouetted against the trunks of birches was extraordinarily beautiful. It was the quintessence
of true beauty. It was so beautiful it seemed unreal.
But it was real. And it was real in the way it was trapped, entangled with the halter straps
and red blood embrace of the branches of a cornejo.
When Vysogota came closer, the horse pricked up its ears, gracefully shook its head,
turned and stamped until the earth trembled. Now he could see that the animal was a trapped
mare. The old man saw something else. Something that caused his heart to run away beating
and invisible fingers to squeeze his throat.
Behind the horse, in a shallow ditch, lay a corpse.
Vysogota threw his bag on the floor. He was ashamed by that his first thought had been to
turn around and run away. He approached with caution, because the black mare stamped the
floor and chewed her bit and was apparently only waiting an opportunity to bite or kick a
stranger.
The corpse was a dead teenage boy. He lay face down on the ground, one arm crushed
against the side of his body, the other outstretched to the side with fingers dug into the
ground. The boy was wearing a suede jacket, tight leather pants and elven boots with buckles
that reached to the knees.
Vysogota bent down and at that moment the corpse groaned loudly. The gray mare
whinnied sharply and stomped the earth with her hooves.
The hermit knelt down and carefully turned the wounded boy over. Instinctively he drew
back his head and hissed at the sight of the monstrous mask of dirt and dried blood on the
boy's face. Gently he wiped away the moss, leaves and sand on his lips covered with snot and
drool, and tried to remove a tangle of hair stuck to his cheek with blood. The wounded boy
groaned dully, tensed and then began to tremble. Vysogota removed the hair from his face.
'A girl,' he said loudly, unable to believe what was right in front of him. 'It is a girl.'
***
If the day after at nightfall someone had crept up to the hut deep in the swamp and looked
through the cracks in the shutters, in the flickering light of an oil lamp they would have seen
a slender body with its head wrapped in bandages, lying motionless, almost dead, covered
with a fur blanket. They would have also seen an old man sitting with a long white beard and
white hair falling from the edges of his bald head down to his shoulders. They would have
seen the old man silhouetted against a lit candle, how on the table there was an hourglass,
how he sharpened his pen, as he leaned over a sheet of parchment. How he intently watched
the wounded girl and spoke to himself.
But nothing like that could happen, nobody could see. The hut with a roof covered with
moss was lost in the mists, abandoned in the middle of the marshes, where no one dared to
tread.
***
'I record the following,' Vysogota dipped his pen into the ink. 'It is passed the third hour
after the operation. Diagnosis – vulnus incisivum, a laceration inflicted with considerable
force by an unknown object, probably a curved blade. The wound begins under the eye
socket on the left cheek and runs through the temporal region towards the ear. The deepest
part of the wound, which reaches the periosteum, starts under the eye socket. The estimated
time that has passed since the wounds were inflicted until the time of the first treatment, ten
hours.'
The pen squeaked on the parchment, but the squeaking did not last for more than a few
moments. For only a few lines. Vysogota obviously did not consider everything he was
saying to himself, as worthy of being written down.
'Returning to the treatment of the wounds,' the old man continued fixing his eyes on the
pulsating and crackling flame of the tallow candle, 'I write the follow. I did not cut along the
edges of the injury, I limited myself to only removing a few tears that were not bleeding and
clotting, of course. I cleaned the wound with an extract of willow bark. I removed the dirt and
foreign bodies. Then stitched it, with hemp thread. Other types of string are not available to
me. Finally I put on a poultice of mountain arnica and gauze bandages.'
A mouse scampered though the middle of the room. Vysogota threw it a piece of bread.
The girl on the pallet breathed raggedly and moaned in her sleep.
***
'It is eight hours after the procedure. The state of the patient – no change. The state of the
doctor... in other words, mine, is improved, since I repaired it with a bit of sleep... I can
continue with the notes. It is therefore be appropriate to transcribe in these pages some
information about my patient. For future generations. In case some future generations are
able to get to these wetlands before this becomes rot and discarded ashes.'
Vysogota sighed heavily, dipped the pen and cleaned it on the edge of the fountain.
'As for the patient,' he murmured, 'let it be recorded as follows. She appeared to be about
sixteen years of age, tall, her formation is rather thin, but at least it is not weak, showing no
signs of malnutrition. Muscle and physique are rather typical of a young elf, but I have not
noticed any other characteristics of mixing... even quadroon inclusive. A lower percent of
elven blood, as is known, can leave no trace.'
Only then did Vysogota realise that he had not written on the page, not one rune, not a
single word. He supported the pen on the paper, but the ink had dried. The old man paid no
attention.
'Let it be recorded also,' he continued, 'that she has never given birth. Also on the body
there are no old signs left after accidents or injuries, no scars or traces of those who are put to
hard work or a risky life. I emphasize the I speak of old signs. There are no shortage of recent
signs throughout the body. The girl has been beaten. A real beating and not at the hands of
her father. Probably kicked her too.'
'I also found on the body a rather strange sign... Humm, this is written for the sake of
science... In the groin, near the pubic mound, she had a tattoo of a red rose.'
Vysogota contemplated the sharp tip of the pen, after which he dipped it into the ink. This
time however, he did not forget the purpose for which he had done this – he began to cover
the paper with regular lines of sloped writing. He continued writing until the pen dried up.
'Half conscious,' he continued, 'she shouted and talked. Her accent and manner of
expression, if we discount the constant expressions interspersed with the obscene slang of
criminals, cause considerable confusion, and was difficult to locate, but I venture to say that
she came from the north instead of the south. Some of the words...'
Again the pen squeaked. Briefly, far less than was needed to write down everything he
had said a moment ago. After which he continued his monologue, exactly where he was
interrupted.
'Some words, name and nicknames that she spoke in her fever, would be better not to
write. It is worth being investigated. All the indications are that a very, very unusual person
has made their way to the hut of old Vysogota...'
He was silent for a while, listening.
'I hope,' he muttered, 'that old Vysogota's hut does not become the end of her road.'
***
Vysogota bent over the parchment and even leaned on the pen, but he wrote nothing, not
a single rune. He threw the pen on the table. He gasped for a moment, muttering angrily and
snorted. He looked at the bed and listened to the sound which came from there.
'I have to admit,' he said in a tired voice, 'that my fears are in place. All my efforts may
be inadequate and ineffective. My patient is doing very poorly and has a high fever. The
wound is infected. We have experience three of the four cardinal symptoms of acute
inflammation. Redness, heat and a tumour are easy to notice at this time to the eye and touch.
When the post-operative shock has passed, there will be no doubt be the four symptom –
Pain. Let it be written that it has been almost half a century since I devoted myself to the
practice of medicine, I see how the years weigh on my memory and the agility of my fingers.
I cannot do much, there is even less I can do. I do not have enough remedies or medications.
All my hope lies in the defence mechanisms of a young body...'
***
'Twelve hours after the procedure. As expected, there has appeared the fourth main
symptom of inflammation – pain. The patient screams with pain, fever and her tremors have
increased. I have nothing, no drugs I can give her. I have a small amount of elixir of
stamonium, but she is too weak to survive its action. I also have some monkshood, but it
would kill her instantly.'
***
'Fifteen hours after the procedure. It is dawn. The patient is unconscious. The fever is still
rising and the tremors are increasing. Beyond this, there appears to be a sharp contraction of
the muscles of the face. If it is tetanus, the girl is lost. But let us hope it is only a facial
nerve... Or the trigeminal never... Or both. She will be disfigured... But alive...'
Vysogota looked at the parchment, he had not written a rune or a word.
'Provided,' he said dully, 'she survives the infection.'
***
'Twenty hours after the procedure. The fever is still rising. The patient's status is critical.
Redness, heat, tumour and pain, it seems to me, have not yet reached their peak. But she has
no chance of even living to reach those boundaries. So I write... I, Vysogota of Corvo do not
believe in the existence of the gods. But if by chance there are, please take into your
protection, this girl. And forgive me for what I did... If what I did turned out to be in error.'
Vysogota dropped his pen, rubbed his eyes, which were swollen and itchy and rested his
hands on his temples.
'I have given her a mixture of monkshood and stramonium,' he said in a low voice. 'The
next few hours will decide everything.'
***
He was not asleep, only dozing when he was awaked by a cry. More a cry of anger than
pain. Outside, the dawn's dim light shone through cracks in the shutters. The sand in the
hourglass had stopped falling long ago. Vysogota, as usual, forgot to turn it around. The wick
of the candle was extinguished, only the ruby glow of the fireplace poorly lit the corner of the
room. The old man stood up and pushed aside the curtain separating the bed from the rest of
the room to give some reassurance to the patient.
The patient was getting off the floor on which she had fallen on a moment before and was
sitting on the edge of the bed, trying to scratch her face under the bandage. Vysogota
coughed.
'I'll ask you not to get up. You are weak. If you want something, call me. I'm always
near.'
'Well, I do not want you to be near,' she said softly, but very clear. 'I want to piss.'
When he returned to collect the chamber pot, she lay on the bed, on her back, massaging
the bandage covering her cheek and was pressed to her forehead and neck with tape. When he
returned after a while, he found her in the same position.
'Four days?' she asked, staring at the ceiling.
'Five. It has been almost a day since we last spoke. You've slept the entire day. That is
good. You need to sleep.'
'I feel better.'
'I'm glad to hear that. Let's remove the bandage. Grab my hand, I will help you sit.'
The wound had healed well; it was dry and was no longer painful when he peeled the
bandage off. She gently touched her cheek and winced. Vysogota knew that it was not from
pain. On each occasion anew she ensured the extent of her injury, aware of the seriousness of
the wound. To ensure – with horror – that what she felt touch previously, was not a fever
induced nightmare.
'Do you have a mirror?'
'No,' he lied.
She looked at him, perhaps for the first time fully conscious.
'Does that mean it is terrible?' she asked, passing her fingers gently over the stitches.
'It is... It is a long, deep wound,' he stammered, annoyed with himself for explaining and
justifying himself to a brat. 'Your face is still very swollen. In a few days, I will remove the
stitches, until then I will put willow bark extract on it. You no longer need to have your
whole head bound up. The wound heals very well.'
She did not answer. She moved her mouth and jaw, twisting her face, trying to see what
her injuries would allow her to do and what not to do.
'I've made chicken soup. Eat.'
'I'll eat. But this time by myself. I do not want to have to be fed like a cripple.'
She ate for a long time. The wooden spoon was lifted to her mouth gently and with such
effort, as if it weighted at least two pounds. But she did it without Vysogota's help, who
watched with interest. Vysogota was curious – and the curiosity was burning. He knew that
with the girl's return to health would begin the exchange of words that might shed some light
on how she mysteriously appeared on the moors. He knew it and could not wait until then. He
had spent too much time living alone in the wilderness.
She finished eating and lay down on the cushions. For a while she looked at the ceiling as
if dead then turned her head. Her extraordinary green eyes, Vysogota thought again, gives
her face a look of childlike innocence, which at the moment shows through her horribly
maimed cheek. Vysogota knew this kind of beauty – the large eyes of an eternal child, was an
appearance that produced in instinctive sympathy. A girl eternal, even when she is twenty,
even after her thirtieth birthday had fallen into oblivion. Yes, Vysogota knew this kind of
beauty. His second wife was the same. His daughter also.
'I have to leave here,' the girl said suddenly. 'And fast. I'm being pursued. You know
that.'
'I know,' he nodded. 'These were the first words you said that despite appearances were
not delusions. More precisely, one of the first. First you asked about your horse and your
sword. In that order. When I assured you that your horse and sword were taken care of, you
came to suspect that I was not an ally of Bonhart and that I was there to heal you, not to
subject you to torture and give you false hope. When, not without difficulty, you realised
your mistake, you introduced yourself as Flaks and thanked me for rescuing you.'
'That's good,' she stared at the cushions, as if to avoid eye contact. 'It is good that I
remembered to thank you. I remember it like in a fog. I did not know what was true and what
was a dream. It bothered me that I had not thanked you. But, my name is not Falka.'
'I also know this, but more by chance. You said it during your fever.'
'I am a fugitive,' she said without turning her head. 'A fugitive. It is dangerous to give me
shelter. It is dangerous to know my real name. I have to get on my horse and leave before I
am discovered...'
'A while ago,' he said mildly, 'you had trouble sitting on the chamber pot. I cannot
imagine how you could sit a horse. But I assure you it is safe here. No one will find you here
with me.'
'They are searching for me. They follow my tracks, searching the surroundings...'
'Calm down. Day after day it has been raining and the rain has washed away all tracks.
And the area is deserted. You're in the home of a hermit who has isolated himself from the
world. So it is too hard for the world to find him. However, if you wish, I can find a way to
bring you news of your relatives and friends.'
'You do not even know how I am...'
'You are a wounded girl,' he interrupted, 'fleeing from someone who does not hesitate to
hurt girls. Do you want me to send a message to someone?'
'There is no one,' she said after a moment, Vysogota caught the change in her voice. 'My
friends are dead. They were all killed.'
He asked no questions.
'I am death,' she continued in a strange voice. 'Everyone who comes into contact with
me, dies.'
'Not everyone,' he denied firmly. 'Not Bonhart. The one whose name you screamed out
in your dreams, that you now want to escape. Your meeting has done more harm to you than
to him. Was it he... who wounded your face?'
'No,' she pressed her lips together to stifle something that could be a moan or a curse.
'Kalous was the one who wounded my face. Stefan Skellen. And Bonhart... Bonhart
wounded me much deeper. More deeply. Did I talk about it in the fever?'
'Relax. You're weak, you should avoid sudden movements.'
'My name is Ciri. '
'I will prepare a compress of monkshood, Ciri.'
'Wait... Could you give me a mirror?'
'I told you...'
'Please!'
He obeyed, he came to the conclusion that it was necessary and it could not wait any
longer. He even brought over a candle. So she could see better what had been done to her
face.
'Well, yes,' she said in a broken voice. 'Yes it is as I imagined it. Almost like I imagined
it.'
He departed and pulled the curtain of blankets closed behind him.
She tried to weep quietly, so he could not hear. She tried with all her might.
***
The next day Vysogota pulled out half the stitches. Ciri rubbed her cheek, hissing like a
snake, complaining of severe pain in her ear and hypersensitivity in her neck under her jaw.
Still, she got up, dressed and went outside. Vysogota did not protest, but accompanied her.
He did not need to help or hold her up. The girl was healthy and was much stronger than she
seemed.
Outside, however, she stumbled. She leaned against the door frame.
'It is...' she exhaled sharply, 'it is cold! It's nearly freezing. It is winter already? How
long have I been in bed? Weeks?'
'Exactly six days. Today is the fifth day of October. But it seems this October will be
unusually cold.'
'The fifth of October?' she frowned, and then hissed with pain. 'How can it be? Two
weeks?'
'What? What is two weeks?'
'It does not matter.' She shrugged her shoulders. 'Maybe I'm wrong... Or maybe not.
Tell me what stinks here so much?'
'Skins. Muskrat, beaver, mink, otter and other tanning skins. Even a hermit has to make a
living.'
'Where is my horse?'
'In the pen. '
The black mare greeted them with a loud snort and Vysogota's goat echoed with a bleat,
which echoed his great displeasure of having to share his accommodation with another
tenant. Ciri embraced the horse's neck and patted him, stroking his mane.
'Where is my saddle and saddle bags?'
'Here.'
He did not protest, make any comment or express any opinion. He was silent, leaning on
his cane. He did not move when she gasped while trying to raise her saddle, did not flinch
when she staggered under the weight and fell awkwardly on the floor covered with straw and
released a loud moan. He did not approached her or help her up. He watched carefully.
'Well,' Ciri said through clenched teeth, while pushing the mare who was trying to stick
his nose through the neck of her shirt. 'It's clear. But I have to leave here, dammit! I have to
go!'
'Where?' he asked dryly.
She massaged her face with her hands while sitting on the straw beside the saddle.
'As far away as possible.'
Vysogota nodded, as if the answer satisfied him, clarified everything and left no doubt.
Ciri rose with effort. She did not even attempt to pick up the saddle and harness. She check to
see if the mare had hay and oats in the pen then began to rub his back and sides with straw.
Vysogota waited in silence and lived to see. The girl stumbled onto the pole supporting the
roof and turned white as a sheet. Without a word he gave her his cane.
'Nothing's wrong. I'm just...'
'Just dizzy, because you are sick and weak as a newborn. Let's go back. You have to lie
down.'
***
About sunset, having previously slept for a few hours, Ciri came outside again. Vysogota,
who had just returned from the river, met her at the hedge of hazel bushes.
'Do not go far from the hut,' he warned. 'Firstly, you're too weak...'
'I feel better.'
'Secondly, it is dangerous. All around are bottomless swamps and endless forests of
reeds. You do not know the trails; you could get lost and drown in the marsh.'
'But,' she said pointing at the bag he carried on his shoulder, 'you know the trails and of
course you travel them whenever you want. It seems to me that the swamps are not so
dangerous. You tan hides for a living that is clear. Kelpie, my mare had oats and I do not see
a field around here in sight. We eat chicken and barley porridge. And bread, real bread, not
cakes. I do not think that you trapped it. So that means there is a village around here.'
'A faultless deduction,' he admitted quietly. 'That means I have received rations from the
nearest settlement. The nearest, but it does not mean that it is close. It lies on the edge of the
marsh. The marsh borders a river. I exchange my furs for food which they bring me in a boat.
Bread, flour, salt, cheese and sometimes chicken or rabbit. Occasionally news.'
There were no questions, so he continued.
'Horsemen have arrived in the village. Twice. The first time they threatened the peasants
with fire and sword, if anyone helped you or hid you. The second time, they promised a
reward for finding your corpse. Your pursuers think that you've succumbed to your injuries
and are lying out here dead somewhere in the forest of fallen trees or brushwood.'
'And they will not rest until they find my dead body,' she muttered darkly. 'I know this
well. They must have proof that I am dead. Without this proof they will not give up. They
will search everywhere. And eventually they will come here...'
'They are very interested in you,' he said. 'Even I would say they are interested in an
extraordinary way...'
She pursed her lips.
'Do not be afraid. I will go before they find me. I will not expose you to danger... Do not
be afraid.'
'Why do you assume that I'm afraid?' he shrugged his shoulders. 'What reason is there to
be scared? Nobody comes here and nobody will be able to find you here. But if you poke
your snout out of the reeds, you will come face to face with your pursuers.'
'In other words,' she threw back her head in a gesture of defiance. 'I have to stay here. Is
that what you meant?'
'You're not a prisoner. You can leave whenever you like. Rather, whenever you are able.
But you can also stay here and wait. The time will come when your pursuers will get
discouraged. They always get discouraged, sooner or later. Always. You can believe me. I
know this.'
Her green eyes sparkled when she looked at him.
'At the end of the day,' the hermit said quickly, while shrugging his shoulders and
avoiding her gaze, 'do what you want. I repeat, I will not keep you here.'
'For now I will not go,' she snorted. 'I feel weak... And the sun is setting... And I do not
know the trails. So let's get back to the hut. I'm freezing.'
***
'You said I've been here for six days. Is that true?'
'Why would I lie?'
'Don't fret. I'm trying to calculate the days... I escaped... I was hurt... The day of the
equinox. The twenty third of September. If you want to count according to the elves, the last
day of Lammas.'
'It is not possible.'
'Why would I lie?' She cried and moaned while touching her face. Vysogota looked on
calmly.
'I do not know,' he replied calmly. 'But I used to be a doctor, Ciri. It has been a long
time, but I can still distinguish a wound inflicted in a few hours to a wound that has been
untreated for four days. I found you on September twenty seventh, thus you were wounded
on the twenty sixth. The third day of Velen, if you prefer to count as the elves do. Three days
after the equinox.'
'I was wounded the day of the equinox.'
'It is not possible, Ciri. You must have mistaken the date.'
'Absolutely not. You are probably using an out-dated calendar, hermit.'
'As you wish. Is it so important?'
'No. Not at all.'
***
Three days later, Vysogota took out the last of the stitches. He had every reason to be
please and proud of his work – the stitching was straight and clean, there was no fear of dirt
being tucked in the wound. The surgeon's satisfaction was only marred by watching Ciri star
at the scar in gloomy silence, trying different angles with a mirror and trying to hide it,
without success, by throwing her hair over her cheek. The scar had disfigured here. A fact is a
fact. There was nothing she could do. Nothing could help her pretend that it was not there.
Still red and swollen like a rope, dotted with the traces of the sting of the needle and marked
with the signs of the thread, the scar looked truly macabre. It was possible that the condition
might show a slow or rapid improvement. However, Vysogota knew there was no possibility
that the scar would disappear or cease to disfigure her.
Ciri was feeling much better, to Vysogota's amazement and satisfaction and no longer
spoke of leaving. He took the black mare, Kelpie from his the pen. Vysogota knew that in the
north, Kelpie was a sea monster that could according to superstition take the form of horse, a
dolphin or even a beautiful woman, but in its real form it looked a lot like sea weed. Ciri
saddled the mare and rode around the pen and hut, after which she returned Kelpie to the pen
to keep company with the goat, and Ciri returned to the hut to keep Vysogota company.
She started to help him – probably out of boredom – when working with the skins. While
he separated the otter skins into size and tone, she divided the muskrats in backs and bellies
and stretched the skins over a table that they had brought into the house. Her fingers were
extremely nimble.
It was while during this task a strange conversation occurred between them.
***
'You do not know who I am. You could not even imagine who I am.'
She repeated this trivial statement several times and it bothered him a bit. Of course she
fail to notice his annoyance, it would have lowered him to betray his feelings to a brat like
that. No, he could not let it happen, but neither could he betray the curiosity that devoured
him.
A curiosity that was unfounded, because he could have easily guessed who she was. In
the days of Vysogota's youth, gangs were not uncommon. The years have passed, but it could
not eliminate the magnetic force with which these gangs attracted a girl eager for adventure
and strong emotions. Which often led to their undoing. The brats who came out of it with a
scar on their face could say that they had been lucky. For the less lucky they could expect
torture, the gibbet, the axe or the stake.
Ha, from the time of Vysogota only one thing has changed – progressive emancipation.
The band attracted not only the young males but also crazy girls who preferred swords,
horses and the unbridled life than needles, dishes and waiting for suitors.
Vysogota did not tell her directly, but gave her a sufficiently clear note that he knew with
whom he was dealing with. To make her aware that if there was a mystery here it was surely
not this girl – a girl who was on the road with a gang of bandit teens and had miraculously
escaped from a trap. A disfigured brat trying to surround herself with a halo of mystery...
'You do not know who I am. But do not worry, I'll go soon. I will not expose you to
danger.'
Vysogota had had enough.
'What sort of danger?' he said. 'Even if your pursuers found you here, which I doubt,
what harm could befall me? Assisting runaway criminals is punishable, but not to a hermit
since he is not aware of the world. My privilege is to accommodate everyone who comes into
my hermitage. Well, you say I do not know who you are. How could I know, a hermit, who
you are, if you committed a crime and why the law is chasing you? And what law? I do not
even know whose law applies in this region and who the representatives of this law are. I do
not care and it has never interested me, I'm a hermit.'
He realised he had gone too far. But he would not budge. Her green eyes were full of rage
and pierced him like knives.
'I'm a poor hermit. Dead to the world and their work. I am a simple man, uneducated,
ignorant of worldly affairs...'
He exaggerated.
'Sure!' she cried, throwing the skin and the knife onto the floor. 'Do you take me for a
fool? Well do not think that I am so stupid. A simple hermit. When you were gone I looked
around your hut. I looked into that corner covered by the curtains. Where you have many
books of science on the shelves, uh, a simple and uneducated man?'
Vysogota threw an otter skin onto the pallet.
'They belonged to a local tax collector,' he waved his hand carelessly. 'When he died, the
villagers did not know what to do with them and brought them to me. They are land registers
and accounting books.'
'You're lying.' Ciri winced and rubbed her scar. 'You are clearly lying to me!'
He did not answer, pretending to evaluate the next skin tone.
'You think,' she continued, 'that because you have a white beard, wrinkles and a hundred
years on the neck that you can effortlessly fool an innocent girl, huh? Well I'll tell you – the
first duck to pass through here may have been deceived. But I'm not a duck.'
He raised his eyebrows in silent but provocative question. She did not let him wait too
long.
'I, dear hermit, I have studied in places where there were many books, and with some of
the same title that are on your shelves. I know many of those titles.'
Vysogota raised his eyebrows even more. She looked him straight in the eye.
'Incredible tales,' she said, 'you told the ragged tomboy, the dirty orphan, the thief or
bandit you found in the reeds with the smashed face. But you should know, sir hermit, that I
have read the History of the World by Roderick de Novembre. I went over and over again,
the works that bear the titles Materia medica and Herbarius, which is the same one you have
on your shelf. I also know what the ermine cross on a red shield embossed on the backs of
your books mean. It is a sign that the books were made at the University of Oxenfurt.'
She paused, still staring intently. Vysogota was silent; he struggle to make sure his face
did not betray anything.
'So I think,' Ciri said, throwing back her head in a move that was characteristic of her,
proud and somewhat violent, 'that you are not a simpleton or a hermit. That you did not leave
voluntarily from the world, but you ran away from it. And you hide here in the wilds, masked
between the impassable swamps.'
'If so,' Vysogota smiled, 'then our luck has joined in a very strange way, my well-read
maiden. Destiny has put us together in mysterious ways. At the end of the day, you too, Ciri,
are hiding. At the end of the day, you too, Ciri, deftly weave around you a veil of
appearances. I'm old and full of suspicions and mistrust, embittered by age...'
'Towards me?'
'Towards the world, Ciri. A world where appearances take the deceptive mask of truth to
expose other truths, but is false as well as attempting to deceive. To a world in which the
shield of the University of Oxenfurt is painted on the doors of brothels. To a world where a
ragged bandit is knowledgeable, wise and may even be of noble birth, who is an intellectual
and scholar who reads Roderick de Novembre and knows the seal of the Academy. Against
all appearances. Against the fact that they themselves carry another mark. A criminal tattoo, a
red rose etched near the groin.'
'You're right,' her lips tightened and her face flushed so intense that the line of the scar
was almost black. 'You're a bitter old man. And a musty busybody.'
'On my shelf, behind the curtain,' he said with a nod, 'is the Aen N'og Mab Taedh'morc,
a collection of short storied and Elven prophecies. In there is a story that fits this situation and
conversation. It is the story of the old raven and the swallow. Just like you, Ciri, I'm a
scholar, so I would like to recite a short passage, I hope my memory does not disappoint. The
raven, as I remember, accuses the swallow of rashness and inappropriate levity:
Hen Cerbin dic'ss aen n'og Zireael
Aark, aark, caelm foile, tee veloe, ell?
Zireael...
He stopped and leaned his elbows on the table and placed his chin onto his extended
fingers. Ciri shook her head, straightened up and looked at him defiantly. She finished the
poem.
...Zireael veloe que'ss aen en'ssan irch
Ma bog, Hen Cerbin, vean ni, quirk, quirk!
'The embittered, suspicious old man,' Vysogota said after a moment of silence,
'apologizes to the educated maiden. The old raven, who sense fraud and deceit everywhere,
begs forgiveness from the swallow, whose only fault is that it is young and full of life. And
pretty...'
'Now you're raving,' she grumbled, covering the scar on her face in an unconscious
movement. 'You can save the compliments. They will not mend the scar left on my skin.
Don't think that is how you are going to win my trust. I still do not know who you really are.
Why you lied to me about the days and dates. And why you looked between my legs when
the wound was on my face. And if you were limited to just looking.'
This time she managed to upset him.
'How dare you, kid?' he cried. 'I could be your father!'
'My grandfather,' she corrected him icily. 'Or my great-grandfather. But you're not. I do
not know who you are. But surely not the person you are pretending to be.'
'I am the one who found you in the swamp, nearly froze to the bone, with a black mask
instead of a face, unconscious, filthy and dirty. I am the one who brought you home but did
not know who you were and had the right to imagine the worst. Who cured you and lay you
on a bed. Gave you medicine when you were burning with fever. Who took care of you. I
washed you. Very carefully. Also in the vicinity of the tattoo.'
Ciri calmed down, but her eyes did not lose the challenging and insolent look.
'In this world,' she snapped, 'there are those with deceptive appearances that put on a
mask of truth, as you yourself have said. I also know a little about how this world works. You
saved me, treated and cured me. Thank you. I am gratefully for your... Kindness. But I know
there is no kindness without...'
'Self interest and hope of a favour,' he finished with a smile. 'Yes, I know. I am a man of
the world, who knows the world as well as you, Ciri. Young women who have been deprived
of everything that has any value. If you are unconscious or too weak to defend yourselves,
they usually give free rein to lust and appetite, often depraved or unnatural. Is it not true?'
'Nothing is as it seems,' Ciri replied, blushing again.
'An accurate statement,' said the hermit, while adding another skin to the appropriate lot.
'And how inevitably it leads to the conclusion that we, Ciri, we know nothing about each
other. We know only the appearances and they lie.'
He waited a moment, but Ciri did not hasten to say anything.
'Although we both have succeeded in making a preliminary inquiry, we still don't know
anything. I do not know who you are, you do not know who I am...'
This time he deliberately waited. She looked at him and her eyes burned with the question
he was expecting. Her eyes flashed when she asked:
'Who will start?'