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7 The Lady of the Lake.txt
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7 The Lady of the Lake.txt
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THE LADY OF THE LAKE
They kept riding until they came to a large, beautiful lake full of crystal clear water, and
in the middle of the lake, Arthur saw an arm clothed in white cloth holding a beautiful sword.
'Behold, there is the sword of which I spoke,' pointed Merlin.
Suddenly they saw a girl walking on the surface of the lake.
'Who is that girl?' asked Arthur.
'That is the Lady of the Lake,' said Merlin.
Sir Thomas Malory
Le Morte Darthur
Chapter One
The lake was enchanted. About that there could be no doubt.
Firstly: it lay beside the mouth of the enchanted valley Cwm Pwcca, the mysterious
valley perpetually shrouded by fog and famed for its magical properties and phenomena.
Secondly: one look was enough.
The surface of the water was a deep blue like a polished sapphire and smooth as a mirror.
So much so that the peaks of the mountain Y Wyddfa that were reflected in it were more
beautiful than those that loomed over the lake. From the water blew a refreshing coolness and
the dignified silence was disturbed by nothing, not even the splashing of fish or the cries of a
bird.
The knight shook off the impression. But rather than continue riding along the crest of the
hill, he led his horse down to the lake. As if drawn by the magnetic force of a spell that
slumbered there, deep down in the dark waters. The horse stepped timidly among the broken
rocks, giving a snort indicating that he sensed the magical aura of the place.
Upon reaching the bank the knight dismounted. He took the stallion's bridle and led him
to where small waves disappeared among the coloured pebbles.
His armour rattled when he knelt. Startling fry and fish as vivid as tiny needles, he
scooped water into his hands. He drank slowly and cautiously, the ice cold water numbed his
tongue and lips and hurt his teeth.
When he bent down to collect water a second time a sound travelled over the surface of
the lake. He raised his head. The horse whinnied, confirming that he also heard it.
He listened. No, it was not an illusion. What he heard was singing. A woman singing. Or
rather a girl.
Like all knights he had been raised with bard tales of chivalry. In these tales a girl singing
or calling was in nine cases out of ten, a lure. The knight who followed inevitably fell into an
ambush. Often fatal.
But curiosity won out. The knight was only nineteen years old. He was very courageous
and very foolish. He was famous for one and known for the other.
He checked that his sword was in its sheath, then led his horse and set off up the beach in
the direction of the singing. He did not have to go far.
The shore was strewn with huge boulders, dark and polished to a bright shine, giant toys
carelessly tossed here and forgotten about after completing the game. Some of the boulders
were lying in the water of the lake, under the dark surface. Some rose above the surface and
were licked by small waves, giving the impression of being ridges of a sleeping Leviathan.
But most of them were lying on the shore, from the beach to the forest. Some were buried in
the sand and were only partially sticking out, leaving the imagination to guess how big they
really were.
The singing which the knight heard came from just behind those boulders. The singing
girl remained invisible. He pulled his horse, holding him buy the muzzle and nostrils so as to
stop him from neighing or snorting.
The girl's clothes lay on one of the boulders lying in the shallows, flat like a table. The
girl herself stood naked, waist-deep in the water and was washing, singing and splashing in
the process. The knight listened to her singing but did not understand the words.
And no wonder.
The girl, he would be his head, was not human. This was demonstrated by the slender
body, the strange hair colour and the voice. He was sure that if she turned around he would
see big almond shaped eyes. And if she swept her ashen hair back he would see ears ending
in points.
This was a resident of Faerie. A fairy. One of the Tylwyth Teg. One of those, which the
Picts and the Irish called Sidhe Daoine, the People of the Hills. One of those that the Saxons
called elves.
She stopped singing for a moment and immersed herself up to her neck, she panted and
snarled and cursed. The knight, however was not fooled. Fairies, as everyone knew, knew
how to swear like a human being. Some said as obscenely as a stable boy. And the curse was
often a prelude to some malicious trick, which fairies were famous for – for example,
increasing the size of someone's nose to the size of a cucumber or reducing the size of
someone masculinity to the size of a bean.
The knight had no interest in neither the first or the second option, so he tried to slip away
quietly. He was betrayed by a horse. Not his own mount who he still held it's nostrils so he
was quiet and calm, but the horse belonging to the fairy, which the knight did not initially
noticed between the boulders. Now the pitch-black mare stamped at the gravel and neighed in
greeting. The knight's stallion shook his head and replied politely. The echo reaching across
the water.
The fairy came splashing out of the water, presenting the knight for a moment all her
glory pleasant to the eye. She threw herself toward the rock on which lay her clothes. But
instead of grasping clothes to decently cover herself with, the fairy grabbed a sword and
pulled it from its scabbard with a hiss, clutching the steel with amazing skill. It lasted a brief
moment, after which the fairy quickly knelt down, hiding in the water up to her nose and
holding her arm with the sword in it above the surface of the water.
The knight blinked in amazement, dropped the reins and bent his knee, kneeling in the
wet sand. He understood immediately who it was before him.
'Hail, O Lady of the Lake,' he breathed while stretching out his hands, 'it is an honour, a
tremendous honour... I accept your sword.'
'I'd prefer if you rose and turned around,' the Fairy poked her mouth above the water. '
Maybe stop staring? And let me get dressed?'
He obeyed.
He heard her leaving the water and the rustling of clothes and the sound of her swearing
softly as she pulled them onto her wet body. He busied himself staring at the black mare, its
coat soft and shiny like the skin of a mole. It was definitely of noble blood and fast like the
wind. It was undoubtedly a magic horse, and also an inhabitant of Faerie, as well as its
owner.
'You can turn around.'
'Lady of the Lake...'
'And introduce yourself.'
'I am Galahad, of Caer Benice. A knight of King Arthur, Lord of Camelot, ruler of the
Kingdom of Summer, as well as Dumnonia, Dyfeint, Powys, Dyfed...'
'And Temeria?' she interrupted. 'Redania. Rivia, Aedirn? Nilfgaard? Would you say any
of these names?'
'No. I have never heard of them.'
She shrugged her shoulders. In her hand, besides the sword she was holding boots and a
shirt, washed and wrung out.
'I thought so. What day is it?'
'It is,' he replied with surprise, 'the second full moon after Beltane... Lady...'
'Ciri,' she said unthinkingly, twisting her shoulders to better position the clothes drying
on her skin. She spoke with a strange accent. Her eyes were green and huge...
She instinctively brushed back her wet hair and the knight sighed involuntary. Not only
because her ear was normal, human and in no way elven. Her cheek was marred by a huge,
ugly scar. She had been injured. But how can you injure a fairy?
She noticed his astonished gaze, she narrowed her eyes and wrinkled her nose.
'A scar, yes!' she said with her striking accent. 'Why do you look so frightened? Is it
such an uncommon thing for a knight, a scar? Or is it so ugly?'
He slowly, with both hands pulled down the hood of his chain mail and passed his hands
through his hair.
'Certainly not an uncommon thing for a knight,' he said with youthful pride,
demonstrating a barely healed scar running from his temple to his jaw. 'And nasty are the
scars of honour. I am Galahad, son of Lancelot du Lac and Elaine, daughter of King Pelles,
Lord of Caer Benic. This wound was caused to me by Breunis the Cruel, an undignified
oppressor of women, even though I beat him in a fair duel. Truly, I am honoured to take this
sword from your hand, Lady of the Lake...'
'What?'
'The sword. I am willing to accept it.'
'This is my sword. I don't let anyone touch it.'
'But...'
'But what?'
'The Lady of the Lake has always... Always emerges from the water and gives her
sword.'
She was silent for some time.
'I understand,' she said finally. 'Well, another country, another custom. I'm sorry,
Galahad or whatever your name is, but apparently you have not found the lady of which you
have heard. I am not giving away anything. Or letting anything be taken. Let's be clear.'
'But yet,' he dared to say, 'you've come from the Faerie, Lady, is it so?'
'I come,' she said after a moment, her green eyes seemed to stare into the abyss of space
and time. 'I come from Rivia, and from the city of the same name. Next to the lake Loc
Eskalott. I came her on a boat. It was foggy. I could not see the edges. I heard neighing.
Kelpie... My mare had followed me.'
She spread her wet shirt out on a stone. The knight gave a start again. The shirt was
washed, but not very thoroughly. He could still see traces of blood.
'The river current brought me here,' continued the girl, without seeing that he had noticed
or pretending not to see. 'The river current and the magic of the unicorn... What do you call
this lake?'
'I do not know,' he admitted. 'In Gwynedd there are many lakes...'
'In Gwynedd?'
'Of course. Those are the mountains, Y Wyddfa. If you keep them to your left and if you
go through the forest for two days you'll arrive at Dinas Dinlleu and beyond that Caer Dathal.
And the river... The nearest river...'
'It's not important what the nearest river is. Do you have anything to eat, Galahad? I'm
starving. Why are you looking at me like that? Are you afraid that I'll disappear? That I'll fly
off with your sausage and biscuits? Don't be afraid. In my world I have created enough mess
and I won't be going back for some time. So I will stay in yours for a time. In a world in
which I search in vain for the Dragon or the Seven Goats in the night sky. Where we are now
in the second full moon after Belleteyn and Belleteyn is pronounced Beltane. Why do you
stare at me, I ask you?'
'I did not know that fairies eat.'
'Fairies, sorceresses and elves. They all eat. They drink. And so on.'
'What do you mean?'
'It does not matter.'
The longer he studied her, the more she lost her magical aura and became more humane
and ordinary – almost mundane. He knew, however, that such was not the case, it could not
be. A plain, ordinary girl would never have been met alone at the foot of Y Wyddfa, on the
edge of Cwm Pwcca, bathing naked in a mountain lake and washing a blood-stained shirt. No
matter how the girl looked, in no case could she be an earthly creature. Despite knowing this,
Galahad could look calmly and without superstitious fear at her mouse coloured hair, which
to his amazement now that it was dry, was traversed by shiny streaks of grey. He could now
look at her slender hands, her little nose, her pale lips her male clothing with a strange cut,
made with an extremely delicate fabric. And her sword, with its strange design and
ornaments, but did not seem like an ornament for parades. And her bare feet, covered with
the dry sand of the beach.
'To be clear,' she spoke, wiping one foot with the other, 'I'm not a fairy or an elf. A
sorceress, that is, a fairy, I'm... a little unusual. Ehh, I'm not.'
'I'm sorry, really.'
'Why are you sorry?'
'They say...' he blushed and stammered. 'They say that fairies, if they happen to
encounter a young man, they lead them to Elfland and there... Under the bushes in a forest, on
a bed of moss, show them...'
'I understand,' she looked at him quickly and firmly bit the sausage. 'In regards to the
Land of the Elves,' she said swallowing, 'I fled there some time ago and I'm in no hurry to
return. With regards to the bed of moss... Indeed, Galahad, you have not found the lady that
was needed. Nevertheless, thank you for your interest.'
'Lady! I did not mean to offend you...'
'Do not apologise.'
'It's because you are so beautiful.'
' I thank you again. But this changes nothing.'
They were silent for a while. It was hot. The sun at it zenith warmed the stones nicely. A
slight breeze wrinkled the surface of the lake.
'What does it mean..' Galahad suddenly said in a strangely exalted voice. 'What does it
mean, a spear with bloody tip? What does it mean and why does the King suffer so, from a
pierced thigh? What does a lady in white carrying a grail a silver cup...'
'Are you feeling alright?' she interrupted.
'I'm just asking.'
'I do not understand your question. Is it a password? A signal with which to recognise
initiates? Explain it to me.'
'I cannot explain better.'
'Then why do you ask?'
'Because...' he said, fidgeting. 'Just... One of us did not ask we he had the opportunity.
Either he could not find the words or her was ashamed... He did not ask and that is why many
misfortunes have occurred. So now I always ask. Just in case.'
***
'Are there any wizards in this world? You know, those dealing in magic. Mages. Seers.'
'There is Merlin. Or Morgana. But Morgana is evil.'
'And Merlin?'
'About half.'
'Do you know where to find him?'
'Of course. In Camelot. In the court of King Arthur. I'm headed there.'
'Is it far?'
'From here to Powys, to the river Hafen, then up the Hafen to Glevum. From there it is
near to the plains near the Kingdom of Summer. All in all about ten days riding.'
'Too far.'
'You can,' he stammered, 'shorten the journey by going through Cwm Pwcca. But it is an
enchanted valley. It is horrible. There live the Y Dynan Bach Teg, evil dwarves...'
'Do you only wear your sword for show?'
'And can a sword do anything against magic?'
'Can do, can do, do not doubt. I'm a witcher. Have you heard of them? Eh, of course you
haven't heard. And I'm not afraid of dwarves. I have many friends among the dwarves.'
Sure, he thought.
***
'Lady of the Lake?'
'My name is Ciri. Do not call me Lady of the Lake. It brings back unpleasant memories,
painful, harmful. So they called me in the Land of... What did you call this land?'
'Faerie. Or as the Druids say: Annwn. Or Elfland by the Saxons.'
'Elfland...' she covered her shoulders with a chequered blanket. 'I was there, you know? I
entered the Tower of the Swallow and bam, I was among the elves. And that's what they
called me. Lady of the Lake. I even liked it at first. It flattered me. Until I realise that in that
land, in that tower over the lake, I was no lady, but a prisoner.'
'Is that,' he could not hide his curiosity, 'where you stained your shirt with blood?'
She paused for a long time.
'No,' she said at last, and her voice it seemed was trembling slightly. 'Not there. You
have keen eyes. In short, you cannot escape the truth by hiding your head in the sand... Yes,
Galahad. I'm often covering in blood in recent times. With the blood of the enemies I've
killed. And with the blood of friends who I tried to save... and who died in my arms... Why
do you look at me like that?'
'I do not know if you are a goddess or a mortal woman. Or a supernatural being born on
earth...'
'Get to the point if you please.'
'I wish,' Galahad's eyes flared, 'to hear thy story. Would you tell me, O Lady?'
'It is long.'
'We have time.'
'And it does not end happily.'
'I do not believe that.'
'Why?'
'You were singing as you bathed in the lake.'
'You are observant,' she turned her head, pursed her lips and a wrinkled marred her face
suddenly. 'Yes, observant, But very innocent.'
'Tell me thy story. Please.'
'Well, if you want,' she sighed. 'I will tell.'
She sat down comfortably. The horses walked along the edge of the forest, grazing on
grasses and herbs.
'From the beginning,' Galahad prompted. 'From the very beginning...'
'More and more, it seems to me' she said after a moment, tightly wrapping the plaid
blanket around her, 'my story actually has no beginning. I'm not even sure whether it has
actually ended. Know that the past and the present intermingle terribly. There was an elf who
told me that it is like a snake that bites it own tail. This snake, so you know, is called
Uroboros. And if he bites his own tail it means the circle is closed. In any moment of time is
hidden the past, present and future. In any moment of time lies eternity. Do you understand?'
'No.'
'It doesn't matter.'
Truly, I say, who believes in dreams is like one who wants to catch the wind or is
grasping at shadows. Fooled by deceptive images in a curved mirror that lies or twists the
truth like a false woman. It is a fool indeed who gives faith to the dream and walks the path of
deception.
But even he who has few dreams should not put faith in them and wisely does not. Why, if
dreams would not have any meaning, would the gods gift us the ability to dream?
The wisdom of the prophet Lebioda, 34; 1
Is all that we see or seem
But a dream within a dream?
Edgar Allan Poe
Chapter Two
A breeze wrinkled the steaming cauldron that was the surface of the lake, scattering thin
ribbons of morning mist. The oarlocks squeaked and rumbled rhythmically, a bright spray of
droplets showered from the oars.
Condwiramurs put her hand on the railing. The boat was sailing at a slow speed and the
water rose and fell just over her fingers.
'Ah ah,' she said, putting as much sarcasm in her voice as she could. 'What a speed! We
seem to be flying over the waves. My head is spinning!'
The rower, a short, stocky, thickset man, growled something angry and indistinct, not
even raising his head of overgrown curly hair, worthy of a sheep. The adept was already fed
up of the muttering, grunting and growling, with which the man used to answer her questions.
'Careful,' she said with difficulty, maintaining the peace. 'From rowing so rapidly you
could overturn the boat.'
This time the man lifted his face, with skin that was as dark as if it had been tanned. He
muttered, coughed and pointed with his gray stubble chin to a line mounted on the rail on a
wooden reel that disappeared into the water, straining with the motion of the boat. Apparently
convinced that the explanation was enough, he continued rowing. With the same pace as
before. Oars up. Pause. Lower the oars half into the water. Long pause. Pull. An even longer
pause.
'Ah,' Condwiramurs said looking at the sky. 'I understand. It is important that the lure
that you drag behind the boat must move at the proper speed and the proper depth. Fishing is
important. Nothing else matters.'
It was so obvious that the man did not even both to grunt.
'Well, who cares,' Condwiramurs continued her monologue, 'that I have been travelling
through the night? That I'm hungry? That my ass hurts and itches from the hard, wet bench?
That I have to pee? No, it is only important to catch fish. And it is pointless anyway. The lure
that we are dragging behind us in the middle of the stream is not going to catch anything.'
The man raised his head and gave her an ugly look. Condwiramurs flashed her teeth in a
sly smile. The man continued to row slowly. He was angry.
She collapsed on the bench at the stern and crossed her legs. So that the slits in her shirts
were as visible as possible.
The man grunted and pulled on the oars with his calloused hands, pretending not to
watched anything but the tow rope. Of course, the speed of the rowing did not accelerate. The
adept sighed in resignation and turned to watch the sky.
The oarlocks creaked, shiny droplets splashed from the paddles.
From out of the quickly lifting fog appeared the outline of an island. And rising above it
the dark obelisk of a domed tower. The man, sitting with his back to it was aware that they
had almost arrived. Taking his time, he placed the oars inside the boat, stood up and began to
slowly wind the rope on the reel. Condwiramurs still with her legs crossed, whistled and
watched the sky.
The man slowly rolled up the end of the fishing line and began to view the lure – a shiny
brass spoon equipped with a triple hook tail of dyed wool.
'Oh, nothing caught,' Condwiramurs said sweetly, 'What a shame. I wonder why you
were so unlucky? Maybe the boat was moving too fast?'
The man gave her a look that said a lot of ugly things. He sat down, coughed, spat
overboard grabbed the oars in his gnarled hands and bent his strong back. The oars splashed,
stirring in the oarlocks and the boat was launched across the lake like an arrow, the water
roared and foamed at the bow and circled in whirls at the stern. The distance separating them
from the shore was about the quarter of the length of a crossbow shot and they covered the
distance in two grunts. The boat slammed into the sand with such force that Condwiramurs
fell off the bench.
The man muttered, coughed and spat. The adept knew that translated into the language of
civilized people as "Get out of my boat, annoying witch!" She also knew that she couldn't
count on his arms to get her out. She took off her shoes, lifted her skirt of a provocative
height and lowered herself from the ship. She swallowed a curse as the shells on the shore
dug painfully into her feet.
'Thank you,' she said through clenched teeth, 'for the ride.'
Without waiting for the next grunt and not looking back, she walked barefoot towards the
stone stairs. All the hardships and pains had fled without a trace, erased by her growing
excitement. She was here on the island of Inis Vitre, on the lake Loc Blest. It was an almost
legendary place where only a chosen few visited.
The morning fog had lifted almost entirely, the red ball of the sun began to shine strongly
in the heavens. Above the water, crying seagulls circled and flew around the battlements of
the tower.
At the top of the staircase leading from the shore to a terrace, leaning against a statue of
crouching, grinning chimera, was Nimue.
The Lady of the Lake.
***
She was delicate and small, she was no larger than five feet. Condwiramurs heard
mention that as a young girl they called her "Thumbelina," now she saw the nick name was
appropriate. But she was sure that for a least half a century no one had dare say that to the
little sorceress.
'I'm Condwiramurs Tilly,' she introduced herself with a nod, a little embarrassed, still wit
her shoes in her hand. 'I am happy that you have invited me to your island, Lady of the
Lake.'
'Nimue,' the little sorceress corrected. 'Nimue and nothing else. We can forgo the titles
and epithets, Lady Tilly.'
'In that case, I'm Condwiramurs. Condwiramurs and nothing else.'
'Then, with your permission, Condwiramurs. We'll talk over breakfast. I guess you are
hungry.'
'I will not deny it.'
***
The breakfast was rye bread, cottage cheese with chive butter, eggs and milk. Serving it
was two very young, quiet and maid who smelled of starch. While dinning Condwiramurs felt
the stare of the small sorceress.
'This tower,' Nimue said, watching ever movement of her visitor, her every bite, 'has six
floors, including one underground. Your room is on the second floor, you'll find all the
necessary comforts. On the ground floor, you see, is for the management of the house, here is
where then rooms for the servants are. In the basement is the laboratory and in the first and
third floors are the library and the gallery. To all these floors you have free access and use to
all the equipment that is in them, whenever you want.'
'I understand. Thank you.'
'In the upper two floors are my private rooms and office. In those rooms I was absolute
privacy. For the future to avoid misunderstandings, note that in this respect I am very
sensitive.'
'I respect that.'
Nimue turned her head towards the window, through which one could see the gruff
fisherman who had managed to unload all of Condwiramurs luggage and now carried in his
boat a reel, nets and other paraphernalia of the art of fishing.
'I'm a little old fashioned,' she continued. 'But some things I'm used to using some
things with exclusive rights. Toothbrushes, for example. My private rooms, my library, my
bathroom. And the Fisher King. Please do not try and use the Fisher King.'
Condwiramurs nearly choked on her milk. Nimue's face expressed nothing whatsoever.
'And if...' She continued before the woman regained speech. 'And if he was interested to
use you, reject him.'
Condwiramurs, swallowed and finally nodded her head, refraining from make any
comments. Although she was about to say a stinging rejoined, that rural fisherman were not
her type. Especially when they have a gray head and manifest themselves as morose louts.
'So,' Nimue said emphatically. 'We have made our introductions. It is time to move on to
more specific things. Do you want to know why out of so many candidates I choose precisely
you?'
Condwiramurs, if she thought a bit before answering, would only show that she was
pretending not to show too much pride. She however, concluded that to show Nimue false
modesty, even if it was only a very small degree, would sound too fake.
'I'm the best at the academy,' she replied coolly, objectively and without boasting. 'In my
third year I had the second best rating in oneiromancy.'
'I could have brought to me the first.' Nimue said, painfully sincere. 'Incidentally, you
were proposed to me with honours. Even quit strongly, because apparently you are the
daughter of someone important. As for dreaming, dear Condwiramurs, you know, that
oneiromancy it is a somewhat fickle gift. Failure can happen to even the best dreamer.'
Condwiramurs again refrained from a brisk replay that its failures can be counted on the
fingers of one hand. After all, she was speaking with a master. It is necessary to know peace
in matters large and small, as one of her professors are the academy was fond of saying.
Nimue's reward for her silence was a nod of approval.
'I have detailed reports on you,' she said. 'I know that you do not need the help of
dreaming dugs. I am glad, because I do not tolerate drugs.'
'I dream without drugs,' Condwiramurs confirmed with pride. 'With oneiromancy it is
enough for me if I have an anchor.'
'What?'
'Well, an anchor,' the adept cleared her throat. 'Something that the subject who I'm
dreaming about is somehow associated with. Any personal belongings. Or a picture...'
'A picture?'
'Yes. I'm never wrong with a picture.'
'Oh.' Nimue smiled. 'Oh if a picture helps, then we will not have a problem. If you have
finished breakfast, let's go, the best and second best among the oneiromancers. It would be
good for me to explain the other reasons why it is I chose you as an assistant.'
The stone walls emitted cold, which even the dark wood panelling and carpeting wasn't
able to stop. She felt cold even through the soles of her shoes.
'Beyond these doors,' Nimue pointed out, 'is the laboratory. As I mentioned, you can use
it as you wish. Of course, I recommend caution. Moderation is advised, especially id you try
and force a broom to carry water.'
Condwiramurs laughed out of politeness, even though it was an old joke. All the
professors in her lectures entertained jokes that related to the mythical trouble of the
legendary magician's apprentice.
The staircase wound up like a sea serpent, and it seemed to have no end. It's stages were
high and steep. Before they arrived, the young adept was panting and sweating, but Nimue
seemed to appear not affected in any way by the effort.
'This way please,' she opened a oak door. 'Beware the threshold.'
Condwiramurs entered and sighed.
The room was a gallery. Its walls were covered with paintings from floor to ceiling. There
hung huge oil paintings, old chipped and cracked miniatures, engravings, and yellowed
woodcuts, faded watercolours and sepia. There also hung here recent works – vivid colours,
modernist tempera and gouache, aquatints and etchings of clean strokes, contrasting prints
and mezzotints, which attracted the eye with its sharp black spots.
Nimue stopped before a picture that was hanging closer to the door, depicting a group of
people gathered under a huge tree. She looked at the canvas, then Condwiramurs and her
silent gaze was extraordinary eloquent.
'Dandelion,' the adept said, realising the point was not to wait, 'singing ballads at the foot
of the oak Bleobheris.'
Nimue smiled and nodded. She took a step and stood before another picture. Watercolour.
Symbolism. Two female figures on a hill. Gulls circling above them, beneath them , on the
slopes of the hill, a procession of shadows.
'Ciri and Triss Merigold. The prophetic vision at Kaer Morhen.'
Smile, nod, step, another picture. A rider on a galloping horse, a misshapen double row of
alders, stretching out their arms their branches towards him. Condwiramurs felt a chill go
through her.
'Ciri... Hmmm... Apparently her night ride to her meeting with Geralt at the Halfling
Hofmeier's farm.'
The next picture, a dark oil painting. A battle scene.
'Geralt and Cahir defending the bridge on the Yaruga.'
Then faster and faster.
'Yennefer and Ciri, their first meeting in the temple of Melitele. Dandelion and the dryad
Eithne, in the woods of Brokilon. The company of Geralt during a blizzard on the mountain
pass of Malheur...'
'Well done,' Nimue praised. 'A excellent knowledge of legend. Now you know the
second reason why you are hear and not someone else.'
***
Above the ebony table at which they sat, was dominated by a large canvas depicting a
battle scene, it seemed to be the Battle of Brenna, a key moment in the battle or a tacky scene
of a death of a hero. The canvas was beyond a doubt the work of Nicholas Certosy, you could
tell by the expression, the perfect attention to details and the artist's lighting effects.
'Yes, I know the legend of the Sorceress and the Witcher,' said Condwiramurs . 'I dare
say, down to the smallest detail. As a child I loved this story, I literally listened to the story
and read it many times. I dreamed to be Yennefer. But I'll be honest – even if it was love at
first sight, even if they were explosively passionate... It was not eternal.'
Nimue raised her eyebrows.
'I learned that the history,' said Condwiramurs, 'was a popular abbreviation for young
people, Later I naturally read a few of the so-call full and serious versions. Dilated to the
border of redundancy and sometimes beyond. Then my passion was replaced by cool
reflection and the passionate flare turned into something like a marriage of convenience. You
know what I mean?'
Nimue's nod was barely perceptible confirming that she knew.
'In short, I prefer those legends that cling more to the legendary conventions, and do not
mix fiction with reality and do not try and combine the simple and straightforward moral of a
fairy tale with amoral historical truth. I prefer the legends without the prefaces of the
encyclopaedists, archaeologists and historians. Those whose conventionalism are free of
experiments. I prefer that if the prince comes to the top of Crystal Mountain and kisses
Sleeping Beauty, she wakes up and the two live happily ever after. Yes, no other, should end
a legend... Who painted this portrait of Ciri? The one on the stand?'
'There is not one portrait of Ciri,' the voice of the little sorceress was dry. 'Neither here
nor anywhere in the world. There remains not a single portrait or miniature painted by
someone who has seen Ciri or even remembers her. The portrait on the stand shows Pavetta,
Ciri's mother. It was painted by the dwarf, Ruiz Dorrit, the court painter for the rulers of
Cintra. It was documented that Dorrit portrayed Ciri when she as ten years old, but the picture
had not been preserved. Let us go back to the legend and your relationship with it. In your
opinion how should legends end?'
'They should have a good ending,' she insisted. 'Good must prevail. Evil must be
punished by way of example; the lovers are joined together until the end of life. And none of
the good heroes may due, dammit! And the legend of Ciri? How does it end?
'Exactly. How?'
Condwiramurs was speechless for a moment. She had not expected such a question; she
smelled a test, an exam, a trap. She stopped to avoid being caught.
How ends the legend of Ciri and Geralt? After all, everyone knows that.
She stared into the dark tones of the watercolour depicting the clumsy barge moving
along the surface over a misty lake, a figure standing on the barge was only visible as a black
silhouette.
This is how the legend ends. That's right.
Nimue read her mind.
'It is not that certain, Condwiramurs. It is not that certain.'
***
'The legend,' said Nimue, "I first heard from the lips of a wandering storyteller. I was
village child, the fourth daughter of a poor cottager. The most beautiful memories from my
childhood are days when the wandering storyteller Pogwizd came to our village. I could
forget for a few moments my work and in my mind's eye I could see these fabulous wonders,
see this wide open world... A beautiful and miraculous world... Further and more wondrous
than the town nine miles away... I was about six or seven years old. My sister was fourteen
and she was beginning to slouch from the eternal toil. A woman's destiny. We were
preparing for it since childhood. Slouching! We were constantly stooped, bending our backs
to work, to care for the child because the weight of your gut has yet to recover from
childbirth... It was these stories of the old man that made me begin to desire more than just
toil and bending, dream more of giving birth, a husband and children. The first book I bought
with the money I got for the sale of blueberries I picked in the forest was the legend of Ciri.
This version as you aptly put it was softened and modified for young people. This was the
version for me. I read poorly. But even then I knew what I wanted. I wanted to be like
Philippa Eilhart or Sile de Tansarville, and Assire var Anahid...'
Both looked at the gouache, representing a table in the hall of a castle with women sitting
around it. Legendary women.
'At the Academy,' continued Nimue, 'in which I entered on the second attempt, I was
concerned with only the legend of the Grand Lodge and its aspect in the history of magic
lectures. I had no time for reading for pleasure at first; I had to occupy my time... to keep
pace with the daughters of earls and bankers for which everything was easy, they laughed at a
village girl...'
She paused, then snapped her fingers.
'Finally,' she went on. 'I found time for reading, but then I realised that the adventures of
Geralt and Ciri held far less interest to me that they did in my childhood. It appears to be a
similar syndrome with me as with you. What did you call it? A marriage of convenience?
That was until...'
She paused and wiped her hands over her face. Condwiramurs noticed with astonishment
that the little sorceress's hand trembled.
'I was about eighteen when... when it happened. Something that revived the legend of
Ciri in me. I started to deal with it seriously and scientifically. I devoted my life to it.'
The adept was silent and listened intently.
'Do not pretend like you did not know,' Nimue said sharply. 'Everyone knows that the
Lady of the Lake is possessed by an almost unhealthy obsession with the legend of Ciri.
Everyone gossips about how it started out as a harmless hobby that gradually turned into
something like a drug addiction, or even mania. There are a lot of truth in these rumours, my
dear Condwiramurs, a lot of truth! And you, if you chose to assist will also falling to mania
and addiction. Because I demand it. At least for the duration of your practice. Do you
understand?'
The adept nodded.
'You seem to understand,' Nimue controlled her emotions. 'But I'll explain. Gradually.
And when the time comes, you'll know everything. But for now...'
She paused and looked out the window at the lake, at the black silhouette of the boat of
the Fisher King, a contrast to the shimmering, golden surface of the lake.
'For now, rest. Look around the gallery. Look in cabinets and shelves and you'll find
albums and cardboard prints, all related to the legend. In the library are all versions and
transformations of the legend and almost all the scientific literature. Give them some time.
Look, read, concentrate. I want you to get inspiration to dream. An anchor, as you say.'
'I'll do it. Lady Nimue?'
'I'm listening.'
'The two portraits. These hanging side by side...Are these not Ciri?'
'There are no portraits of Ciri,' Nimue patiently repeated. 'Later artists portrayed her only
in scenes, each according to his own imagination. As for the portraits, the one on the left is a
variation on the chosen topic, it is the elf Lara Dorren aep Shiadhal, a person who the painter
could not have known. The painters name is Lydia van Bredevoort. One of her surviving oils
still hangs in the academy.'
'I know. And the other portrait?'
Nimue looked for a long time at the portrait of a young girl with blond hair and sad eyes.
She was dressed in a white dress with green sleeves.
'Robin Anderida painted it,' she said, she turned to look Condwiramurs straight in the
eye. 'And whom it portrays... That is for you the dreamer and oneiromacy to find out. Dream
this. And tell me your dream.'
***
Master Robin Anderida saw the Emperor approaching first and bent low in a bow. Stella
Congreve, Countess of Liddertal, stood up, curtsied and with a quick gesture motioned for the
girl sitting in the carved chair to do the same.
'My greeting, ladies,' Emhyr var Emreis nodded his head. 'And my greetings to you,
Master Robin. How is your work?'
Master Robin grunted embarrassed and bowed again, nervously wiping his fingers on his
apron. Emhyr knew that the artist suffered from severe agoraphobia and was pathologically
shy. But who cared about that. What mattered was how he painted.
As usual, when he was travelling on the road, the emperor was wearing an officer's
uniform of the "Impera" Guard Brigade – black armour and cloak embroidered with a silver
salamander. He stepped closer and examined the portrait. First the portrait, then the model, a
slender girl with blond hair and sad eyes. In a white dress with green sleeves and wearing a
necklace with a single jewel.
'Excellent,' he said deliberately into space and in such a way that it was not possible to
estimate what was praised. 'Excellent, Master. Please continue, do not pay any attention to
me. If you will allow me a moment, Countess.'
He walked a few steps towards the window forcing her to follow him.
'I'm leaving,' he said quietly. 'Affairs of state. Thank you for your hospitality. And the
princess. Well done, Stella. You really should be commended. Her too.'
Stella Congreve curtsied deeply and with grace.
'The Imperial Majesty is exceedingly kind to us.'
'Do not praise the day before sunset.'
'Oh...' she pursed her lips slightly. 'Is that so?'
'It is.'
'What is it, Emhyr?'
'I do not know,' he said. 'In ten days we resume the offensive in the North. It promises to
be a difficult, very difficult war. Vattier de Rideaux reveals new conspiracies and plots
directed against me. The reasons of state my force many different things.'
'This girl is not guilty of anything.'
'I said: reasons of state. Reasons of state have nothing to do with justice. At the end of the
day...'
He waved a hand.
'I want to talk to her. Alone. Come on, Princess. Faster. Closer. The Emperor
commands.'
The girl curtsied deeply. Emhyr measured her with his eyes, looking back to that fateful
audience in Loc Grim. He was full of praise, nay, even admiration for Stella Congreve, who,
within the six months that had elapsed since then, had managed to transform a clumsy ugly
duckling into a young aristocrat.
'Leave us,' he said. 'Take a break, Master Robin, say, to clean your brushes. You,
Countess, please wait in the anteroom. And you, Princess, follow me to the terrace.'
The wet snow that had fallen during the night had melted in the early morning sun, but
the rooftops and towers of the caste Darn Rowan were still wet and blazing in the sun like
fire.
Emhyr approached the balustrade. The girl, according to court etiquette kept one step
behind him. With an impatient gesture, he beckoned her to come closer.
The Emperor was silent for a long time, he leaned with both hands on the railing, staring
out at the hills and the evergreen yews that grew on them. Clearly distinguishable from the
white rocky limestone recesses. Below them the river gleamed lick a silver river winding
through the gorge.
The wind brought the scent of spring.
'I seldom come here,' Emhyr said. The girl remained silent.
'I seldom come here,' he repeated, turning away. 'It is a beautiful and peaceful place.
Beautiful surroundings... Do you agree?'
'Yes... Imperial Majesty.'
'You can smell spring in the air. Have you noticed?'
'Yes, Imperial Majesty.'
From the lower courtyard they heard a noisy clatter disturbed by singing and the ringing
of horseshoes. The escort, which had already received the order to depart, were in a hurry to
get ready to leave. Emhyr remembered that among the guards was one who sang. Often
regardless of the circumstances.
Look down on me regretfully
Eyes of azure
And give me graciously
Your charms
Remember me regretfully
In the dark night-time
Do not deny me graciously
The desire that dwells within you
'A beautiful ballad,' he said thoughtfully, passing his fingers over his heavy gold,
imperial chain.
'Beautiful. Imperial Majesty.'
Vattier assures me that he is already on Vilgefortz's trail. That locating him will be a
matter of days, weeks at most. The heads of traitors will fall and the true Ciri, Princess of
Cintra will be delivered to Nilfgaard.
And before the genuine Cirilla, Princess of Cintra comes to Nilfgaard, I will have to do
something with the double.
'Lift up your head.'
She obeyed.
'Do you have any wishes?' he asked sternly. 'Requests? Complaints?'
'No, Imperial Majesty, I do not.'
'Really? That's interesting. No, but then I cannot command that you had. Raise your
head, as befits a princess. Stella taught you courtly manners?'
'Yes, Imperial Majesty.'
In fact, he thought, they trained her really well. Rience first and then Stella. They taught
her the role – certainly under threat of torture and death. They warned her that the part that
she would have to play before a ruthless and unforgiving audience. Before the terrible Emhyr
var Emreis, Emperor of Nilfgaard.
'What is your name?' he asked sharply.
'Cirilla Fiona Elen Riannon.'
'Your real name.'
'Cirilla Fiona...'
'Do not try my patience. Name!'
'Cirilla...' the girl's voice broke like a reed stalk. 'Fiona...'
'Enough, by the Great Sun,' he said through clenched teeth, 'Enough!'
In a breach of etiquette, she sniffed loudly. Her lips trembled but etiquette did not forbid
it.
'Calm down,' he ordered, albeit in a low voice, almost soft. 'What do you fear? Are you
ashamed of your own name? Are you afraid to tell me? Does it raise unpleasant memories? I
only ask because I would like to address you by your real name. But I must know what it is.'
'It's nothing,' she said, her big eyes suddenly sparkled like emerald in the glow of
candles. 'Because it is a bland name, Imperial Majesty. A person who wears it is a nobody.
As long as I'm Cirilla Fiona, I mean something... As long as...'
Her voice stuck in her throat so rapidly that she instinctively raised her hands to her neck,
as if what she had on was not a necklace, but a choking garrotte. Emhyr continued to measure
her with his eyes, still full of praise for Stella Congreve. At the same time he also felt anger.
Unfounded anger and therefore even more terrible.
What I do want from this child, he thought, feeling the anger rising in him, as it boiled
and seethed like soup in a cauldron. What I do want with this child whose...
'Know that I had nothing to do with your kidnapping girl,' he said sharply. 'I had nothing
to do with your kidnapping. I gave no such orders. I was fooled...'
He was angry with himself, aware that he was making a mistake. He should have ended
this conversation long ago, ended it with grace, with power, menacing, like an emperor. It
was necessary to forget about this girl with the green eyes. The girl did not exist. She was a
double. An imitation. She did not even have a name. She was nobody. The emperor does not
ask for forgiveness, does not apologise to someone who...
'Forgive me,' he said, the words sounded strange, unpleasantly sticking to his lips. 'I
made a mistake. Yes, it's true, I am guilty of what happened to you. Guilty. But i give you
my word that you will come to no danger, no injustice, no harm, no threat. Do not be afraid.'
'I'm not afraid,' she lifted her head and etiquette notwithstanding meet his gaze. Emhyr
flinched, struck by the honesty and trust in her eyes. He immediately straightened, the proud
and noble emperor once more.
'Ask of me what you want.'
She looked at him again, and he involuntarily recalled countless time when he had
bought in this way the peace of mind for the damage of his meanness. He secretly enjoyed
selfishly paying the off so cheaply.
'Ask of me what you want,' he repeated and by the fact that he was tired, his voice
became a little more human. 'I will fulfil your every wish.'
Do not look at me, he thought. I cannot bear that look. People are apparently afraid to
look at me. What do I have to fear?
Fuck Vattier and his reasons of state. If she asks for it, I'll take her home to where she
was abducted. Perhaps in a golden coach with six horses. She simply has to ask.
'Ask of me what you want,' he repeated.
'I thank you, Imperial Majesty,' said the girl, lowering her eyes. 'His Imperial Majesty is
very noble and generous. If i could ask for anything...'
'Speak.'
'I want to stay here. Here at Darn Rowan. At the home of Lady Stella.'
He was not surprised. He sensed something.
Tact prevented him from asking the questions that would be humiliating to them both.
'I gave my word,' he said coldly. 'My will be done.'
'Thank you, Your Majesty.'
'I gave my word,' he repeated, 'and I will honour it. However, I think you chose wrong.
You did not choose that which you desire. If you change your mind...'
'I will not change,' she said when it was clear that the emperor was not going to finish.
'Why would I change my mind? I have chosen Lady Stella, I have chosen things that I have
experienced in my life so little... A house, warmth, kindness... Love. You cannot make a
mistake when choosing something like that.'
Poor, naive, little thing, thought Emhyr var Emreis, Deithwen Addan yn Carn aep
Morvudd – The White Flame Dancing on the Barrows of his Enemies. It is such desires that
are filled with the most terrible mistakes.
But something – perhaps long-forgotten memories, prevent the Emperor from saying it
out loud.
***
'Interesting,' Nimue said, when she heard the story. A very interesting dream. Were there
any others?'
'Bah!' Condwiramurs cut the top off of the boiled egg with a knife. 'My head is still
spinning after that parade! But this is normal. The first night in a new place always produces
chaotic dreams. Do you know, Nimue for us, it is claimed that our talent lies in the fact that
we have dreamlike visions. We do not use hypnosis or a trance; our visions are no different
from other people's dreams, in intensity, or abundance or content. Unlike us, and this is what
our talent determines. We remember our dreams. Rarely do we forget what we dream of.'
'Because you have atypical and typical activities in your endocrine glands,' said the Lade
of the Lake. 'Your dreams are, and I'm trivialising a bit, nothing more than a body dedicated
to endorphins. Like most innate magical talents, yours is also prosaically organic in origin.
But why am I explaining something that you yourself already know. Do you remember any
more dreams?'
'A young boy,' Condwiramurs frowned, 'travelling with a pouch over his shoulder
through fields. It is early spring, the fields are empty. Willows... along the edges of the road.
Willows bent, hollow and deformed... and bare, yet still with leaves. The boy walks and looks
around. It is dark. In the sky there are stars. One of them is moving. It is a comet. A reddish,
flickering spark, diagonally crossing the sky...'
'Good,' Nimue rejoiced. 'While I have no idea about who you were dreaming of, I can
pinpoint the date. The Red Comet was visible for only six days in the spring of the year of the
Peace of Cintra. More specifically, in the first days of March. In other dreams do you
experience time stamps?'
'My dreams,' Condwiramurs snorted, taking solace in her egg, 'are not an agricultural
calendar. They do not have dated subtitles. But for the record, I also dreamed of the Battle of
Brenna, probably because I looked for a time at the canvas by Nicholas Certosy in your
gallery. And the date for the Battle of Brenna is also known. It was also in the same year as
the comet, unless I am mistaken.'
'No, you are not wrong. Was there something special about the dream of the battle?'
'No. A chaos of horses, people and weapons. People screamed and killed. Someone,
surely a mad man, shrieked – "The Eagles! The Eagles!"'
'What else? You said that there was a whole parade of dreams.'
'I do not remember...' Condwiramurs paused.
Nimue smiled.
'Well,' the adept said, wincing hard, preventing the Lady of the Lake from delivering any
mocking comments. 'Yes, sometimes I forget. Nobody is perfect. I repeat, My dreams are
visions, not some organised shelves in a library...'
'I know,' Nimue said. 'We are not doing this to test your abilities as a dreamer, we are
analysing the legend. The riddles and blank spaces. It goes pretty well for us, as in the first
dream you've discovered who was the girl in the portrait, The double of Ciri who Vilgefortz
attempted to deceive Emperor Emhyr...'
She stopped because into the kitchen came the Fisher King. He bowed, muttered and
pulled out a loaf of bread, a bottle and a package wrapped in cloth from the cupboard. Then
he turned to leave, not forgetting to bow and grunt.
'He is lame,' Nimue said with ill-concealed sympathy. 'He was seriously wounded in a
hunt with a wild boar which gored his leg. That's why he spends so much time on the boat.
With the oars and fishing he forgets about his injures. He is a very decent and good man. And
I...'
Condwiramurs remained politely silent.
'I need a man,' said the little sorceress impartially.
I also, thought the adept. The devil, as soon as I return to the Academy, I'll let someone
seduce me. Celibacy is food, but not for longer than one semester.
Nimue snorted.
'If you've finished eating and dreaming, let's go to the library.'
***
'Let's get back to your dream.'
Nimue opened a folder, she turned and took out several sheets of sepia wash drawings.
Condwiramurs immediately recognised the captured scene.
'The audience at Loc Grim?'
'Of course. The double is present in the imperial palace. Emhyr pretending that he has
been deceived and putting a good face on things. Here, look, the ambassadors of the Northern
Kingdoms, for who his performance is played. And here we see the Nilfgaardian dukes. They
feel humiliated, the emperor has rejected their noble daughters and so despised their offers of
alliances. They stand aside, whispering, planning revenge, conspiracy, murder. The double
stands before the throne with her head bowed. The artist has done this to emphasize her
mystique, even her features are hidden under the veil on her face. This is basically everything
we know about the false Ciri. No version of the legend mentions what happened to her later.'
'It's not hard to imagine,' Condwiramurs said sadly, 'that fate was not kind to the girl.
When Emhyr got the original, and we all know that he acquired her, he got rid of the forgery.
In the dream I sensed no tragedy, and in principle I should have felt something if... On the
other hand, what I see in dreams is not necessarily the real truth. As with any person, my
dreams reflect my desire, longing... And fears.'
'I know.'
***
The discussed until lunchtime, looking through folders and bundles of prints. The fishing
must have been good to the Fisher King because the lunch was grilled salmon. For dinner,
too.
That night, Condwiramurs slept poorly. She had eaten too much.
She did not dream of anything. She was a little angry and embarrassed by it, but Nimue
showed no concern.
'We have time,' she said. 'Before us are many more nights.'
***
The tower of Inis Vitre had several bathrooms, truly luxurious, plush, lined with marble
and gleaming with brass, it was heated by pipes whose furnace was located somewhere in the
basement. Condwiramurs could laze in the bath for hours, but today she met Nimue in the
sauna, a small log cabin with a landing that went out into the lake. They sat together on a
bench in the steam rising from red-hot stones washed down with water, flicking themselves
with birch brushes. Salty sweat ran down into their eyes.
'If I understand correctly,' Condwiramurs wiped her face, 'the end result of my
experience on Inis Vitre should be to answer all the riddles and blank spaces in the legend of
the Sorceress and the Witcher?'
'You are correct.'
'By day, by examining images and discussions, it should prepare me for the night, when I
have the power to dream, about that event that is now completely forgotten and what really
happened? '
This time Nimue did not consider it necessary to confirm this. She got up and poured
water from a bucket onto the stones. The hot steam took their breath away for a moment. The
rest of the bucket of water, Nimue poured on herself. Condwiramurs admired her figure.
Thought tiny, the sorceress was built extraordinarily proportionately. The body and supple
skin of the sorceress could envy many a young girl. Condwiramurs was only twenty-four and
she envied her.
'But even if I dream of something,' she continued, wiping her sweaty face again, 'how
can I be sure that what I dreamed was the true version? I certainly do not know...'
'Let's halt this discussion for a while,' cut off Nimue. 'We go out. I'm already tired of
sitting in this slow cooker. Let's refresh. And then we'll talk.'
As it was part of the ritual. They ran out of the sauna, their bare feet pattering on the
boards of the landing and with a loud cry jumped into the cold water. Once they had dipped,
they swam to the landing and wrung out their hair.
The Fisher King, alarmed by the splashing and yelling, looked back from his boat, he
shaded his eyes with his hand, then immediately turned around and devoted himself to his
fishing tackle. Condwiramurs considered this behaviour offensive and reprehensible. Her
opinion of the Fisher King had greatly increased when she noticed the time that he did not
spend fishing he spent reading. He walked with a book, even to the bathroom, and it was
nothing less than Speculum Aureum, a work both profound and intellectually challenging. So
if it was true that in her early days on Inis Vitre, Condwiramurs was somewhat astonished by
the inclinations of Nimue, they had now stopped. It was clear that the Fisher King was an
uncouth lout only in appearance. Apparently, such behaviour was considered a secure mask.
Nevertheless, thought Condwiramurs, it is an unforgivable insult and an affront turning
towards this rods and bait when there were two women parading naked, with bodies worthy
of nymphs, from which the eyes should not be able to break away.
'If I dream something,' she returned to the subject at hand as she wiped her breasts with
a towel, 'what guarantee do we have that it is the true version? I know all the literary versions
of the legend, from Dandelion's Half a Century of Poetry, to Andre Ravix's Lady of the
Lake. I know all of Reverend Jarre's, various scientific treatises on the popular editions that I
will not even mention. All of these readings have left a trace, had an effect, I am not able to
eliminate this from my dreams. Is there a chance to break through the fiction to dream the
truth?'
'There is.'
'How high?'
'The same as,' Nimue nodded towards the boat on the lake, 'which the Fisher King has.
You see how he tirelessly checks his hooks. They anchor weeds, roots, submerged stumps,
trunks, old shoes and the drowned devil knows what else. But from time to time he catches
something.'
'So happy fishing then,' Condwiramurs sighed and began to dress. 'Let us set the bait and
start fishing. Look for the real version of the legend inside the upholstery and lining of an old
trunk and hope to find a false bottom. And what if there is no false bottom? With all due
respect, Nimue, but we are not the first in this fishery. What are the chances that some details
escaped the attention of historians and the researchers who fished in front of us? Do we even
have a minnow left?'
'They left,' Nimue said with conviction, combing her hair, 'Blank spaces filled with
rhetoric and fabrications. Or wrapped in silence.'
'Like what?'
'For example, the witcher's winter stay in Toussaint. All version of the legend dispose of
this episode with a short sentence: "The heroes spent the winter in Toussaint." Even
Dandelion, who devoted two chapters to his adventures in the Duchy, is surprising enigmatic
in terms of the witcher. Is it not worth it to find out what happened this winter? After
escaping from Belhaven, and meeting with the elf Avallac'h in the underground complex of
Tir na Bea Arainne? After the skirmish in Caed Myrkvid and the adventure of the Druids?
What did the witcher do in Toussaint from October through to January?'
'What did he do? Hibernated!' snorted the adept. 'Before the spring thaw, he would not
be able to cross the mountain passes, and so he spent the winter bored. It is not surprising that
later writers relieved piece of boredom with a terse: "Winter passed by." But if you need, I'll
try to dream something. Do we have a picture or a drawing?'
Nimue smiled.
'We have lots of pictures.'
***